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stieglitz

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Journal Article
South Atlantic Quarterly (2002) 101 (3): 519–539.
Published: 01 July 2002
... refer to the memoirs of Alfred Stieglitz. Stieg- litz’s short text ‘‘How The Steerage Happened’’ has been discussed at length by Alan Sekula and The South Atlantic Quarterly Summer Copyright © by Duke...
Journal Article
South Atlantic Quarterly (1970) 69 (4): 461–468.
Published: 01 October 1970
... to a nation that had barely acquiesced in the nineteenth-century phenomenon of Impressionism. And it was he who impressed the dealer Alfred Stieglitz with the desirability of Max Weber Rediscovered 463 staging a Henri Rousseau memorial show at his avant-garde Gallery 291, giving Americans their first...
Journal Article
South Atlantic Quarterly (1949) 48 (2): 322–323.
Published: 01 April 1949
.... Dawson, of the Folger Shakespeare Library, outlines clearly the development of copyright practices for plays in the early seventeenth century. Dr. Williams struck an ironic note in repeating a story which Alfred Stieglitz used to tell. He would say, If there were two doors and over one was written...
Journal Article
South Atlantic Quarterly (1949) 48 (2): 321–322.
Published: 01 April 1949
.... Williams struck an ironic note in repeating a story which Alfred Stieglitz used to tell. He would say, If there were two doors and over one was written, This way to see God and over the other, This way to hear a lecture about God, everyone would rush toward the second door for the implications...
Journal Article
South Atlantic Quarterly (1957) 56 (1): 20–26.
Published: 01 January 1957
... by the efforts of a combination of Jewish banking houses in Western Europe, especially the RussianJewish financier, Alexander von Stieglitz, to market a Russian loan of some fifty million rubles toward the end of the Crimean War. To Marx this was more than a practical illustration of [an amoral] system of loan...
Journal Article
South Atlantic Quarterly (2002) 101 (3): 441–448.
Published: 01 July 2002
... the discourses not only of technology and aesthetics, but of history and politics as well. Liu demonstrates this meticulously in reading pictures by Alfred Stieglitz, August Sander, and Liu’s immigrant father. By the same token, the speed of photography can not only expose what is invisible to the naked eye...
Journal Article
South Atlantic Quarterly (1991) 90 (3): 469–481.
Published: 01 July 1991
... as it renders this society of the linguistically dispossessed. Elsie and her sisters can only flutter and flaunt / sheer rags before succumbing without any emotion except terror. In the absence of what in his essay America and Alfred Stieglitz he calls a related culture, potentially love-like interactions...
Journal Article
South Atlantic Quarterly (1980) 79 (4): 375–385.
Published: 01 October 1980
... accurate word would have been existentialism (although, needless to say, that term gained currency only much later). As Stieglitz once put it, all lived moments are equally true, equally important. Only in being true to all moments can I be true to any. 18 But the defenders of the modernist art...
Journal Article
South Atlantic Quarterly (1994) 93 (2): 421–443.
Published: 01 April 1994
... to America gives way to the experi­ ence of the immigrant. The immigrant is the literary personification of the disillusionment that replaced the Americanism of the 1920s, Celine's Modernity 431 a persona who exists for us through the photographs of Stieglitz or Lewis Hine, in which masses of immigrants...