... a terrible snoring sound and looking at us with bright blue eyes. The other died soon too: his leg was severed and folded back beneath his body. He cried for his mother for some time. 1 don t think 1 can stand any more of this. God knows our age needs it written that way about Hiroshima, about the Gulag...

...Ronald R. Butters The Treatment of Sounds in Language and Literature . By Chapman Raymond . Oxford and London : Basil Blackwell and Andre Deutsch , 1984 . Pp. 262 . $29.95 . Copyright © 1986 by Duke University Press 1986 208 The South Atlantic Quarterly Surely Lewis...

... of incommensurate populist styles, all appealing to different versions of what civil society should feel like and how it should sound. © 2010 Duke University Press 2010 A G A I N S T the D A Y Lauren Berlant Opulism The editors of this section ask about...

... gives way to surface and movement, and literary meaning, to the rapture of mere sound—is experienced as bodily joy and bodily vulnerability. That destitution helps clarify why Zoo does not evade the ethical dilemmas of sex with animals; by linking zoophilia to cinematic absorption, Zoo makes its mode...

... . Musical score . matthewburtner.com/syntax-of-snow-2 . Burtner Matthew . 2011a . “EcoSono: Adventures in Interactive Ecoacoustics in the World.” Organised Sound 16 , no. 3 : 234 – 44 . Burtner Matthew . 2011b . “Syntax of Snow: Musical Ecoacoustics of a Changing Arctic...

.... At the time of the Big Ring, unknown forces brought the universe into being. The sounding itself, the ringing of that first note is the creation, which ever since has been expanding, dividing, and echoing. It is reverberating even now. David Hykes I had a hot blues out, man. I d be driving my truck...

... such objects as screws or bolts between the piano strings. Though Cage thought he could ‘‘possess’’ sounds by controlling how they were produced, he soon realized that acoustic results depended on cer...

... or issues from a formidable piece of electronic equipment. Yet how can one place a composer like Hindemith (for instance) in the company of the beep/blop magnetic-tape sound producers? Only by asserting that every age is endowed with a loose yet essential philosophical coherence which gives it identity...

... or issues from a formidable piece of electronic equipment. Yet how can one place a composer like Hindemith (for instance) in the company of the beep/blop magnetic-tape sound producers? Only by asserting that every age is endowed with a loose yet essential philosophical coherence which gives it identity...

... a million copies of the Fear of a Black. Planet album; a year when the Gangster scene re­ defined graphic and Hammer and Ice redefined crossover. It was a year when there could be no more arguing that rap sounded like any one thing, or even any two things. Despite the increasing perception among...

... Copyright © by Duke University Press. Tseng 2003.2.21 07:22 118 Celeste Langan Christabel—sounds and visions of dubious origin, spiritual possession, a family curse, and, of course, a scene of transgender or homosexual...

... of suggestion. And when Keats did use it, he failed to make his readers hear the sound or feel the sensible effects as Milton succeeded in doing almost invariably. Straight with sudden swell and full, Sweet music breathed her soul away (End. Ill, 768.) or the beautiful, Spenser-like passage describing...

... organizes his dis­ cussion of Stevens in terms of a comparison and contrast with Whitman and refers to the theories only when they are helpful in clarifying a particular point. Despite the intelligence of Wallace s interpretation of individual poems and the soundness of his thesis that humor (or comedy...

... looked up: I dat hongry, she said, I could admon­ ish er hawg! This same nasalized sound of ong for ung is found in the pro­ nunciation of monkey, in the old dance-catch: Who da duh mongkey de mongkey? Who da duh mongkey?" The cocoa-nut is called mongkey-nut, perhaps from the resem­ blance...

...John D. Groppe Ritualistic Language John D. Groppe Edward Sapir defined language as a symbolic means of communi­ cating our thoughts, needs, and emotions by a system of voluntary produced symbols. 1 However, Sapir defined only one use of the system of sound and written symbols that we use...

... on from twenty-two to twenty-four sounds: three to five vowels, seventeen to twenty-two consonants, and no diphthongs (contrasted with forty-six English sounds: twelve vowels, twenty-five consonants, and nine diph­ thongs). As Dr. Lillian O Connor, former president of the New York Speech Association, has...

... breadth of view and comprehensive sympathies. That these are coming is one of the hopeful signs of our time. Close akin to the first is the second sign of promise of which I will speak the tendency, in recent times so pronounced, to shift the emphasis from correctness of creed to soundness of life. I do...

... it might ultimately be put. I hope that as in rap, while the contents of the individual tracks may sometimes sound familiar, the final mix may be less so. This essay is composed of six different tracks (two more than the Beatles had at their disposal), conceived at different occasions (as re­ corded parts...

...John Bennett Copyright © 1908 by Duke University Press 1908 Gullah: A Negro Patois By John Bennett, Esquire Of Charleston, South Carolina There is a patois spoken in the mainland and island regions, bordering the South Atlantic Seaboard, so singular in its sound as constantly to be mistaken...

... sounding. And one might be justiŒed, therefore, in saying that what we have called planning here should really be called policy. By policy we mean the way The Undercommons tried to make a distinction between a form of think- ing that imposes individuation by assuming it policy and a form of living...