...Birgit Meyer One of the key features of Pentecostal/charismatic churches is their sensational appeal. Taking as a point of departure the experience of the Holy Spirit as a “portable,” embodied power source, this essay seeks to contribute to developing alternative concepts that expand our view of...

... no mysteries for her. She recalls seeing it cleaned by daylight, handling all its parts, and “understanding its whole structure.” It was a different story at night, in a darkened room, when “my panics were really unaccountable. They were a matter of pure sensation without any intellectual...

... Logos and this involved, beyond mere instrumentality, the eternal ele- vation of Christ’s human nature, including his body, to unity with the God- head, all human sensation is likewise eternally raised higher than its origi- nally created dignity.8 As the Eastern Orthodox tradition has emphasized...

... Wallace Jackson offers his sensations of otherness embodied in the complex field that is the painting. Whatever we abstract from this field—I will return to this subject later—is never anything more than our own construct...

... author of Victorian Photography and Literary Nos- talgia (Oxford University Press, 2004) and the coeditor of Literature and Sensation (Cambridge Scholars Press, forthcoming), and she has recently published essays on aspects of nineteenth-century optical illusion in ELH and Victorian Studies. Ian...

... organize sociabilities within and across temporalities present, past, and future. Departing from theories of the senses that emphasize their cultural codings (Classen 1993; Howes 2003, 2009; Howes and Classen 2013), I emphasize sensation as embodied, as something that “occurs without having to rely...

... . 2013 . Radical Sensations: World Movements, Violence, and Visual Culture . Durham, NC : Duke University Press . TallBear Kim . 2015 . “ An Indigenous Reflection on Working beyond the Human / Not Human .” GLQ 21 , nos. 2–3 : 230 – 35 . Teaching American History in South Carolina...

... same volume, and editor of a recent issue, ‘‘Affect and Sensation of the Australian and New Zealand Journal of Art is professor of German and general and comparative liter- ary studies at the University of Siegen, Germany. He recently edited Schnitt- stelle: Medien und Kulturwissenschaften, with...

... sensations (scratch) disused minds’ excavation metaphor (matter for thought) play-words armoured toys (cut killer lines) brain slam-dunk (junk-yard punk bard) WORD-cry centralise intelligence create cretinous populace dry-eye-cry in white-wallet wash dopest flow-streams at the...

...— bodies moving from place to place and experiencing sensations as they encounter other persons and animals—rather than depth. To read certain literary texts about animals in this context is to perceive their exploration of a form of absorption not correlated to experience of psychological...

... dispensable. This is no doubt why, like Charles Dickens, George Eliot, and the sensation novelists, Brontë forced her protagonists to straddle a conceptual divide between the biologi- cal body providing the envelope of a unique consciousness and one’s mem- bership, by virtue of that same body, in a...

... 19 , no. 2 : 161 – 73 . Puar Jasbir . 2012 . “ Coda: The Cost of Getting Better: Suicide, Sensation, Switchpoints .” GLQ 18 , no. 1 : 149 – 58 . Puar Jasbir . 2017 . The Right to Maim: Debility, Capacity, Disability . Durham, NC : Duke University Press . Puar...

... Chain, or Commons? ” American Behavioral Scientist 52 : 405 – 25 . Massumi Brian . 2002 . Parables for the Virtual: Movement, Affect, Sensation . Durham, NC : Duke University Press . Mazzarella William . 2017 . “ Sense out of Sense: Notes on the Affect/Ethics Impasse...

... pleasure or pain provoked by an external sensation of the contingent and the spontaneous. The indetermi- nacy of the aesthetic, however, occurs differently in each case. The beauti- 560 Toni Ross ful involves a pacifying pleasure found in the prospect of a future harmony between a given form and an...

... do not relate ourselves directly to the Other, but indirectly. Thus, for example, touch is the mediation between myself and the Other, since though it is distinct from these two sides of the opposition, yet at the same time it unites them. Here, therefore, as in sensation...

... sensations that are related to horror view- ing, including calm/shivering, pleasure/pain, and looking/looking away, when women are visually and conceptually confronted by the idea of their wedding dresses being ruined. A basic aspect of horror is being “caught by surprise.” Characters in...

... cognition, they, like ašect, involve sensations or bodily feeling (Ahmed 2015). The relatedness of ašect and emotion is also visible in the capacity of ašects “to be retained, to accumulate, to form dispositions and thus shape subjectivi- ties” (Watkins 2010: 269; Seigworth and Gregg 2010). This...

... sense, as the privi- leged medium, it is not a medium at all. In this section we’ve seen how uses of number contribute to that understanding for the BFBS. In terms of transparency the BFBS’s appeal to number—“sensational statistics,” as Zemka puts it33—is meant to stand above and beyond any...