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Journal Article
South Atlantic Quarterly (1991) 90 (4): 855–870.
Published: 01 October 1991
...Alan Light Copyright © 1991 by Duke University Press 1991 Alan Light About a Salary or Reality? Rap s Recurrent Conflict In 1990, rap dominated headlines and the pop charts as never before. Large segments of the American public were introduced to rap or at least forced to confront its exis­...
Journal Article
South Atlantic Quarterly (1905) 4 (4): 332–339.
Published: 01 October 1905
Journal Article
South Atlantic Quarterly (1913) 12 (4): 314–326.
Published: 01 October 1913
Journal Article
South Atlantic Quarterly (1914) 13 (2): 118–128.
Published: 01 April 1914
Journal Article
South Atlantic Quarterly (1915) 14 (1): 1–14.
Published: 01 January 1915
Journal Article
South Atlantic Quarterly (1954) 53 (2): 203–212.
Published: 01 April 1954
Journal Article
South Atlantic Quarterly (1991) 90 (4): 771–784.
Published: 01 October 1991
... to find a song by trying out genres (New Orleans rhythm & blues, gospel) before settling on doo-wop for what became The Obvious Child. Rap composing, of course, is the prototype for this songwriting procedure. Concentrating on rhythm (to the extent of eliminating the vocal melody line), working almost...
Journal Article
South Atlantic Quarterly (1991) 90 (4): 871–906.
Published: 01 October 1991
..., Reggae Videos, or Rap City on other channels, I watched Yo! MTV Raps and the Top 20 Video Countdown because I could find them regularly. I thought that the Countdown would show the most popular videos, but it wasn t that simple. Top 20 lists are compiled from national album sales, video airplay, MTV...
Journal Article
South Atlantic Quarterly (1991) 90 (4): 635–647.
Published: 01 October 1991
... their massive sales, still retained some­ thing of an outsider s edge: rap and heavy metal. Given how polarized our society became during the Reagan years, it is impossible not to see elements of racial and class prejudice in that development. While both genres have very much entered the mainstream, the core...
Journal Article
South Atlantic Quarterly (2005) 104 (3): 501–507.
Published: 01 July 2005
... University Press. 502 Amiri Baraka and Theodore A. Harris Dis is THE CAPITAL of HELL H. Box Brown Was how I found Out this mammy jamma Was upside down. Like H. Rap later Box had to split From the subjugator &theyslaveryshit God called Box...
Journal Article
South Atlantic Quarterly (2005) 104 (3): 425–444.
Published: 01 July 2005
... for playing the recording, fining them $7,000 for indecent lan- guage. The FCC’s ruling states: ‘‘The rap song ‘Your Revolution’ contains unmistakable patently offensive sexual references. We have considered the KBOO Foundation’s arguments concerning the context of this material. Specifically, the KBOO...
Journal Article
South Atlantic Quarterly (1925) 24 (1): 34–49.
Published: 01 January 1925
.... My Father started What noise is that, (said he.) It sounds like a loud rapping at the doorreplied my Mother.) It does indeed (cried I.) I am of your opinion; (said my Father) it certainly does appear to preceed from some uncom­ mon violence exerted against our unoffending door. Yes (exclaimed...
Journal Article
South Atlantic Quarterly (1991) 90 (4): 943–944.
Published: 01 October 1991
..., Perestroika: The Restructuring of the Past or the Invention of the Future? 227 Lahusen, Thomas, Introduction 221 Lahusen, Thomas, Socialist Realism Revisited: Or, the Reader s Searching Melancholy 87 Light, Alan, About a Salary or Reality? Rap s Recurrent Conflict 855 McKee, Patricia, As I Lay Dying...
Journal Article
South Atlantic Quarterly (1991) 90 (4): 729–736.
Published: 01 October 1991
..., as if the basic parameters within which rock works had all been explored and fixed by the end of the 1970s. There were also, of course, plenty of new stars, visions, and voices Why Don t We Do It in the Classroom? 735 to give rock s heritage a personal stamp, and plenty of rap groups and alternative bands...
Journal Article
South Atlantic Quarterly (2004) 103 (4): 813–816.
Published: 01 October 2004
... speak to the mind in my hand) no boom-bap/doom-rap not drum ’n’ bass (engine) flow i follow the machine-hum out into space madness’ static at the lo-fi end swim electric with the current around the bend sanguine-literate i read blood-paths in the breeze sunshine fun-time...
Journal Article
South Atlantic Quarterly (1993) 92 (4): 855–857.
Published: 01 October 1993
... as audience members or operators. Tricia rose is a native New Yorker and is currently Assistant Pro­ fessor of Africana Studies and History at New York University. She writes on black cultural theory and popular culture and is the author of Black Noise, a forthcoming book on rap music and the politics...
Journal Article
South Atlantic Quarterly (1952) 51 (2): 325–326.
Published: 01 April 1952
... Nazis was in the box; his defense in true gang­ ster fashion consisted in taking the rap himself for all the crimes of the whole Nazi hierarchy. Could Goebbels and Hitler have done any better? I am afraid that they might have. Theodore ROPP China and the Soviet Union: A Study of Sino-Soviet Relations...
Journal Article
South Atlantic Quarterly (1953) 52 (2): 197–206.
Published: 01 April 1953
... upon graduation an excellent position at his alma mater, came back to the house in which I write this, his home then, because he considered it his place to run the old plantation, Rip Raps. Possibly he sacrificed a brilliant career; certainly he had no material success as a farmer; nevertheless, he...
Journal Article
South Atlantic Quarterly (2003) 102 (2-3): 491–508.
Published: 01 July 2003
... parties with rap, reggae, and ethnopop bands, and open-air screening of the films such as Juice, New Jack City, Menace II Society, and Boyz ’N the Hood. STREET was organized under the auspices of NaunynRitze, a youth center in Kreuzberg, and funded by Kreuzberg’s municipal government, Berlin’s...
Journal Article
South Atlantic Quarterly (2021) 120 (4): 923–926.
Published: 01 October 2021
...: The Workers of Airport Assistance (2017) and Rap Self-Entrepreneurs: Work and Artist s Life at the Mar- gins of Cultural Industries (2018). Katrina Forrester is assistant professor of Government and Social Studies at Harvard University. She is the author of In the Shadow of Justice (2019). 924 The South...