Search Results for post-punk

...Robert Bird In his essay Robert Bird traces a web of citations that link Zounds’ post-punk song “Subvert” to Raoul Vaneigem’s Revolution of Everyday Life and, even further, back to Vasilii Rozanov’s Apocalypse of Our Times , written in the wake of (and in opposition to) the Russian revolutions...

... the song might inhabit it. We wonder what it might mean for all of this to remain unresolved, and how to remain attuned to that irresolution as a form of planning social life. Copyright © 2020 by Duke University Press 2020 Jazz post-punk dread soul musical labor References Balibar...

.../brave/stupid type. Which leaves me where? Cuz, yes, I am a woman &. I hang out on the Internet, read cyber­ punk, do interesting things with locks and computers. I don t program, I don t MU*/D/SH. I do technical work/repair. I write. I read. I m a relatively bright individual. This posting was followed...

.... The Perlmans story resonates fur- ther in those told by Colette Gaiter and Robert Bird, about the graphic art of Emory Douglas and the provocations of British post-punk, which like the Perlmans design experiments, turn out to be embedded in earlier revolu- tionary moments, right back to Russia in 1917. Most...

..., or satire and Utopia, as Robert C. Elliott analyzed them). And time plays a crucial role in this generic opposition, which is also something of an evolutionary compensation. For if the historical novel corresponded to the emergence of historicity, of a sense of history in its strong modern post-eighteenth...

... and never entirely eradicating their origins in the minor key drone music of a certain moment in post-punk sensibility, New Order has become the best and the best-known purveyor of a highly polished but minimalist technobeat. Demonstrable forerun­ ners of House, the band has both led the way in and absorbed...

... this en­ tropy model to explain the broad cultural acceptance of jazz (presumably during the Swing Era). Dick Hebdige, in Subculture: The Meaning of Style, a now classic study of punk culture, relies on it too. What Simon Frith and Andrew Goodwin call a theory of progress by attrition is, perhaps...

... and their social media use to fight injustice. He is also interested in exploring the implications of particular new technologies. As a teacher, he is a critical communication, media, and cultural studies generalist. He remains devoted to punk rock music and its fundamental ideologies related to change...

... . London : Penguin . Marx Karl . 1993 . Grundrisse . London : Penguin . Mbembe Achille . 2003 . “ Necropolitics .” Translated by Meintjes Libby . Public Culture 15 , no. 1 : 11 – 40 . Mezzadra Sandro . 2009 . “ Italy, Operaism, and Post-Operaism...

... British artists black cultural production Stuart Hall References Adusei-Poku Nana . 2012 . “The Multiplicity of Multiplicities: Post-Black Art and Its Intricacies.” Dark Matter 9 , no. 2 . http://www.darkmatter101.org/site/author/nana-a/ . Ahmed Sara . 2012 . On Being...

... due to its openness to musical and technological innovation and diversification. We should not forget that 1990 was also the year that the bi­ coastal post-Parliament-Funkadelic loonies in Digital Underground had a Top 10 hit with The Humpty Dance, and Oakland s gratu­ itously nasty Too Short...

.... The strict cultural studies approach to rock music gaining cur­ rency in academic classes and journals can, with the best intentions, render an even greater disservice by focusing so exclusively on audi­ ence responses, ideological agendas, mind-numbing charts of lyrical references, and abstract, post...

... their wager according to the jockey, while others bet by relying on meaningful number combina- tions (birthdays, anniversaries, shoe sizes) or horse’s names Look, a horse named Bill’s Ghost, and Bill just died still others fixate on post positions, bet primarily closers or front-runners, and so...

... piece of garbage, will go to the post at extravagant odds and will surely win, thanks to its champion s genes. (In a beautifully ironic scene, Paulie confidently explains to his cousin: Horses ain t like people, man, they can t make themselves better than they re born. The relish with which Paulie...

... and Cultural Disability Studies 8 , no. 2 : 171 – 84 . Clare Eli . 2017 . Brilliant Imperfection: Grappling with Cure . Durham, NC : Duke University Press . Cohen Cathy . 1997 . “ Punks, Bulldaggers, and Welfare Queens: The Radical Potential of Queer Politics? ” GLQ 3 , no. 4...

... technology in the hip cyber­ punk journal Mondo 2000. Its editorial staff list includes the position of Domineditrix, and issue number one displays Micro Chic: Artifi­ cial Intelligence to Wear on a model in provocative poses wearing electronic circuitry that has been assembled into breastplates.6 Issue...

... et cérémonies officielles du dixième anniversaire . Paris : Mille et Une Nuits . Fisher Mark . 2018 . k-punk: The Collected and Unpublished Writings of Mark Fisher . London : Repeater . Foucault Michel . 1982 . “ Sorvegliare e punire. Lo stato moderno è un...

... rockers have invariably been worshippers in the church of the sonic guitar. Post-1960s rock has only solidified the electric guitar s position as rock s sonic and iconographic summum bonum. Its identity as a reli­ gious emblem has become ever-more pronounced. It is impossible to hear the from-the-gut riff...

... professors to anarcho-punks, from the homeless to militant lawyers to the urban indigenous. The insurgent’s mask guaranteed an explosive mixture. Amid the odor of Molotov cocktails and the police’s tear gas, one could hear marching, slogans, and demands without room for euphemisms, such as “The love...

...—are replaced by terms such as intu- ition, adaptability, creativity, complexity, and play. Perhaps unexpectedly, this very assertion characterizes much of cultural theory as well, most clearly, perhaps, in Paolo Virno’s recent contention that the world economy today is “post-Taylorist...