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Journal Article
South Atlantic Quarterly (2011) 110 (1): 205–222.
Published: 01 January 2011
...Michael Naas Jacques Derrida died more than five years ago now, but his work keeps on coming out and, in the case of his work on photography, keeps on developing . While three important works on photography were published in English during Derrida's lifetime (“The Deaths of Roland Barthes” [1981...
Journal Article
South Atlantic Quarterly (2011) 110 (3): 645–672.
Published: 01 July 2011
... women a form of pleasure and desire that is not so easily correlated with traditional weddings and femininity. © 2011 Duke University Press 2011 Michele White Dirty Brides and Internet Settings: The Affective Pleasures and Troubles with Trash the Dress Photography Sessions...
Journal Article
South Atlantic Quarterly (2002) 101 (3): 519–539.
Published: 01 July 2002
...Catherine Liu 2002 by Duke University Press 2002 Catherine Liu Getting to the Photo Finish: Photography, Autobiography, Modernity It is difficult not to ignore photography’s subtle hegemony and its effects on the very notion...
Journal Article
South Atlantic Quarterly (2002) 101 (3): 541–554.
Published: 01 July 2002
...Rosemary Hawker 2002 by Duke University Press 2002 Rosemary Hawker The Idiom in Photography As the Truth in Painting While contemporary German painter Gerhard Richter is known for the diversity of his oeuvre, his...
Journal Article
South Atlantic Quarterly (2011) 110 (3): 693–713.
Published: 01 July 2011
... they appear as ordinary elements of the diegesis, the digital camera, the Internet, and the cellular smartphone each allow the film's queer male figures to exceed the generic constraints of the film in its customary dimensions and to see where digital sexualities—the visual iconography of digital photography...
Journal Article
South Atlantic Quarterly (1990) 89 (4): 667–701.
Published: 01 October 1990
... most bril­ liant semiotician, metaphysician, and his­ torian of photography. Certainly her work to date forces us to rethink the most basic assumptions about the purported realism of photography (or any mode of representa­ tion) and, beyond that, to consider how, in a photocentric culture, the body...
Journal Article
South Atlantic Quarterly (1997) 96 (4): 741–753.
Published: 01 October 1997
..., this image, unlike almost all the others in the volume, frames the enormity of the Holocaust in accordance with the conventions of landscape photography.1 It also relies on the mod­ ernist tradition of the autonomous image (as opposed to one that operates within a larger narrative) to make a statement about...
Journal Article
South Atlantic Quarterly (2002) 101 (3): 441–448.
Published: 01 July 2002
.... To that end, many of the essays collected here scrutinize the role of the medium in fields as diverse as modernist and contemporary art practice, the avant-garde tradition, photography, cinema, and architecture...
Journal Article
South Atlantic Quarterly (1992) 91 (1): 139–160.
Published: 01 January 1992
... over, I want to argue, is the authentic. Pursuing Authenticity 151 To insist on the authenticating function of photography is to go against the grain, I realize, of contemporary critical theory, most particularly against the argument of Walter Benjamin s 1936 essay The Work of Art in the Age...
Journal Article
South Atlantic Quarterly (1989) 88 (2): 461–486.
Published: 01 April 1989
...Jane Gaines Copyright © 1989 by Duke University Press 1989 Jane Gaines Dead Ringer: Jacqueline Onassis and the Look-Alike In Ownership of the Image, Bernard Edel­ man shows how nineteenth-century French law originally understood photography as machine-produced, not allowing it to be pro­...
Journal Article
South Atlantic Quarterly (2002) 101 (3): 555–572.
Published: 01 July 2002
... artistic traditions. Drawing on Jameson’s analysis, Rosalind Krauss describes this state of affairs as the ‘‘post-medium condition’’ of contemporary artistic produc- 3 tion. Seeking portents of this situation, Krauss focuses on conceptual art’s integration of art and photography. She reminds us...
Journal Article
South Atlantic Quarterly (1992) 91 (1): 161–191.
Published: 01 January 1992
... the art of photography to exist silently beneath an explicitly scientific agenda and thereby increase readership and further legitimate the Geographic s project as one of both beauty and truth. All of this elaborate structure of signification, however, is built on a foundation of racial and gender...
Journal Article
South Atlantic Quarterly (1985) 84 (3): 235–244.
Published: 01 July 1985
... postmodernist by its de­ fenders. Artists who have increasingly turned to film, video, photography, and performance mediums seen by modernism s defenders as situated between, or considered marginal to, those defined as dominant in mod­ ernist discourse these artists have challenged the integrity of the mediums...
Journal Article
South Atlantic Quarterly (1999) 98 (4): 761–779.
Published: 01 October 1999
... from the local and very specific to the global. Shifting the focal length of landscape images can often up­ set the sharpness ofthe distinction, emphasizing links rather than fissures. On-site photography frames the landscape from wherever one stands. Aerial photography connects farms to a bio-region...
Journal Article
South Atlantic Quarterly (1992) 91 (1): 215–238.
Published: 01 January 1992
... in the field of film and media studies to build upon, and found mediaoriented theoretical discussion of ecological issues to be very thin on the ground. One of the few related discussions I found was in Susan Sontag s book On Photography (1977), at the end of which she called, somewhat metaphorically...
Journal Article
South Atlantic Quarterly (2016) 115 (4): 665–683.
Published: 01 October 2016
... . Handsworth Songs . Black Audio Film Collective . Bailey David Hall Stuart . 1992a . “Critical Decade: An Introduction.” In “Critical Decade: Black British Photography in the 80s.” Special issue . Ten 8 2 , no. 3 : 4 – 7 . Bailey David Hall Stuart . 1992b . “The Vertigo...
Journal Article
South Atlantic Quarterly (1961) 60 (3): 365–366.
Published: 01 July 1961
... of the state. Unfortunately this technique minimizes interpretation to such an extent that the end product resembles journalism more nearly than scholarship, or at least that the end result resembles photography more closely than portraiture. Those readers unfamiliar with the Deep South may feel that Profile...
Journal Article
South Atlantic Quarterly (2012) 111 (3): 617–619.
Published: 01 July 2012
... Puritan: Literature, Intel- lectual Labor, and the Origins of Personal Life (with Leonard Tennenhouse; 1994), Fiction in the Age of Photography: The Legacy of British Realism (2002), and How Novels Think: The Limits of Individualism from 1719–1900 (2006). Carolyn J. Dean is John Hay Professor...
Journal Article
South Atlantic Quarterly (2015) 114 (3): 694–696.
Published: 01 July 2015
... Imagination: The Political Ontology of Photography (2012), From Pales- tine to Israel: A Photographic Record of Destruction and State Formation, 1947- 1950 (2011), and The Civil Contract of Photography (2008). She is a coauthor, with Adi Ophir, of The One State Condition: Occupation and Democracy...
Journal Article
South Atlantic Quarterly (1961) 60 (3): 366–368.
Published: 01 July 1961
... result resembles photography more closely than portraiture. Those readers unfamiliar with the Deep South may feel that Profile in Black and White is neither photography nor portraiture, but carica­ ture. This reviewer a native (white) South Carolinian, some of whose best friends are segregationists...