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Journal Article
South Atlantic Quarterly (1997) 96 (4): 741–753.
Published: 01 October 1997
...Ulrich Baer Copyright © 1997 by Duke University Press 1997 Ulrich Baer Contemporary Holocaust Images: The Landscape of Loss and the Limits of the Photograph When the morning light comes up Who knows what suffering midnight was? Proof is what I do not need. Brendan Kennelly, Proof...
Journal Article
South Atlantic Quarterly (1955) 54 (4): 572.
Published: 01 October 1955
...Robert F. Durden Early Days of Coastal Georgia . Photographs by Wightman Orrin S. , story by Cate Margaret D. . St. Simons Island, Ga. : Fort Frederica Association, distributed by the University of Georgia Press , 1955 . Pp. 235 . $6.00 . Copyright © 1955 by Duke University...
Journal Article
South Atlantic Quarterly (1990) 89 (4): 667–701.
Published: 01 October 1990
...Cathy N. Davidson Copyright © 1990 by Duke University Press 1990 Cathy N. Davidson Photographs of the Dead: Sherman, Daguerre, Hawthorne The idolatrous mob demanded an ideal worthy of itself and appropriate to its nature. . . . Daguerre was [its] Messiah. . . . Our squalid society rushed...
Journal Article
South Atlantic Quarterly (2011) 110 (1): 205–222.
Published: 01 January 2011
...], Right of Inspection [1985], and a series of reflections on the photographs of Frédéric Brenner in Diaspora [2003]), the three works that are set to come out in English in 2010 are likely not just to supplement but to radically augment and transform our understanding of Derrida's reading...
Journal Article
South Atlantic Quarterly (2011) 110 (3): 645–672.
Published: 01 July 2011
.... Photographers work with married women in TTD sessions and document them wearing white wedding dresses while wandering through the country, posing in dilapidated surroundings, jumping into dirty water, and covering themselves in mud. Many women then discuss and portray these events in Internet wedding forums...
Journal Article
South Atlantic Quarterly (2017) 116 (1): 207–217.
Published: 01 January 2017
... on Greenpeace photographs of a Te Whānau-ā-Apanui fishing boat crossing a seismic survey ship contracted to Petrobras in the Raukūmara Basin, Aotearoa New Zealand, and Hawaiian artist Joy Enomoto's Nautilus the Protector woodcut prints, in which a nautilus battles mining infrastructure in the Bismarck Sea...
Journal Article
South Atlantic Quarterly (2023) 122 (2): 317–338.
Published: 01 April 2023
... artists, the photographer Randa Maroufi's 2019 series Les Intruses and the filmmaker Louise Mootz's 2019 work Jungle , to explore this terrain. In so doing, it proposes that their negotiation of and with urban form, which itself reflects the complex history of containment and porosity in this environment...
FIGURES
Journal Article
South Atlantic Quarterly (2002) 101 (3): 519–539.
Published: 01 July 2002
..., it is because the photograph has
been an important medium by which modernity
indoctrinates its subjects, and it never ceases to
teach us how to play our roles as citizens of the
2...
Journal Article
South Atlantic Quarterly (2002) 101 (3): 541–554.
Published: 01 July 2002
... to transcribe what I will label ‘‘photo-
graphic idiom’’ into the medium of painting.
In some of Richter’s works, this photographic
reference appears as a high realism, one that
we take for granted in the veracious...
Journal Article
South Atlantic Quarterly (1992) 91 (1): 161–191.
Published: 01 January 1992
... circulation is the third largest in the United States. National Geographic s success, in these accounts, is attributed to its editors accurate reading of the American people and what they want to know about the world; to its willingness to use innovative new photographic technolo gies; and to its ability...
Journal Article
South Atlantic Quarterly (1989) 88 (2): 461–486.
Published: 01 April 1989
... tected as the work of an author-creator, and later reversed its position, maintaining that the photographer did have an author s right in the photograph. But the author was admitted at this stage, Edelman says, on condition that he not merely reproduce the real before the camera but that he actually...
Journal Article
South Atlantic Quarterly (1993) 92 (1): 7–25.
Published: 01 January 1993
... feel professional. After all, everybody else was on holiday and just goofing off, whereas I felt this obligation to make all of your sacrifices worthwhile. So I began photographing the moment I stepped off the plane. I was all eyes and surprised to find that the world around me was already all ears...
Journal Article
South Atlantic Quarterly (2000) 99 (4): 819–840.
Published: 01 October 2000
...? Most intolerably, by their insistence on includ-
ing photographs of Japanese war atrocities in history textbooks destined for
viewing by children.
Although the nationalist calls for textbook revisions circle around much...
Journal Article
South Atlantic Quarterly (1992) 91 (1): 193–213.
Published: 01 January 1992
... artifact of its kind on the coast. In addition to the shrine, Hunt col lected 152 other artifacts in the Mowachaht region, 12 of which were directly connected to whaling. He recorded sixty-five pages of text about the shrine and its ritualism, and took seven photographs of the structure.2 The South...
Journal Article
South Atlantic Quarterly (1992) 91 (1): 139–160.
Published: 01 January 1992
... knew they pulled the emergency. And then I saw all the Fab Five jumping out of the train shouting, Yaah, take pictures! And everybody s there with their 35s, clicking. It was a nice sunny day.8 There is much of interest in this story, not least of all the urge to document the work photographically...
Journal Article
South Atlantic Quarterly (2002) 101 (3): 555–572.
Published: 01 July 2002
... of the photographic image
retained a link with the visual domain, while enabling a retreat from a mod-
ernist aesthetics of autonomy, specificity, and originality. As artist Jeff Wall
has observed, for conceptual artists, photography became a ‘‘paradigm for
5...
Journal Article
South Atlantic Quarterly (1953) 52 (2): 331–332.
Published: 01 April 1953
... 1861-1865. Edited by David Donald, Hirst D. Milhollen, Milton Kaplan, and Hulen Stuart. New York: Macmillan, 1952. Pp. xii, 452. $10.00. This fine book is a direct descendant of the familiar ten-volume Photographic History of the Civil War, published in 1911 by the Review of Reviews Company. That set...
Journal Article
South Atlantic Quarterly (1999) 98 (4): 761–779.
Published: 01 October 1999
... ofhisfarm and management priorities. They are all talking about their significant landscapes. Investigating ways ofseeing agriculture and conservation here in the con text of the wider landscape the land beyond the urban fringe I draw on the stories and photographs of family farmers who work the difficult...
Journal Article
South Atlantic Quarterly (1958) 57 (2): 277–278.
Published: 01 April 1958
... to pleasure at what I see as I remember with relief that there are places where everything that smacks of the nineteenth century is not torn down or set on wheels and rolled away. The three hundred and more photographs are wonderful. Miss Johnston s delicately probing and perfectly angled camera serves up 278...
Journal Article
South Atlantic Quarterly (1991) 90 (1): 153–173.
Published: 01 January 1991
... of the models bodies, but since the photographs originated in a quite different context (the book s edi tor, Earle Hart, informs us that they were outtakes from Playboy), their relevance to the anatomical points they are supposed to illustrate is almost always extremely tenu ous (Figure 1). Two of the three...
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