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Journal Article
South Atlantic Quarterly (1951) 50 (3): 448–449.
Published: 01 July 1951
...Alan K. Manchester The Musical Experience of Composer, Performer, Listener . By Sessions Roger . Princeton : Princeton University Press , 1950 . Pp. 127 . $2.50 . Copyright © 1951 by Duke University Press 1951 448 The South Atlantic Quarterly two of the best are Vision...
Journal Article
South Atlantic Quarterly (2005) 104 (1): 99–121.
Published: 01 January 2005
... Opera, 89). See also Anne- gret Fauser, ‘‘L’art de l’allusion musicale’’ The Art of Musical Allusion Avant-Scène Opéra: Panurge et Le Cid, no. 161 (September–October 1994): 126–29. The allusion to Robert le Diable was picked up by the critics of the première and discussed in their reviews...
Journal Article
South Atlantic Quarterly (1986) 85 (1): 40–55.
Published: 01 January 1986
...Gerald Thompson Copyright © 1986 by Duke University Press 1986 Musical and Literary Influences on Owen Wister s The Virginian Gerald Thompson Most scholars agree that Owen Wister s The Virginian played a key role in fixing the image of the Cowboy Hero in the American mind. Wister s hero...
Journal Article
South Atlantic Quarterly (1957) 56 (2): 269.
Published: 01 April 1957
...P. F. Baum Musical Influence on American Poetry . By Lenhart Charmenz S. : Athens : The University of Georgia Press , [ 1956 ]. Pp. xiii , 336 . $5.00 . Copyright © 1957 by Duke University Press 1957 Book Reviews 269 Professor Hulbert considers the epithet evolutionary...
Journal Article
South Atlantic Quarterly (1968) 67 (4): 573–590.
Published: 01 October 1968
...J. E. Vacha Copyright © 1968 by Duke University Press 1968 Posterity Was Just Around the Corner: The Influence of the Depression on the Development of the American Musical Theater in the Thirties J. E. Vacha i The Great Depression of the 1930 s caught the American musical theater...
Journal Article
South Atlantic Quarterly (2005) 104 (1): 7–62.
Published: 01 January 2005
...Kim H. Kowalke 2005 by Kim H. Kowalke 2005 Kim H. Kowalke Seven Degrees of Separation: Music, Text, Image, and Gesture in The Seven Deadly Sins For Giselher Schubert on his sixtieth birthday I So let us invite all the sister arts...
Journal Article
South Atlantic Quarterly (2005) 104 (1): 123–149.
Published: 01 January 2005
...Tamara Levitz 2005 by Duke University Press 2005 Tamara Levitz Syvilla Fort’s Africanist Modernism and John Cage’s Gestic Music: The Story of Bacchanale John Cage delighted in telling witty accounts of his life, engaging audiences...
Journal Article
South Atlantic Quarterly (2005) 104 (1): 151–173.
Published: 01 January 2005
...Neil Lerner 2005 by Duke University Press 2005 Neil Lerner ‘‘Look at that big hand move along Clocks, Containment, and Music in High Noon There was something timely—and timeless—about [High Noon], something that had a direct bearing...
Journal Article
South Atlantic Quarterly (2005) 104 (3): 445–462.
Published: 01 July 2005
...Nichole T. Rustin 2005 by Duke University Press 2005 Nichole T. Rustin ‘‘Mary Lou Williams Plays Like a Man Gender, Genius, and Difference in Black Music Discourse Music is work. The work ranges from the daily practice sessions...
Journal Article
South Atlantic Quarterly (2017) 116 (1): 145–161.
Published: 01 January 2017
...Matthew Burtner Climate change music employs changing environmental conditions as instruments and procedures for music composition and performance. Using a combination of musical analysis and field journals to reveal methods of active listening and composing with climate change, this article shows...
Journal Article
South Atlantic Quarterly (1995) 94 (1): 231–241.
Published: 01 January 1995
...Don Cusic Copyright © 1995 by Duke University Press 1995 Don Cusic Country Green: The Money in Country Music In 1979 Wal-Mart sold one billion dollars worth of merchandise in its 230 stores; by 1989 there were 1,402 stores, with sales total­ ing $8.1 billion. These simple facts also per­...
Journal Article
South Atlantic Quarterly (1995) 94 (1): 135–172.
Published: 01 January 1995
...Curtis W. Ellison Copyright © 1995 by Duke University Press 1995 Curtis W. Ellison Keeping Faith: Evangelical Performance in Country Music It s Saturday night at the Grand Ole Opry in Nashville, Tennessee. The date is 22 Janu­ ary 1994, and country music fans, artists, family, friends...
Journal Article
South Atlantic Quarterly (1995) 94 (1): 243–258.
Published: 01 January 1995
...Michael Kurek; Cecelia Tichi Copyright © 1995 by Duke University Press 1995 Michael Kurek and Cecelia Tichi Country Music and the Contemporary Composer: The Case of Paul Martin Zonn In 1981, Joel Krosnick, cellist of the Juilliard String Quartet, commissioned a work from composer Paul Martin...
Journal Article
South Atlantic Quarterly (1995) 94 (1): 29–55.
Published: 01 January 1995
...David Sanjek Copyright © 1995 by Duke University Press 1995 David Sanjek Blue Moon of Kentucky Rising Over the Mystery Train: The Complex Construction of Country Music Somebody told me when I came to Nashville Son you finally got it made Old Hank made it here We re all sure that you...
Journal Article
South Atlantic Quarterly (1995) 94 (1): 301–335.
Published: 01 January 1995
...Vivien Green Fryd Copyright © 1995 by Duke University Press 1995 Vivien Green Fryd The Sad Twang of Mountain Voices : Thomas Hart Benton s Sources of Country Music In December 1934, Time magazine applauded Thomas Hart Benton as a Regionalist painter whose dynamic narrative, figurative paint­...
Journal Article
South Atlantic Quarterly (1995) 94 (1): 337–340.
Published: 01 January 1995
...Ronnie Pugh Copyright © 1995 by Duke University Press 1995 Ronnie Pugh Mecca for the Country Music Scholar l^ownstairs in one of America s most fa­ mous tourist attractions, Nashville s Country Music Hall of Fame and Museum, is housed an unmatched collection of research materi­ als...
Journal Article
South Atlantic Quarterly (1995) 94 (1): 57–80.
Published: 01 January 1995
...Teresa Goddu Copyright © 1995 by Duke University Press 1995 Teresa Goddu Bloody Daggers and Lonesome Graveyards: The Gothic and Country Music Cecelia Tichi: But you re talking about country. I mean, I ve heard some of those traditional old songs you have called Appalachian dead-baby songs. So...
Journal Article
South Atlantic Quarterly (1995) 94 (1): 341–359.
Published: 01 January 1995
...Cecelia Tichi Cecelia Tichi Country Music, Seriously: An Interview with Bill C. Malone Since the 1960s, Bill C. Malone s name has been synonymous with country music studies. His lifelong love affair" with the music re­ sulted first in the 1968 publication of the semi­ nal Country Music U. S.A...
Journal Article
South Atlantic Quarterly (1995) 94 (1): 7–27.
Published: 01 January 1995
...Christopher Metress Copyright © 1995 by Duke University Press 1995 Christopher Metress Sing Me a Song about Ramblin Man: Visions and Revisions of Hank Williams in Country Music To get there you take I-65 straight south out of Nashville. The ride is good and gentle, and before you know it you...
Journal Article
South Atlantic Quarterly (1995) 94 (1): 273–300.
Published: 01 January 1995
...Richard A. Peterson Copyright © 1995 by Duke University Press 1995 Richard A. Peterson The Dialectic of Hard-Core and Soft-Shell Country Music ^Conventional histories of twentieth-cen­ tury country music trace a virtually linear development from folk-like to commercial and pop-like music...