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Journal Article
South Atlantic Quarterly (1951) 50 (3): 448–449.
Published: 01 July 1951
...Alan K. Manchester The Musical Experience of Composer, Performer, Listener . By Sessions Roger . Princeton : Princeton University Press , 1950 . Pp. 127 . $2.50 . Copyright © 1951 by Duke University Press 1951 448 The South Atlantic Quarterly two of the best are Vision...
Journal Article
South Atlantic Quarterly (2003) 102 (4): 825–849.
Published: 01 October 2003
...Mohammed A. Bamyeh 2003 by Duke University Press 2003 Mohammed A. Bamyeh Palestine: Listening to the Inaudible This is the twenty-first century, how could...
Journal Article
South Atlantic Quarterly (2020) 119 (1): 133–151.
Published: 01 January 2020
...Le Mardi Gras Listening Collective The Le Mardi Gras Listening Collective is a group of friends who listen to music together and is named after a bar in Pittsburgh where the collective was conceived. In this article we consider ways by which music might be a mode of planning opposed...
Journal Article
South Atlantic Quarterly (2021) 120 (4): 823–838.
Published: 01 October 2021
... comprising semistructured interviews, focus group discussions, and participant observations from forty Uber and Bolt trips. Other primary data sources include driver forums, attending driver training sessions and listening to transport radio programs. This article identifies temporal and spatial dynamics...
Journal Article
South Atlantic Quarterly (2010) 109 (2): 225–247.
Published: 01 April 2010
.... Working especially through C. L. R. James and the Facing Reality revolutionary tendency in Detroit and in London, Rawick abandoned the orthodox and vanguardist Marxism of his youth for a far more open-ended political and intellectual praxis characterized by a commitment to listening to the voices...
Journal Article
South Atlantic Quarterly (2017) 116 (1): 145–161.
Published: 01 January 2017
...Matthew Burtner Climate change music employs changing environmental conditions as instruments and procedures for music composition and performance. Using a combination of musical analysis and field journals to reveal methods of active listening and composing with climate change, this article shows...
Journal Article
South Atlantic Quarterly (2019) 118 (3): 654–660.
Published: 01 July 2019
... policies, prevent these young people from living in dignity, from choosing where they live, and from being actors of change. The letters they share and the movement they found address an international audience and it to listen to their demands. Copyright © 2019 Duke University Press 2019 migration...
Journal Article
South Atlantic Quarterly (2019) 118 (3): 678–685.
Published: 01 July 2019
...Richard Braude Resistance by the newly arrived black working class in Italy takes on forms that often leave little or no trace; the work of the historian must be to listen carefully to the silences in order to recover these acts. This contribution focuses on the resistance with asylum seeker...
Journal Article
South Atlantic Quarterly (2020) 119 (3): 629–636.
Published: 01 July 2020
...,” the gang rape that occurred during the festival of San Fermín in 2016: once again, the woman who was raped is put on trial, and not the rapists. With the slogans, “I believe you” and “Listen, sister, here is your pack,” the call goes viral, filling streets, plazas, and social media. This viral call...
Journal Article
South Atlantic Quarterly (1949) 48 (2): 304–305.
Published: 01 April 1949
... will listen may hear. But just as the revolution in printing which produced the daily news­ paper and low-cost book has not made wisdom universal, so the wide availability of music has not made us all discriminating music lovers. In the final analysis the availability of music is dependent upon our...
Journal Article
South Atlantic Quarterly (1951) 50 (3): 447–448.
Published: 01 July 1951
... together. Richard L. Predmore. The Musical Experience of Composer, Performer, Listener. By Roger Sessions. Princeton: Princeton University Press, 1950. Pp. 127. $2.50. Listening to music is a relatively late and relatively sophisticated art. It was not until fairly recent times that composers came to think...
Journal Article
South Atlantic Quarterly (1951) 50 (3): 449–450.
Published: 01 July 1951
...Eugenia Saville Folksongs of Alabama . Collected by Arnold Byron . University : University of Alabama Press , 1950 . Pp. xiii , 193 . $4.50 . Copyright © 1951 by Duke University Press 1951 Book Reviews 449 on how to listen to music. Grade-school, high-school, and university...
Journal Article
South Atlantic Quarterly (1996) 95 (2): 453–470.
Published: 01 April 1996
... and Francesa are the flamboyant descendants of sports talk radio s founding father, Boston s Eddie Andelman, who began fielding tele­ phone calls twenty-five years ago to fill dead spots on a sports show. It s still a miracle to me that people listen and take this stuff seriously, Andel­ man marveled...
Journal Article
South Atlantic Quarterly (1969) 68 (3): 363–376.
Published: 01 July 1969
... fellow enthusiasts. The intrigued might roam the continent, listening in on reports of the Canadian Northwest Police between trips by dog sled or Albuquer­ que broadcasting the description of a lost child with blue eyes. Crystal sets punctured the solitude of isolated ranches with the mere sounds...
Journal Article
South Atlantic Quarterly (2001) 100 (2): 331–348.
Published: 01 April 2001
.... But 2 they would not listen and said I had to Millicent ran away from the home in order to try to return to her family, but she was recaptured, punished, and sent back to the farm to work...
Journal Article
South Atlantic Quarterly (1991) 90 (4): 729–736.
Published: 01 October 1991
..., and unrefined. I know I get my share of horrified looks when Satisfaction comes blasting out of my classroom. Composer Milton Babbitt once lamented that his students studied serious music all day, then went home and listened to the same music the janitors liked. 1 As Allan Bloom put it, [Rock music] ruins...
Journal Article
South Atlantic Quarterly (1995) 94 (1): 341–359.
Published: 01 January 1995
... sang mostly fragments of songs, gospel songs, sentimental songs like The Letter Edged in Black and Two Little Orphans, that sort of thing. And when we got the radio, we started to listen to the local shows and to the Grand Ole Opry. So as far as I can remember, I ve always had a passionate love...
Journal Article
South Atlantic Quarterly (1985) 84 (1): 12–26.
Published: 01 January 1985
... to remind them of their frailties or to criticize the status quo. Popular religion of the Norman Vincent Peale-Billy Graham type was part of a broader cult of reassurance. The American people would only listen to someone who told them that every­ thing would turn out all right. Like Hayakawa, Miller...
Journal Article
South Atlantic Quarterly (1992) 91 (3): 721–738.
Published: 01 July 1992
... dedicated to the ceremony known as afternoon tea or one of the unwittingly fatuous sentences I turned out in my papers. Do you want to sound like that? was the direct or implied question we were invited to put to our own prose; while practice in listening to Frost and James brought the awareness that other...
Journal Article
South Atlantic Quarterly (2005) 104 (1): 79–97.
Published: 01 January 2005
... events would be suf- ficient to spark listeners’ dramatic imaginations. The resulting musical- poetic combination is highly melodramatic in style and, as we shall observe, raises numerous questions about the relation between musical and verbal storytelling. Mosengeil maintained that beyond simply...