... telephonic horror a complex deracination of the desiring subject from its own speaking self. © 2011 Duke University Press 2011 Steven Bruhm Cell Phones from Hell Jill Johnson wasn’t always a naughty girl. When we first met her in 1979...

.... Monro, himself, feared die worst. So with myself do I retire And on my inward stage Bum with a slow ungrateful fire That simmers, but can t rage. In Wahrheit singen, ist ein andrer Hauch. PURDUE UNIVERSITY WILLIAM H. GASS Heaven, Hell, and History: A Survey of Man s Faith in History from Antiquity...

...Theodore Ropp The General Who Marched to Hell . By Miers Earl Schenck . New York : Alfred A. Knopf , 1951 . Pp. xxiii , 350 , xvii . $4.50 . Copyright © 1952 by Duke University Press 1952 342 The South Atlantic Quarterly Franklin and the cosmopolitan Jefferson, whose genius...

...A. V. Borosini Copyright © 1947 by Duke University Press 1947 ESCAPE FROM HELL* HAT I MYSELF saw and endured during the hours of Dresden s eclipse boils down to what happened during the twice twenty minutes which spelled the extinction of the most beau­ tiful town of Germany...

...Robert F. Gleckner Edmund Spenser and Blake s Printing House in Hell Robert F. Gleckner In Blake s The Marriage ofHeaven and Hell one of his so-called Memora­ ble Fancies depicts a Printing house in Hell : I was in a Printing house in Hell & saw the method in which knowledge is transmitted from...

...C. N. Stavrou Copyright © 1955 by Duke University Press 1955 A REASSESSMENT OF THE MARRIAGE OF HEAVEN AND HELL C. N. Stavrou THE REVIVAL of interest in William Blake during the past two decades is an eloquent testimonial to the intrinsic merit and significance of his works and ideas. Careful...

...Julia Hell Copyright © 1997 by Duke University Press 1997 Julia Hell History as Trauma, or, Turning to the Past Once Again: Germany 1949/1989 The blessings of Western consumer societies are ir­ rupting into our protected . . . little world. At first a few bashful ads in the newspapers...

...Julia Hell Copyright © 1995 by Duke University Press 1995 Julia Hell Soft Porn, Kitsch, and Post-Fascist Bodies: The East German Novel of Arrival Perhaps a dead father would have been A better father. The best father Is a stillborn father. Heiner Muller, 1959 iA few months before the German...

..., hang­ ing out with the grunts and getting close to the war, touching it, losing yourself in it and trying yourself against it (p. 206). The great writers of realism and modernism broke through the cliches of their culture to bring the news that war was not the romantic playing field of heroes, but hell...

... possible sense the journey of Satan is one of selfdiscovery, a circular path beginning and ending in the form of damna­ tion. Like the escape from Hell and the conquest of Earth, the transfor­ mations are false freedoms, and in choosing the form of the serpent as a refusal of God s authority, Satan in fact...

... of mud and vile rains, the horror and lewdness of mid'-Hell pun­ ishments, the grotesquerie of deformity and transformation, the hideous tortures of the lower reaches, the ghastly increase of malformation these were never the imaginings of an em­ bittered man seeking literary vengeance on his...

... fruitless years in smiting the sounding furrows of the Middle Sea, and when at last they reached their havens, the one landed on the barren island of Utica and the other on the sandy shore of Latium. But Dante s wanderings led him through the nine circles of Hell, the seven stages of Purgatory, the nine...

... twenty-four years, and the place is restricted only to Europe, though Hell, too, plays an important and ever encroaching role upon the scene. Despite these violations of unity in the conventional sense, Marlowe s play remains a unified drama in its major dimensions of character and plot and in this way...

...Jim Hosney; Jacquelyn Wollman; Jesse Ward Engdahl Jim Hosney, Jacquelyn Wollman, and Jesse Ward Engdahl The Passion of St. Charles: Martin Scorsese s Mean Streets Note. The reason Milton wrote in fetters when he wrote of Angels & God, and at liberty when of Devils & Hell, is because he was a true...

... and of his own time develops gradually into the myth of man s eternal fall and damnation in the hell of human existence. Deploring the limited approach of the biographizers those who would use the poetry as the stuff for chronicling the life Mr. Gleckner begins with the man, or rather with the child, from...