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Journal Article
South Atlantic Quarterly (2000) 99 (4): 697–714.
Published: 01 October 2000
...Mitsuhiro Yoshimoto 2001 by Duke University Press 2001 Mitsuhiro Yoshimoto
The University, Disciplines, National Identity:
Why Is There No Film Studies in Japan...
Journal Article
South Atlantic Quarterly (1989) 88 (2): 415–442.
Published: 01 April 1989
...Norman N. Holland Copyright © 1989 by Duke University Press 1989 Norman N. Holland Film Response from Eye to I: The Kuleshov Experiment In 1929 the Russian director and theorist, V. I. Pudovkin, described an experiment that has since passed into the mythology of film as the Kuleshov effect...
Journal Article
South Atlantic Quarterly (1989) 88 (2): 321–359.
Published: 01 April 1989
...Rick Altman Copyright © 1989 by Duke University Press 1989 Rick Altman Dickens, Griffith, and Film Theory Today Thus Sergei Eisenstein opens his classic essay on Dickens, Griffith, and the Film Today : The kettle began it. . . . Thus Dickens opens his Cricket on the Hearth. The kettle...
Journal Article
South Atlantic Quarterly (1981) 80 (4): 406–418.
Published: 01 October 1981
...Morris Freedman Copyright © 1981 by Duke University Press 1981 Film and Mirror: A Context Morris Freedman Literature, the fine arts, music, at some point in some way, in the de velopment of their various forms, make use of these forms themselves, in style and in content. Brahms quotes...
Journal Article
South Atlantic Quarterly (1986) 85 (4): 389–390.
Published: 01 October 1986
...John M. Clum The Star-Spangled Screen: The American World War II Film . By Dick Bernard F. . Lexington : The University Press of Kentucky , 1985 . Pp. ix , 294 . $26.00 . Copyright © 1986 by Duke University Press 1986 Book Reviews 389 mained comfortable only in German, could...
Journal Article
South Atlantic Quarterly (1982) 81 (4): 399–412.
Published: 01 October 1982
...Philip Evanson Copyright © 1982 by Duke University Press 1982 Understanding the People: Futebol, Film, Theater and Politics in Present-Day Brazil Philip Evanson Futebol or soccer is an enthusiasm of central emotional importance for millions of Brazilians. The passion forfutebol requires...
Journal Article
South Atlantic Quarterly (1966) 65 (4): 509–522.
Published: 01 October 1966
...Peter A. Soderbergh Copyright © 1966 by Duke University Press 1966 Aux Armes!: The Rise of the Hollywood War Film, 1916-1930 Peter A. Soderbergh It would be difficult for any American bom since 1900 to deny that war has been an integral part of his existence. Directly or indirectly, from...
Journal Article
South Atlantic Quarterly (2009) 108 (1): 53–70.
Published: 01 January 2009
...Ian Henderson This essay explores the meaning of home in the 2006 film Ten Canoes . The film resulted from an extraordinary collaboration between the Ramingining Aboriginal community of northeastern Arnhem Land and Australian art-house director Rolf de Heer. It tells of Dayindi (Jamie Dayindi...
Journal Article
South Atlantic Quarterly (2011) 110 (4): 949–962.
Published: 01 October 2011
...Katrina Schlunke When brought together in the animated documentary, animation with its tradition of comic storytelling and gothic graphic fiction and the documentary film with its tradition of “realism” create new possibilities for understanding the relationship between spectatorship and memory...
Journal Article
South Atlantic Quarterly (2018) 117 (3): 581–597.
Published: 01 July 2018
...Jayna Brown This essay considers the film Born in Flames in the context of the radical black feminism of the 1970s and 1980s, with an eye to the current invigoration of black feminist political action. It focuses on the way the film envisions the formation of a counterpublic and commons...
Journal Article
South Atlantic Quarterly (2020) 119 (3): 477–492.
Published: 01 July 2020
...Rodrigo Nunes This article looks at Brazilian films from two periods—the late 1960s and the last three years—in order to compare the ways in which they elaborate two moments of defeat for the Left: the 1964 military coup against João Goulart and the 2016 impeachment of Dilma Rousseff. Its focus...
Journal Article
South Atlantic Quarterly (2011) 110 (3): 601–620.
Published: 01 July 2011
... on which earlier horror films were predicated. In one way, these films gesture to Jean Baudrillard's idea of “the transparency of evil,” in that they depict the collapse between the speaking self and the technologies of monstrosity against which the self might be defined. In another way, though, the films...
Journal Article
South Atlantic Quarterly (2011) 110 (3): 693–713.
Published: 01 July 2011
... , a film noted for the explicitness of its sexual representations, against the terms of its digital supplements in order to suggest that the sex life of the digital does not exist but as an array of demonized forms. That is, digital sexualities and the erotic affinities afforded by the technological...
Journal Article
South Atlantic Quarterly (2011) 110 (3): 715–743.
Published: 01 July 2011
...Kevin Ohi For Robinson Devor's 2000 film Zoo , zoophilia is “digital desire” in ways that go far beyond its thematic fascination with the Internet and with forms of the virtual. Its lavishly excessive visual beauty and its reticence about depicting bestiality make zoophilia a mode of cinematic...
Journal Article
South Atlantic Quarterly (2023) 122 (3): 591–625.
Published: 01 July 2023
...–winning film Beginners (2010). The movie presents a visual account of straight male masculinity as it is positively impacted and influenced by feminist and queer perspectives, without necessarily becoming them . The film makes a powerful male feminist argument for the value of “beginning,” asking what...
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Journal Article
South Atlantic Quarterly (2009) 108 (4): 741–749.
Published: 01 October 2009
...Bruce Robbins “Deadwood: Academic Freedom and Smart People ” offers a reading of the 2008 film Smart People as an allegory of what the humanities “do” as understood by the general public: the remembering of beloved but now distant or inaccessible things, such as the dead wife for whom...
Journal Article
South Atlantic Quarterly (2011) 110 (1): 121–154.
Published: 01 January 2011
...Avery F. Gordon This essay is an illustrated montage of some points of engagement with Philip Scheffner's 2007 film, The Halfmoon Files , about the Halfmoon prisoner of war camp in Wünsdorf, Germany. The camp was an important site for anthropometric research and propaganda during World War I...
Journal Article
South Atlantic Quarterly (2011) 110 (3): 621–644.
Published: 01 July 2011
...Caetlin Benson-Allott Using Henry Selick's Coraline (2009) as an exemplum, this essay investigates what sort of desire digital 3-D cinema produces and satisfies in its spectator and how it integrates itself into Western systems of representation. Selick's film manipulates our biocular vision...
Journal Article
South Atlantic Quarterly (2021) 120 (3): 655–662.
Published: 01 July 2021
... and Nepal, they have been practicing modes of solidarity that they learned during the years of struggle. Still, We Are Migrant Workers is a documentary film made to record their personal history, will, and current political projects. This is an interview about the historical background of labor migration...
Journal Article
South Atlantic Quarterly (2020) 119 (3): 493–509.
Published: 01 July 2020
.... This article focuses above all on the new understandings of time—including urgency, immediacy, the present tense, and the belated—forged in these films, and the new relationships that emerged among artists and worker-activists as a result. Ultimately, an analysis of this film cycle queries attempts to inscribe...
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