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Journal Article
South Atlantic Quarterly (1995) 94 (3): 715–746.
Published: 01 July 1995
...Greg Castillo Copyright © 1995 by Duke University Press 1995 Greg Castillo Peoples at an Exhibition: Soviet Architecture and the National Question highly decorated Soviet belletrist of the 1970s tucked this apparent non sequitur into his salute to the traditional folk arts of Kazakhstan...
Journal Article
South Atlantic Quarterly (2010) 109 (1): 75–94.
Published: 01 January 2010
...Hassan M. Musa This account of the art exhibition literature in the Sudan reflects the complexity of modern political action there. The art exhibition was introduced by the colonial state as an instrument of propaganda. Post-independence authorities continued in a similar direction. Modern...
Journal Article
South Atlantic Quarterly (2020) 119 (3): 447–460.
Published: 01 July 2020
... of the exhibition “66 Signs of Neon,” which was made from the debris produced by the rebellion. The article focuses on how the rebellion and the exhibition arose out of a community’s attempt to contest its racial and economic predicaments and to fashion an alternative to them. © 2020 Duke University Press 2020...
Journal Article
South Atlantic Quarterly (2011) 110 (1): 155–178.
Published: 01 January 2011
...Barnor Hesse The postracial idea of Western societies being socially beyond the hegemonic imperatives of previous racial formations or exhibiting the increasing disintegration of racism has rightly drawn intellectual and political fire from critical theory. However, what this fire routinely...
Journal Article
South Atlantic Quarterly (2011) 110 (4): 933–948.
Published: 01 October 2011
...Rebecca Scott Bray When her exhibition “Operativo” opened at New York's Y Gallery, in July 2008, Mexican artist Teresa Margolles said, “Everyone dies but not everyone is murdered. I want people to recognize that.” Ostensibly, with this call for recognition, Margolles simultaneously gestures toward...
Journal Article
South Atlantic Quarterly (2015) 114 (3): 611–630.
Published: 01 July 2015
... bodies, social commodities, and quantified selves, we need to develop another materialist understanding of the subject that looks to the collective production of affects and rationalities in resistance, which both exhibit and forecast the surpassing of the symptoms of our present. © 2015 Duke...
Journal Article
South Atlantic Quarterly (2016) 115 (4): 771–778.
Published: 01 October 2016
... of a toilet in Ohio in 1962 that was used in criminal proceedings leading to the conviction of numerous men for consensual sex crimes. The second example is the Edwardian Cloakroom, a building in Bristol, England, that functioned as a public toilet until 2001 and has, more recently, been used as an exhibition...
Journal Article
South Atlantic Quarterly (2024) 123 (2): 273–295.
Published: 01 April 2024
... social movements exhibit complex and contradictory rhythms and temporalities, arguing that the tuning between these multitemporalities is vital for rethinking the renewal of internationalism today. Davide.gallolassere@ulip.lon.ac.uk Copyright © 2024 by Duke University Press 2024 global...
Journal Article
South Atlantic Quarterly (1999) 98 (4): 655–668.
Published: 01 October 1999
...Tim Bonyhady Tim Bonyhady Missing the Difference Eighteen fifty-seven is easy to ignore; it has little resonance. The catalogue to New Worlds from Old the comparative exhibition of nineteenth-century American and Australian painting which traveled from the National Gal­ lery of Australia...
Journal Article
South Atlantic Quarterly (1995) 94 (3): 881–913.
Published: 01 July 1995
... that the institutionalization of Zhdanov perestroika was realized, which entailed the purge and reacademization of artis­ tic instruction and the concentration and hierarchization of produc­ tion and circulation. The specific instruments of the operation were the annual Pan-Soviet Exhibition and the bimonthly art review...
Journal Article
South Atlantic Quarterly (2002) 101 (3): 459–478.
Published: 01 July 2002
... that the actual opportunity of seeing the ‘‘real’’ thing is itself limited. The extent to which such portraits are even exhibited in the first place is minimal. More often than not, if such a rare relic is exposed, it is shown in such a manner that it is not even the image itself that is seen, but what can...
Journal Article
South Atlantic Quarterly (1970) 69 (3): 317–326.
Published: 01 July 1970
...James T. Wall Copyright © 1970 by Duke University Press 1970 The Ashcan School: Transition in American Art James T. Wall A New York exhibition of the works of eight painters in January, 1908, was the opening volley of a revolution in American art. Known apocryphally as the Ashcan School,1...
Journal Article
South Atlantic Quarterly (1979) 78 (3): 392–400.
Published: 01 July 1979
..., to an intelligent audience, is a worthy but difficult art; and popular culture, when properly studied, can be an excellent indicator of a society s values. No one active in the field of English literature has done more to exhibit, first, the ex­ citement, indeed the romance, of literary scholarship and how...
Journal Article
South Atlantic Quarterly (1992) 91 (1): 193–213.
Published: 01 January 1992
..., British Columbia. We had been writing a book on the whalers washing shrine and wanted to propose forming a partnership with the band to design an exhibit of this unique artifact. A partnership seemed appropriate and long-overdue. Though the shrine technically belongs to the American Museum of Natural...
Journal Article
South Atlantic Quarterly (1980) 79 (4): 375–385.
Published: 01 October 1980
... in The Armory Show International Exhibition of Modern Art 1913, Volume III: Contemporary and Retrospective Documents (New York, 1972). 3. Frank Crowninshield, The Scandalous Armory Show of 1913, p. 115; Meyer Schapiro, Rebellion in Art," in Daniel Aron, ed., America in Crisis (New York, 376 The South...
Journal Article
South Atlantic Quarterly (1996) 95 (1): 103–144.
Published: 01 January 1996
... reach the stage where heritage events attract vigorous and constructive criticism in the way that such interventions accompany almost every event in the world of the arts, the curators and exhibition professionals who conceive these installations cannot be fully blamed for the absence of a critical edge...
Journal Article
South Atlantic Quarterly (1984) 83 (2): 157–175.
Published: 01 April 1984
... emphasis to the foundation s exhibits. Charles Longsworth, the museum s president, promised in 1980 that the new direc­ tion in interpretation was a further evolution in Colonial Williamsburg s role as an educational institution, leading to a new awareness of the great American procession...
Journal Article
South Atlantic Quarterly (2010) 109 (3): 621–622.
Published: 01 July 2010
... Asia. One of his most recent publications is Modernism and the Art of Muslim South Asia (University of North Carolina Press, 2010). An exhibition he curated in London, Calligraphic Abstrac- tion: Anwar Jalal Shemza (2009), was included in ArtAsiaPacific’s 2010 almanac as among...
Journal Article
South Atlantic Quarterly (2017) 116 (2): 426–431.
Published: 01 April 2017
... and the Coalition to Ban Petcoke, who welcomed the artists to their neigh- borhood and wrote texts for the catalog. During the year after the first Koch terminal was shut down in March 2015, the artworks began to take form while the activist campaign continued in full swing. When the exhibition opened...
Journal Article
South Atlantic Quarterly (2023) 122 (3): 525–547.
Published: 01 July 2023
... .” December 2 . https://www.psychiatry.org/patients-families/hoarding-disorder Artforum 2020 . “ City of San Antonio Pulls Xandra Ibarra Work from Exhibition Over Its ‘Obscene’ Content .” February . https://www.artforum.com/news/city-of-san-antonio-pulls-xandra-ibarra-work-from-exhibition-over...
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