Search Results for creative

...Quintin M. Sanger Copyright © 1943 by Duke University Press 1943 The South Atlantic Quarterly Vol. XLII OCTOBER, 1943 Number 4 A CREATIVE WORLD ORDER QUINTIN M. SANGER SENATORS BALL, Burton, Hatch, and Hill have performed a notable public service in bringing before Congress a dramatic...

...Robert F. Barsky Copyright © 1998 by Duke University Press 1998 Robert F. Barsky Bakhtin as Anarchist? Language, Law, and Creative Impulses in the Work of Mikhail Bakhtin and Rudolf Rocker The various directions toward which Bakhtin studies are presently moving suggests that what­ ever...

... . New York : E. P. Dutton and Company , 1946 . Pp. xxx , 402 . $2.50 . Harvest of the Lowlands: An Anthology in English Translation of Creative Writing in the Dutch Language with a Historical Survey of the Literary Development . Compiled and edited by Greshoff Jan . New York : Querido...

...Hoxie Neale Fairchild Copyright © 1947 by Duke University Press 1947 WORDSWORTH S DOCTRINE OF CREATIVE DELUSION* HOXIE NEALE FAIRCHILD IN HIS SONNET The World Is Too Much with Us, Words­ worth declares that he would rather be a pagan than resign himself to the fading of the visionary...

...Fred Chappell Double Lyric: Divisiveness and Communal Creativity in Recent English Poetry . By Brown Merle E. . New York : Columbia University Press , 1980 . Pp. xv , 236 . $20.00 . Copyright © 1982 by Duke University Press 1982 348 The South Atlantic Quarterly has textbook...

...Jerome Bump Copyright © 1983 by Duke University Press 1983 Creativity, Rationality, and Metaphor in Robert Pirsig s Zen and the Art of Motorcycle Maintenance Jerome Bump As American industry loses more and more ground to foreign competition, the need for more creative thinking in American...

...Joseph J. Spengler Copyright © 1964 by Duke University Press 1964 Creativity versus Cultural Drift Joseph J. Spengler Be niggards of advice on no pretence; For the worst avarice is that of sense. Alexander Pope It is a question whether the benevolence of mankind does most good or harm. Walter...

... on the area of knowledge engaging with the lived realities of creative workers and the forms of subjectivation occurring in forms of labor, we bring together existing accounts addressing the politics of cultural work and the findings of our “Metropolitan Factory” research project. The research project, based...

...Arseli Dokumacı This article proposes a new theory of affordances that is developed through a critical disability and performance lens. Through parallels to be drawn between the creative space of aesthetic performance and the performance of everyday life lived with disability, this new theory...

...Christopher Pye Focusing on Shakespeare's Winter's Tale , the essay counters Carl Schmitt's claim that Absolutism represents an ideal conjunction of the monarch's creative and legislative acts. It argues that early modern theater conveys the problematic character of the relation between law...

...). Economics returns because its materialism is now immaterial: “self-making,” “innovation,” “creativity,” and other entrepreneurial qualities of the poietic intellect (where poiesis means a making or crafting). All are extolled as the new primary forces of value and are distinguished sharply from the physical...

... of which equally endorse the creativity of the worker and deny the fundamentally social character of labor. We argue that the underlying conformism of strands of radical theory that valorize immaterial labor needs to be replaced by forms of disciplined intellection that can account for the ever...

... of communism must start, then, from an analysis of the multitudinous actualization of community and collective forms—the constituent and creative matrix—of the revolts that have occurred in Bolivia and throughout Latin America in the last two decades. From this perspective, it becomes evident that it is within...

... of slavery’s past alongside and within the present and its myriad futures, while also conceiving the multi-directionality of these tenses (e.g., the present can also create a past) and acknowledging the agentive creativity of Black fugitive pursuits. In the end, the essay demonstrates how the latent, arrested...

..., negating theism does “positive” productive and creative work, energizing a different kind of affirmation. Nuances in rhetoric, emotional color, and practical engagement with religious cultures and institutions create distinctions among atheists, secular humanists, and naturalists that are more than merely...

... against the country’s present and past, the multitude has needed to face the fact that there are not many tools available for understanding the moment in which we live. Thus, combining a lot of creativity and courage, poor people, who have experienced a newfound social mobility and who have affirmed...

... of sumud lies in its nonconceptualized features. Sumud is a form of what Gilles Deleuze might term “singular revolutionary becoming,” a creative way of restructuring the self that assumes an absolute difference as immanent to the self, a “difference-in-itself,” and not merely in relation to an outside...

... groups, which spontaneously joined the protest (including teachers, students, pensioners, office workers, and artists). This article first analyses the class composition of the mass mobilization in Russia and reflects on the monolithic oppositions of “anti-Putin”/“pro-Putin” and working class/creative...

... to curating and disseminating this intersection online, in gallery spaces, and in print.” Climate change is a future-truth; what humans are doing now will be realized in twenty to thirty years' time. The Cape Farewell project is a creative action-based research program evolved to pave the way...

..., Papua New Guinea. Against but also far beyond engaging mining, activists express close connections between people and the ocean, including deep waters and lands, countering mining narratives in which such connections are predicated on physically penetrating into and exposing the depths. Through creative...