Search Results for connor

...R. W. D. Connor Copyright © 1905 by Duke University Press 1905 * The Peabody Education Fund By R. W. D. Connor, Assistant Superintendent of Public Instruction of North Carolina Education: A debt due from present to future generationsGeorge Peabody The recent decision of the Peabody Education...

...R. D. W. Connor Copyright © 1907 by Duke University Press 1907 The Settlement of the Cape Fear By R. D. W. Connor, Secretary of the North Carolina Historical Commission After the failure of Sir John Yeamans s colony in 1667 the Cape Fear region fell into disrepute and more than half a century...

...R. D. W. Connor Copyright © 1909 by Duke University Press 1909 North Carolina s Priority in the Demand for Independence By R. D. W. Connor Secretary of the North Carolina Historical Commission A well-known essayist, in a study of The Mecklenburg Decla­ ration of Independence says...

...Russ McDonald Copyright © 1982 by Duke University Press 1982 Comedy and Flannery O Connor Russ McDonald In what sense is Flannery O Connor a comic writer? The epithet is usually understood in a more limited way than it ought to be: most of those who describe O Connor s work as comic seem...

... does it suffer seriously. All in all, it is a valuable contri­ bution to a debate which probably won t end here, though I believe it could. VANDERBILT UNIVERSITY JOHN M. ADEN Flannery O Connor s Dark Comedies: The Limits of Inference. By Carol Shloss. Baton Rouge and London: Louisiana State University...

...Jerry Leath Mills Copyright © 1985 by Duke University Press 1985 Samburan Outside of Toombsboro: Conrad s Influence on "A Good Man Is Hard to Find Jerry Leath Mills The many references in Flannery O Connor s letters and public talks leave no doubt about her admiration for Joseph Conrad. Two...

...: Themes in the Fiction oj Flannery O Connor. By Carter W. Martin. Nashville, Tenn.: Vanderbilt University Press, 1969. Pp. ix, 253. $6.50. In the introduction to this thematic study of Flannery O Connor s fiction, which is, I believe, the first book-length criticism by a single author to appear, Carter W...

... seriously. All in all, it is a valuable contri­ bution to a debate which probably won t end here, though I believe it could. VANDERBILT UNIVERSITY JOHN M. ADEN Flannery O Connor s Dark Comedies: The Limits of Inference. By Carol Shloss. Baton Rouge and London: Louisiana State University Press, 1980. Pp. 159...

..., the reputed­ ly errant and convivial Shakespeare was ruled ineligible for immor­ tality on that count also. 362 The South Atlantic Quarterly Delia Bacon s book lacked logical precision 5 even the heavy flow of newspaper publicity brought few readers. It made a convert, how­ ever, of William D. O Connor, who...

.... The refusal to decode in any terms except those of skeptical secularism means that ideas maj or to O Connor are minor or even non-existent to Shloss. A constant irritation in the book is the untrustworthiness of its illustrative details. Mary Grace does not bite Mrs. Turpin but attempts to strangle her...

... episode, how it does contain the major themes of the novel. DUKE UNIVERSITY WILLIAM W. COMBS University of Minnesota Pamphlets on American Writers. Edit­ ed by William Van O Connor, Allen Tate, and Robert Penn War­ ren. No. 1, Ernest Hemingway. By Philip Young. No. 2, Robert Frost. By Lawrance Thompson...

... Copyright © 1916 by Duke University Press 1916 NOTES AND NEWS A pamphlet of much historical value has recently come from the press of the Edwards and Broughton Printing Com­ pany at Raleigh. It contains the address made by Judge Henry G. Connor upon the opening of the Federal Court room...

..., by a skillful reading of the entire episode, how it does contain the major themes of the novel. DUKE UNIVERSITY WILLIAM W. COMBS University of Minnesota Pamphlets on American Writers. Edit­ ed by William Van O Connor, Allen Tate, and Robert Penn War­ ren. No. 1, Ernest Hemingway. By Philip Young. No. 2, Robert...

... University of Minnesota Pamphlets on American Writers. No. 24, William Carlos Williams. By John Malcolm Brinnin. Pp. 48. No. 25, Washington Irving. By Lewis Leary. Pp. 48. No. 26, Ezra Pound. By William Van O Connor. Pp. 48. No. 27, Sinclair Lewis. By Mark Schorer. Pp. 47. No. 28, Katherine Anne Porter...

..., Washington Irving. By Lewis Leary. Pp. 48. No. 26, Ezra Pound. By William Van O Connor. Pp. 48. No. 27, Sinclair Lewis. By Mark Schorer. Pp. 47. No. 28, Katherine Anne Porter. By Ray B. West, Jr. Pp. 48. Minneapolis: University of Minnesota Press, 1963. 65 cents each. John Malcolm Brinnin s pamphlet preceded...

... upon a few minutes no­ tice as to what the status quo in the House was and what the leader­ ship of the House could count on from the Democrats relative to the expedition of the party program. Mr. O Connor was chairman of the Rules Committee, a position very important in the determination of the House...

..., Tennessee Williams. By Gerald Weales. Pp. 46. No. 54, Flannery O Connor. By Stanley Edgar Hyman. Pp. 48. No. 55, Richard Eberhart. By Ralph J. Mills, Jr. Pp. 46. No. 56, Henry Miller. By George Wickes. Pp. 46. No. 57, Jack London. By Charles Child Walcutt. Pp. 48. Minneap­ olis: University of Minnesota...

... Faulkner, Flannery 614 The South Atlantic Quarterly O Connor, Robert Penn Warren, and Katherine Anne Porter appear in the titles of four of them; but almost any Southern writer you d be apt to mention is invoked at one point or another, often at some length and always usefully. (I missed Reynolds Price...

... Atlantic Quarterly O Connor, Robert Penn Warren, and Katherine Anne Porter appear in the titles of four of them; but almost any Southern writer you d be apt to mention is invoked at one point or another, often at some length and always usefully. (I missed Reynolds Price, but he s about the only one...

... by employing Leaves of Grass as autobiography, an approach for which Whitman himself has given ample warrant. Once in an unpublished letter, October 7, 1882, to his champion defender, William Douglas O Connor, he confessed in response to Ruskin s complaint that, unlike Shakespeare s dramas, his Leaves of Grass...