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bordwell

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Journal Article
South Atlantic Quarterly (1989) 88 (2): 487–515.
Published: 01 April 1989
..., the unconscious of hegemony and ideology on the one hand and history, the political unconscious and utopia on the other. david bordwell: We can, in short, study narrative as a process, the activity of selecting, arranging, and rendering story material in order to achieve specific time-bound effects...
Journal Article
South Atlantic Quarterly (1989) 88 (2): 415–442.
Published: 01 April 1989
... into the film. 14 So far as movies are concerned, it was Jean-Pierre Oudart who brought the Lacanian idea of suture into film theory,'5 but most critics adopt the version given by the Israeli critic, Daniel Dayan, as in the passage above. That, David Bordwell points out, may not be exactly what Oudart had...
Journal Article
South Atlantic Quarterly (1989) 88 (2): 321–359.
Published: 01 April 1989
... Bordwell s use, clas­ sical means harmony, unity, tradition, rule-governed craftsmanship, standardization, and control.23 All three critics, it seems quite clear, ultimately owe their definition of the classical in large part to the neoclassical French literary theorists of the seventeenth century. Bor­...
Journal Article
South Atlantic Quarterly (2000) 99 (4): 697–714.
Published: 01 October 2000
... made film an ideal object to expand the notion of text and the parameter of interpretation as a mode of literary scholarship. Although film was taught in a variety of disciplines, as David Bordwell has argued...
Journal Article
South Atlantic Quarterly (1989) 88 (2): 361–392.
Published: 01 April 1989
... Ropars-Wuilleumier, The Graphic in Filmic Writing: A bout de souf­ fle, or The Erratic Alphabet, Enclitic (Spring 1982): 147-61; and Le texte divise (Paris, 1981). 13 David Bordwell, Janet Staiger, and Kristin Thompson, The Classical Hollywood Cinema: Film Style and Mode of Production to I960 (New York...
Journal Article
South Atlantic Quarterly (1992) 91 (2): 459–497.
Published: 01 April 1992
... in part because of Bruce Beresford s direction. kauffmann: I think one of the reasons it succeeds, besides its chaste­ ness in production, is that it fits a definition I recently read in a book called The Classical Hollywood Cinema, by Bordwell, Staiger, and Thompson, a very good, very important book...