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black cultural production

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Journal Article
South Atlantic Quarterly (2016) 115 (4): 665–683.
Published: 01 October 2016
... British artists black cultural production Stuart Hall References Adusei-Poku Nana . 2012 . “The Multiplicity of Multiplicities: Post-Black Art and Its Intricacies.” Dark Matter 9 , no. 2 . http://www.darkmatter101.org/site/author/nana-a/ . Ahmed Sara . 2012 . On Being...
Journal Article
South Atlantic Quarterly (2019) 118 (1): 205–214.
Published: 01 January 2019
... black subjects exist within the university space and beyond. Copyright © 2019 by Duke University Press 2019 student-worker alliance neoliberal time epistemic exclusion outsourcing emancipatory epistemologies References Appadurai A. 1996 . Modernity at Large: Cultural...
Journal Article
South Atlantic Quarterly (2020) 119 (4): 701–714.
Published: 01 October 2020
...Colleen Lye If one of French Maoism’s main contributions to the sixties’ cultural turn was a theory of the relative autonomy of ideology, one of US Maoism’s main contributions was identity politics. A product of the application of Mao’s theory of contradiction to US circumstances, identity politics...
Journal Article
South Atlantic Quarterly (2013) 112 (4): 675–696.
Published: 01 October 2013
..., negating theism does “positive” productive and creative work, energizing a different kind of affirmation. Nuances in rhetoric, emotional color, and practical engagement with religious cultures and institutions create distinctions among atheists, secular humanists, and naturalists that are more than merely...
Journal Article
South Atlantic Quarterly (2022) 121 (1): 131–152.
Published: 01 January 2022
... of the vicissitudes of black being, these modes of black cultural production lend clearer insights into the textures of black (political) ontology. This recognition of the interrelation of black ontology and black performance clarifies an important historical fact: black people have been sophisticated theorists...
Journal Article
South Atlantic Quarterly (2013) 112 (2): 241–260.
Published: 01 April 2013
... to be consumed and later discarded. Contemporary black cultural production, according to Neal, appropriates black modern cul- tural and political projects in order to “derive meanings more in tune with contemporary experiences” (2002: 17). The complicated relationship between black postmodernism...
Journal Article
South Atlantic Quarterly (2022) 121 (1): 33–51.
Published: 01 January 2022
... and imitations and yet, the motivation or impulse of Black cultural production and creativity remains the same that is, a commitment to and thrust toward self-determination either freedom from the constraints of Western whiteness or Blackness and a freedom toward self-definition (i.e., to be The Black Man...
Journal Article
South Atlantic Quarterly (2022) 121 (1): 1–10.
Published: 01 January 2022
..., that is, the spectacle of Black death, environmental crises, pandemic disparities? If we attend to Black cultural productions of the past decade, the answer appears to point in two distinct directions: by returning to the Black historical past, and through the quotidian imperative to reclaim time. Though Wright...
Journal Article
South Atlantic Quarterly (2020) 119 (3): 567–586.
Published: 01 July 2020
... Black communal cultural lib- eration and increasing visibility and power of Black cultural production in the United States. In a 2016 New York Times interview about how Black Panther art still resonates after fty years, Dr. Fahamu Pecou, an interdisciplinary art- ist and scholar explained...
Journal Article
South Atlantic Quarterly (2013) 112 (3): 437–463.
Published: 01 July 2013
... production—including theory, history, and fiction written in the 1970s, 1980s, and 1990s—constitutes the principal philosophy of history adequate to the task of revealing this particular feature of the gendered afterlife of slavery and, too, of imagining alternatives to it. Black feminist production should...
Journal Article
South Atlantic Quarterly (2009) 108 (3): 449–457.
Published: 01 July 2009
... of connection at all. Wright was too much a man of the world to make such spiritual, metaphysical matters the fore- ground of his investigations in Black Power. In spite of himself, however, such matters surfaced repeatedly, eloquently reframed under the historical and sociological. At the cultural...
Journal Article
South Atlantic Quarterly (2016) 115 (3): 567–584.
Published: 01 July 2016
...John E. Drabinski The postcolonial moment is animated by a single, fecund question: What does it mean to begin? Whether it is a vision of cultural retrieval, syncretic memory work, or a first production of the unprecedented, this moment is oriented toward the new as a question of resistance...
Journal Article
South Atlantic Quarterly (2016) 115 (3): 495–512.
Published: 01 July 2016
... Seligmann • Poetic Productions of Cultural Combat in Tropiques  507 works by African and black artists featured in Tropiques. Aimé Césaire’s introduction to a compendium of poems by the African American poets James Weldon Johnson and Jean Toomer and the Afro-Jamaican poet Claude McKay was titled...
Journal Article
South Atlantic Quarterly (2013) 112 (2): 217–219.
Published: 01 April 2013
... of the working class and the poor increased African Americans’ skepticism about the civil rights and Black Power movements’ ability to implement sig- nificant change. Although some cultural produc- ers, critics...
Journal Article
South Atlantic Quarterly (2020) 119 (3): 447–460.
Published: 01 July 2020
... looking is learned and viewing subjects are produced. On ’rst blush, the McCone Report does not appear to be a part of visual culture, but inasmuch as it was training its readers to see black people and communities in particular way, the report proved itself to be a key component in the visual production...
Journal Article
South Atlantic Quarterly (2013) 112 (4): 613–624.
Published: 01 October 2013
... . Chicago : University of Chicago Press . Carby Hazel . 1998 . Race Men . Cambridge, MA : Harvard University Press . Clarke Kamari Maxine Thomas Deborah A. , eds. 2006 . Globalization and Race: Transformations in the Cultural Production of Blackness . Durham, NC : Duke...
Journal Article
South Atlantic Quarterly (2013) 112 (2): 261–283.
Published: 01 April 2013
... . 2002 . Soul Babies: Black Popular Culture and the Post-Soul Aesthetic . London : Routledge . Roach Joseph . 1996 . Cities of the Dead: Circum-Atlantic Performance . New York : Columbia University Press . Robnett Belinda . 1997 . How Long? How Long?: African-American Women...
Journal Article
South Atlantic Quarterly (2010) 109 (2): 357–368.
Published: 01 April 2010
... not respect cultural, racial, or national boundaries. Health and the well-being of populations and climate change are among the most pressing political issues today, and yet they do not receive adequate theorization by black intellectuals. Health issues far too often are subsumed in issues of morality...
Journal Article
South Atlantic Quarterly (2001) 100 (1): 155–170.
Published: 01 January 2001
..., that Africa has played little role in the development of black Atlantic cultural production, other than as provider of raw materials—bodies and cultural templates/origins—that were then processed or elaborated upon by the im...
Journal Article
South Atlantic Quarterly (2016) 115 (3): 535–566.
Published: 01 July 2016
... that rather than reconfigure exhausted debates about négritude as a form of “black identity” per se, discourses that tend to be enmeshed in essentialisms and secreted from a perspective on “culture” as possession and end product, we explore négritude as something profoundly incoherent, as well...