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Journal Article
South Atlantic Quarterly (1992) 91 (2): 257–287.
Published: 01 April 1992
...Richard Gilman Copyright © 1992 by Duke University Press 1992 Richard Gilman The Seagull: Art and Love, Love and Art Some preliminary notes, ideas, observa­ tions, questions, and reminders for an essay on the play. Its title is the most nearly symbolic of those for any Chekhov play, but like...
Journal Article
South Atlantic Quarterly (2002) 101 (3): 555–572.
Published: 01 July 2002
...Toni Ross 2002 by Duke University Press 2002 Toni Ross Art in the ‘‘Post-Medium’’ Era: Aesthetics and Conceptualism in the Art of Jeff Wall During the last decade of the twentieth century a wave of discussions and publications emerged...
Journal Article
South Atlantic Quarterly (1936) 35 (1): 74–85.
Published: 01 January 1936
...Leah Dennis Copyright © 1936 by Duke University Press 1936 ART CONSCIOUSNESS: A THUMB'RULE FOR ART LEAH DENNIS MOST OF US have been trained since childhood to asso­ ciate the author with the book, the art with the artist. Social pressure has forced upon us a body of information what every...
Journal Article
South Atlantic Quarterly (1952) 51 (2): 246–252.
Published: 01 April 1952
...Alfred Werner Copyright © 1952 by Duke University Press 1952 AUSTRIAN ART Alfred 'Werner WO YEARS AGO, when the Art Treasures from the Vienna JL Collections were exhibited at the Metropolitan Museum, I showed an American-born friend through this wealth of paintings, ornamental objects, arms...
Journal Article
South Atlantic Quarterly (1952) 51 (4): 619.
Published: 01 October 1952
...Benjamin Boyce The Art of Sinking in Poetry: Martinus Scriblerus’s Πϵρı βαθους . A Critical Edition by Steeves Edna Leake . New York : King’s Crown Press , 1952 . Pp. lxix , 207 . $3.75 . Copyright © 1952 by Duke University Press 1952 Book Reviews 619 The Art of Sinking...
Journal Article
South Atlantic Quarterly (2010) 109 (1): 75–94.
Published: 01 January 2010
...Hassan M. Musa This account of the art exhibition literature in the Sudan reflects the complexity of modern political action there. The art exhibition was introduced by the colonial state as an instrument of propaganda. Post-independence authorities continued in a similar direction. Modern...
Journal Article
South Atlantic Quarterly (2010) 109 (3): 505–527.
Published: 01 July 2010
...Chika Okeke-Agulu This essay focuses on the work of the Art Society—a group formed by art students at the Nigerian College of Art, Science, and Technology, Zaria (1957–61)—and suggests that the work of its key members in the 1960s was the first significant manifestation of postcolonial modernism...
Journal Article
South Atlantic Quarterly (2010) 109 (3): 529–543.
Published: 01 July 2010
...Nada M. Shabout This essay explores the articulation of the Arabic letter and text in the modern art of North Africa as a liminal space of interaction. Arabic text in particular offered artists a space of intersection between the various layers of identities of North Africa (al Maghrib al-Arabi...
Journal Article
South Atlantic Quarterly (2010) 109 (3): 577–594.
Published: 01 July 2010
... poems, written either by Al-Gazzar or by the Alexandrian poet Ahmad Mursi. These works of art clearly adopt the surrealist aesthetic language, both visual and verbal. The drawings illustrate a particular zeitgeist in the Egyptian artistic milieu and mirror the individual and genuine artistic response...
Journal Article
South Atlantic Quarterly (2011) 110 (1): 89–100.
Published: 01 January 2011
... the historical past, in the form of a permanent threat to the interior's governing aesthetic. © 2010 Duke University Press 2010 David A. Ellison The Spoiler’s Art: Embarrassed Space as Memorialization Over and over again, the other speakers—senators...
Journal Article
South Atlantic Quarterly (2003) 102 (1): 235–262.
Published: 01 January 2003
...James Chandler 2003 by Duke University Press 2003 James Chandler About Loss: W. G. Sebald’s Romantic Art of Memory All the new thinking is about loss So wrote...
Journal Article
South Atlantic Quarterly (2013) 112 (4): 784–803.
Published: 01 October 2013
... of the art world and academia alike, the aesthetico-political work of Strike Debt has included the popularization of the red square as an emblem of debt resistance, the invention of the debt burn as an anticapitalist ritual, and the launching of the Rolling Jubilee, a direct action campaign initiated...
Journal Article
South Atlantic Quarterly (2016) 115 (4): 665–683.
Published: 01 October 2016
... British artists black cultural production Stuart Hall References Adusei-Poku Nana . 2012 . “The Multiplicity of Multiplicities: Post-Black Art and Its Intricacies.” Dark Matter 9 , no. 2 . http://www.darkmatter101.org/site/author/nana-a/ . Ahmed Sara . 2012 . On Being...
Journal Article
South Atlantic Quarterly (1988) 87 (2): 253–309.
Published: 01 April 1988
...Patricia McKee Copyright © 1988 by Duke University Press 1988 Patricia McKee Making Do: The Art of Appreciation in The Ambassadors Ian Watt, in his analysis of the opening paragraph of The Ambassadors, has shown how it represents an inclusive introduction to the novel, both in substance...
Journal Article
South Atlantic Quarterly (1995) 94 (3): 881–913.
Published: 01 July 1995
...Antoine Baudin Copyright © 1995 by Duke University Press 1995 Antoine Baudin Why Is Soviet Painting Hidden from Us? Zhdanov Art and Its International Relations and Fallout, 1947-53 ^AAthin the socialist realist system, the visual and plastic arts occupy a singular and problematic position...
Journal Article
South Atlantic Quarterly (2017) 116 (2): 426–431.
Published: 01 April 2017
... economies, if voluntary blindness, managed oblivion, and pervasive institutional paralysis can be overcome through the exercise of what I call a “politics of perception.” © 2017 Duke University Press 2017 petcoke tar sands bomb trains political art local activism Reference Holmes...
Journal Article
South Atlantic Quarterly (1915) 14 (3): 220–236.
Published: 01 July 1915
Journal Article
South Atlantic Quarterly (1922) 21 (3): 259–269.
Published: 01 July 1922
...Louis C. Zucker Copyright © 1922 by Duke University Press 1922 The Art of a Minor Poet Louis C. Zucker The University of Wisconsin FRANCIS LEDWIDGE was born of Irish peas­ ants in Slane, a village the quintessence of pastoral Meath. At sixteen, he was in Dublin, a grocer s clerk; but he broke...
Journal Article
South Atlantic Quarterly (1922) 21 (4): 322–326.
Published: 01 October 1922
...J. G. Burtnett Copyright © 1922 by Duke University Press 1922 National Elements in Stephen Foster s Art J. G. Burtnett Pittsburg, Pennsylvania That national peculiarities, prejudices, and misunderstand­ ings are transient, evanescent, and meaningless when fused by personality, finds apt...
Journal Article
South Atlantic Quarterly (1916) 15 (4): 361–378.
Published: 01 October 1916
...Edward Godfrey Cox Copyright © 1916 by Duke University Press 1916 The Distemper of Modern Art and its Remedy Edward Godfrey Cox University of Washington . What is Art? A yawning question, I fear. And yet one which everybody who attempts any critical estimate is bound to ask himself...