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Journal Article
South Atlantic Quarterly (2002) 101 (3): 555-572.
Published: 01 July 2002
...Toni Ross 2002 by Duke University Press 2002 Toni Ross Art in the ‘‘Post-Medium’’ Era: Aesthetics and Conceptualism in the Art of Jeff Wall During the last decade of the twentieth century a wave of discussions and publications emerged...
Journal Article
South Atlantic Quarterly (2016) 115 (4): 665-683.
Published: 01 October 2016
... British artists black cultural production Stuart Hall References Adusei-Poku Nana . 2012 . “The Multiplicity of Multiplicities: Post-Black Art and Its Intricacies.” Dark Matter 9 , no. 2 . http://www.darkmatter101.org/site/author/nana-a/ . Ahmed Sara . 2012 . On Being...
Journal Article
South Atlantic Quarterly (2017) 116 (2): 426-431.
Published: 01 April 2017
... economies, if voluntary blindness, managed oblivion, and pervasive institutional paralysis can be overcome through the exercise of what I call a “politics of perception.” © 2017 Duke University Press 2017 petcoke tar sands bomb trains political art local activism Reference Holmes...
Journal Article
South Atlantic Quarterly (2003) 102 (1): 235-262.
Published: 01 January 2003
...James Chandler 2003 by Duke University Press 2003 James Chandler About Loss: W. G. Sebald’s Romantic Art of Memory All the new thinking is about loss So wrote...
Journal Article
South Atlantic Quarterly (2002) 101 (3): 479-499.
Published: 01 July 2002
...Andrew McNamara 2002 by Duke University Press 2002 Andrew McNamara Apprehension? Performativity and Medium-Specificity in Modern Art For all the talk about feeling, pleasure, and beauty, the aesthetic remains at its root a propo...
Journal Article
South Atlantic Quarterly (2002) 101 (3): 501-518.
Published: 01 July 2002
...Rex Butler 2002 by Duke University Press 2002 Rex Butler ‘‘Bright Shadows Art, Aboriginality, and Aura We should never forget that, from the begin- ning, Aboriginal works of art are reproductions. By this we mean...
Journal Article
South Atlantic Quarterly (2013) 112 (4): 784-803.
Published: 01 October 2013
... art world and academia alike, the aesthetico-political work of Strike Debt has included the popularization of the red square as an emblem of debt resistance, the invention of the debt burn as an anticapitalist ritual, and the launching of the Rolling Jubilee, a direct action campaign initiated by...
Journal Article
South Atlantic Quarterly (2010) 109 (1): 75-94.
Published: 01 January 2010
...Hassan M. Musa This account of the art exhibition literature in the Sudan reflects the complexity of modern political action there. The art exhibition was introduced by the colonial state as an instrument of propaganda. Post-independence authorities continued in a similar direction. Modern...
Journal Article
South Atlantic Quarterly (2010) 109 (3): 505-527.
Published: 01 July 2010
...Chika Okeke-Agulu This essay focuses on the work of the Art Society—a group formed by art students at the Nigerian College of Art, Science, and Technology, Zaria (1957–61)—and suggests that the work of its key members in the 1960s was the first significant manifestation of postcolonial modernism in...
Journal Article
South Atlantic Quarterly (2010) 109 (3): 529-543.
Published: 01 July 2010
...Nada M. Shabout This essay explores the articulation of the Arabic letter and text in the modern art of North Africa as a liminal space of interaction. Arabic text in particular offered artists a space of intersection between the various layers of identities of North Africa (al Maghrib al-Arabi...
Journal Article
South Atlantic Quarterly (2010) 109 (3): 577-594.
Published: 01 July 2010
... surrealist poems, written either by Al-Gazzar or by the Alexandrian poet Ahmad Mursi. These works of art clearly adopt the surrealist aesthetic language, both visual and verbal. The drawings illustrate a particular zeitgeist in the Egyptian artistic milieu and mirror the individual and genuine artistic...
Journal Article
South Atlantic Quarterly (2011) 110 (1): 89-100.
Published: 01 January 2011
... historical past, in the form of a permanent threat to the interior's governing aesthetic. © 2010 Duke University Press 2010 David A. Ellison The Spoiler’s Art: Embarrassed Space as Memorialization Over and over again, the other speakers—senators...
Journal Article
South Atlantic Quarterly (2015) 114 (3): 571-593.
Published: 01 July 2015
... can we locate at the end of labor, and how does this problem intersect with commodity-art? I suggest that a logic and an aesthetic of decommodification is required in order to continue our conversation about how aesthetics and value are co-constituted in contemporary arts practices; I introduce the...
Journal Article
South Atlantic Quarterly (2009) 108 (2): 265-284.
Published: 01 April 2009
... development of capitalism. The general notion of a crisis of liberal society and the consequences it has for ideological critique are presented. At the same time, a connection is suggested between the problem of the relevance of ideological critique and the crisis of representation in modern art, and a...
Journal Article
South Atlantic Quarterly (2010) 109 (3): 475-503.
Published: 01 July 2010
...-sponsored visual arts movement that flourished under the first president of Senegal, Léopold Sédar Senghor. N'Diaye, as one of the first instructors at an art academy founded at Senghor's request, is often featured in the beginnings of this narrative, only to be marginalized when he chooses to relocate...
Journal Article
South Atlantic Quarterly (2016) 115 (1): 33-59.
Published: 01 January 2016
...Dinah Rajak This article focuses on HIV/AIDS management at Anglo American, the world's third-biggest mining company, the largest private-sector employer in South Africa and across the continent, and the first company to provide antiretroviral therapy (ART) “free of charge” to its workforce in a...
Journal Article
South Atlantic Quarterly (2017) 116 (2): 381-400.
Published: 01 April 2017
.... Regeneration, when coupled with struggle, constitutes the very meaning of the idea of the activist practices of reclaiming, practices that should be understood not from a theoretical perspective but as an experimental art of the effects. Addressing theoreticians, the Deleuzo-Guattarian figure of the relayer is...
Journal Article
South Atlantic Quarterly (2010) 109 (3): 555-576.
Published: 01 July 2010
...Iftikhar Dadi Ibrahim El Salahi's art, situated between Islamic textuality, African plastic forms, and transnational modernism, is distinctive in developing an aesthetic of decolonization for the Sudan and much of Africa. However, it can be usefully compared with other modernist artists from the...
Journal Article
South Atlantic Quarterly (2016) 115 (4): 771-778.
Published: 01 October 2016
... exhibition space for art installations exploring matters such as solitude, surveillance, difference, and stigma. © 2016 Duke University Press 2016 affect public sex toilets queer art References Braverman Irus . 2010 . “Potty Training: Nonhuman Inspection in Public Washrooms.” In...
Journal Article
South Atlantic Quarterly (2010) 109 (2): 279-312.
Published: 01 April 2010
... racial identity from a public icon to a collective political body. Focusing on the public response to the controversial 1986 Detroit statue Monument to Joe Louis , sculpted by Mexican American artist Robert Graham, the essay suggests that public art created on behalf of cross-racial healing most...