Search Results for Emory Douglas

...Colette Gaiter This article describes an under-reported success of the Black Panther Party for Self-Defense. Through a creative team led by the party’s Minister of Culture Emory Douglas, who was also the Black Panther (BP) newspaper’s designer and main illustrator, the Panthers visualized...

... Una Menos collective. Colette Gaiter is a professor in the Departments of Africana Studies and Art and Design at the University of Delaware. Her writing on former Black Notes on Contributors 665 Panther artist Emory Douglas s work appears in Art, Global Maoism, and the Chinese Cultural Revolution...

... essay, Douglas at Charleston, analyzes the actions of the Democratic convention and calls it a tragedy of miscalculations. In The Republican Triumph, William E. Baringer surveys the presidential campaign. Even before 1860, he says, it was clear that the western territories were destined to be free...

.... The Perlmans story resonates fur- ther in those told by Colette Gaiter and Robert Bird, about the graphic art of Emory Douglas and the provocations of British post-punk, which like the Perlmans design experiments, turn out to be embedded in earlier revolu- tionary moments, right back to Russia in 1917. Most...

... ambivalence, but con­ cludes that southerners were correct in perceiving in it threats of doom to their society. Robert Johannsen s essay, Douglas at Charleston, analyzes the actions of the Democratic convention and calls it a tragedy of miscalculations. In The Republican Triumph, William E. Baringer...

... there was an unmistakable ambivalence, but con­ cludes that southerners were correct in perceiving in it threats of doom to their society. Robert Johannsen s essay, Douglas at Charleston, analyzes the actions of the Democratic convention and calls it a tragedy of miscalculations. In The Republican Triumph, William E...

.... See Douglas J. Stewart, "Othello: Roman Comedy as Nightmare, Emory University Quarterly, 22 (Winter 1967), 252-76, and Barbara Heliodora C. De Mendonca, Othello: A Tragedy Built on a Comic Structure, Shakespeare Survey, 21 (1968), 31-38. Sherman Hawkins, at the end of his essay, The Two Worlds...

..., and spiritualist, see Frederic Whyte, Life of W. T. Stead (2 vols.; London, 1925); J. W. Robertson Scott, The Life and Death of a Newspaper: An Account of the. . . Editors of the "Pall Mall Gazette (London, 1952), pp. 13-259; and Joseph O. Baylen s W. T. Stead and the New Journalism Emory University Quarterly...

... fellowship, I could not have afforded to live here. To Americo Castro, Emory L. Ford Professor Emeritus of Spanish, Princeton University, recipient of a fellowship in 1953 at 68, the Guggenheim Foundation is one of the greatest cultural institutions we have in America. The Foundation does not limit itself...

... tianity forever. Emory, John (ed The Works of the Rev. John Wesley, A.M. (New York, 1831), VII, 218-219. 274 The South Atlantic Quarterly Again on November 9, 1773, he comments on Dr. Lee s Sophron When he makes a pertinent remark, he knows not when to have done with it, but spins it out without any...

... of southern progressives. In the Richmond Times-Dispatch for March 6, 1944, Virginius Dabney introduced Myrdal as a distinguished young Swedish economist and opined that the Dilemma was the most thorough and exhaustive work on race relations in America ever written. Douglas Southall Freeman, famous...

... proved a potent scene-setter and symbolic device in English literature of many different genres for over a century, and it can even be found in science fiction now. Douglas Adams made cricket central to Life, the Universe, and Everything, his comic SF novel of 1982, and cleared up, at least to his own...