...Earl G. Mueller James Gibbons Huneker: Critic of the Seven Arts . By Schwab Arnold T. . Stanford : Stanford University Press , 1963 . Pp. 384 . $8.25 . Copyright © 1964 by Duke University Press 1964 Book Reviews 255 The Political Novels of Joseph Conrad. By Eloise Knapp Hay...

...Christopher L. Miller This essay focuses on the new landscape of Aimé Césaire studies that has been made possible largely through the work of one scholar, A. James Arnold (along with a team including Alex Gil, Daniel Delas, and others). The publication in 2013 of the enormous volume Poésie, théâtre...

... Press 2016 Césaire decolonization poetics time circumstantial reading race négritude References Arnold A. James . 1981 . Modernism and Negritude: The Poetry and Poetics of Aimé Césaire . Cambridge, MA : Harvard University Press . Arnold A. James . 2004...

... ramifications. Christopher L. Miller’s essay, “Editing and Editori- alizing: The New Genetic Cahier of Aimé Césaire,” effectively challenges the notion, recently championed by A. James Arnold, that literary historians should privilege an early version of the Cahier, treating it as an authentic urtext...

... References Arnold A. James . 1981 . Modernism and Negritude: The Poetry and Poetics of Aimé Césaire . Cambridge, MA : Harvard University Press . Arnold A. James . 2008 . “Beyond Postcolonial Césaire: Reading Cahier d'un retour au pays natal Historically.” Forum for Modern Language...

... of the Notebook, see Lilian Pestre de Almeida, “Les versions successives du Cahier d’un retour au pays natal,” Césaire 70, ed. A. James Arnold, M. a M. Ngal, and Martin Steins (Paris: Silex, 1984), 35–90; and A. James Arnold, Modernism and Négritude: The Poetry and Poetics of Aimé...

... treating the reputations of, respectively, Wordsworth, Byron, and Keats, we have D. G. James s Matthew Arnold and English Ro­ manticism and William A. Jamison s Arnold and the Romantics, which opened up a new avenue of approach by working backwards from the Victorian point of view. Now comes Leon Gottfried...

... . 1983 . “The Thoroughbreds.” In Aimé Césaire, the Collected Poetry , translated by Eshleman Clayton Smith Annette , 91 – 103 . Berkeley : University of California Press . Césaire Aimé . 1990 . “Poetry and Knowledge.” Translated by James Arnold A. . In Lyric...

... read Coleridge in the 1840 s seems to me criticism of a highly dubious nature. The final chapter, on Arnold and Romanticism in general, is concerned with much the same ideas as was D. G. James; it says little that is new. Mr. Gottfried has provided an excellent bibliography and a workable index...

...P. F. Baum Nineteenth Century Studies: Coleridge to Matthew Arnold . By Willey Basil . New York : Columbia University Press , 1949 . Pp. viii , 288 . $4.00. . Copyright © 1950 by Duke University Press 1950 Book Reviews 551 John Singleton Copley. By James Thomas Flexner...

... Rogers Cooper Frederick . 2000 . “Beyond ‘Identity.’” Theory and Society 29 , no. 1 : 1 – 47 . Césaire Aimé . (1939) 2013 . The Original 1939 Notebook of a Return to the Native Land . Bilingual ed. Translated and edited by James Arnold A. Eshleman Clayton...

... thought Chesterfield meant Johnson when he used the phrase evidently liked his Irish friend and even went so far occasionally as to attempt to agree with him. William Henry Irving. Matthew Arnold: A Study in Conflict. By E. K. Brown. Chicago: The University of Chicago Press [1948]. Pp. ix, 224. $3.00...

... the chord of pene­ trating passion and melancholy which Arnold saw as an Irish national trait. In this section of the book Mr. Faverty is in danger of losing his objectivity; he seems almost angry with Arnold for giving his support to a tradition . . . first foisted upon the world by James McPherson...

...Dillon Johnston Copyright © 1996 by Duke University Press 1996 Dillon Johnston Cross-Currencies in the Culture Market: Arnold, Yeats, Joyce Very early in Ulysses, Stephen Dedalus imag­ ines an Oxford scene with Matthew Arnold cast as the empirical, and therefore visually oriented...

... that attains greatness that is, that makes a contribution to the progress of the race. Matthew Arnold, the English apostle of culture, spoke with in­ sight and final charm of the true essence of culture. He did not Culture and Commercialism. 115 substitute superficial taste and knowledge for vital development...

... by Matthew Arnold. Culture, according to Arnold, is a study of perfection which begins in the attempt to see things as they really are and leads to an incessant attempt to make reason and the will of God prevail by a morally and intellectually in- Thomas M. Leitch , director of the Film Studies Program...

... critical judgments of Matthew Arnold on Dickens s novels with a paragraph of paraphrase and quotation from J. C. Jeaffreson, of different stature from Arnold today, but in­ fluential in his own generation. It may be granted that Arnold was not so illuminating when he wrote about novels as when he wrote...

..., and Keats, we have D. G. James s Matthew Arnold and English Ro­ manticism and William A. Jamison s Arnold and the Romantics, which opened up a new avenue of approach by working backwards from the Victorian point of view. Now comes Leon Gottfried s Matthew Arnold and the Romantics, which surely must have...

... and the frequency with which it was assailed by beggars, thieves, and refugees from the Czarist secret police, it soon became one of the literary salons of London, as much at home to Thomas Hardy and Arnold Bennett as to Ezra Pound and W. B. Yeats. The first thick number of the Review, bound with heavy blue covers...

... Mall Gazette and other London papers to be interviewed, and have always declined the honour, and furthermore have promised Mr. [James Thomas] Knowles, [editor] of the Nineteenth Century, that if I had any­ thing to say about America I will send it to him. 19 Perhaps Arnold s statement revealed...