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Journal Article
Social Text (1 March 2014) 32 (1 (118)): 115.
Published: 01 March 2014
...Alex Pittman © 2014 Duke University Press 2014 Alex Pittman, Untitled, Gramsci Monument, 21 August 2013 [Photograph]. Courtesy of the artist Social Text 118 • Vol. 32, No. 1 • Spring 2014 DOI 10.1215...
Journal Article
Social Text (1 December 2014) 32 (4 (121)): 27–31.
Published: 01 December 2014
... but not abject. Not propertied but shared out, burning and brown. Something else: an unfinished conversation about mothers. It was another thought, a branching out. © 2014 Duke University Press 2014 Untitled Jennifer Doyle “The sentence is ruined as soon as I enter it.” That sentence...
Journal Article
Social Text (1 December 2014) 32 (4 (121)): 115.
Published: 01 December 2014
...Luke Dowd © 2014 Duke University Press 2014 Luke Dowd, Untitled, screen print and spray paint on paper, 70 cm × 100 cm, 2007. Courtesy of the artist Social Text 121 • Vol. 32, No. 4 • Winter 2014 DOI...
Journal Article
Social Text (1 December 2010) 28 (4 (105)): 91–111.
Published: 01 December 2010
... can claim Caliban as a “brother.” Both Durham and his alter ego Caliban Figure 1. Jimmie Durham, Untitled, 1992. [Caliban’s mask.] could, in 1992, dramatize Glass eyes, button, mud, PVC pipe, and glue. Courtesy of the failure of representa- the artist tion as a truly disruptive critical...
Journal Article
Social Text (1 March 2002) 20 (1 (70)): 1–9.
Published: 01 March 2002
..., Diva, and Blade Runner (Social Text 3, 4, 6, and 28), a reportage on the 1985 Socialist Scholars Conference (Social Text 12), and a piece on the media’s construction of the Gulf War (Social Text 28). We have decided to reintroduce this rubric, although in the future it will remain untitled, simply...
Journal Article
Social Text (1 June 2010) 28 (2 (103)): 1–30.
Published: 01 June 2010
Journal Article
Social Text (1 June 2011) 29 (2 (107)): 21–46.
Published: 01 June 2011
... ∙ Beijing en Abyme Figure 1. Huang Qingjun, “Untitled (HQJ-06 A couple sits with their belongings outside their home in Beijing in 2007. The infamous chai character (meaning demolish) is visible on the walls. Courtesy of the artist the same time, perform a critical maneuver — an outing — that I...
Journal Article
Social Text (1 September 2001) 19 (3 (68)): 131–149.
Published: 01 September 2001
... “Untitled” by Torben Eskerod Scratching bugs and scabs away, spitting, coughing, only a few even looked at us in the infirmary. There was no apparent aggression. Still, we thought, they must plan to leave. But when some do manage to escape, they beg...
Journal Article
Social Text (1 September 2001) 19 (3 (68)): 151.
Published: 01 September 2001
....” 132 João Biehl ST 68-07 Biehl call 10/25/01 3:13 PM Page 133 “Untitled” by Torben Eskerod Scratching bugs and scabs away, spitting, coughing, only a few even looked at us in the infirmary. There was no apparent aggression. Still, we...
Journal Article
Social Text (1 September 2015) 33 (3 (124)): 117–145.
Published: 01 September 2015
... 1. This is a riff on Martin’s treatment of dance in Knowledge LTD: Toward a Social Logic of the Derivative (Philadelphia, PA: Temple University Press, 2015). 122 Clough · Movement after Randy Martin Untitled for Randy André Lepecki...
Journal Article
Social Text (1 March 2005) 23 (1 (82)): 83–109.
Published: 01 March 2005
Journal Article
Social Text (1 March 2009) 27 (1 (98)): 115–140.
Published: 01 March 2009
... complex ways that desire shaped the culture of the Afro-Cubanist movement. Scholars of Afro-Cubanist literature have highlighted the racialized het- 128 Guridy • Feeling Diaspora in Harlem and Havana Figure 2. “Untitled” by Miguel Covarrubias...
Journal Article
Social Text (1 September 2009) 27 (3 (100)): 25–26.
Published: 01 September 2009
... Raad, BEY82_Onlookers (from the series “Untitled [1982–2007 1982–2007. 44" 3 67", archival color inkjet print. © Walid Raad. Courtesy of the Paula Cooper Gallery In the Otolith Group’s film essay Otolith I, the fictional character named Usha, in exile after the 2003 demonstration against...
Journal Article
Social Text (1 September 2009) 27 (3 (100)): 27–34.
Published: 01 September 2009
... power being played out through competing images. 30 Min ∙ Aesthetics Figure 3. Walid Raad, BEY82_Onlookers (from the series “Untitled [1982–2007 1982–2007. 44" 3 67", archival color inkjet print. © Walid Raad. Courtesy of the Paula Cooper Gallery In the Otolith Group’s film...
Journal Article
Social Text (1 September 2009) 27 (3 (100)): 35–38.
Published: 01 September 2009
... Raad, BEY82_Onlookers (from the series “Untitled [1982–2007 1982–2007. 44" 3 67", archival color inkjet print. © Walid Raad. Courtesy of the Paula Cooper Gallery In the Otolith Group’s film essay Otolith I, the fictional character named Usha, in exile after the 2003 demonstration against...
Journal Article
Social Text (1 September 2009) 27 (3 (100)): 39–42.
Published: 01 September 2009
... power being played out through competing images. 30 Min ∙ Aesthetics Figure 3. Walid Raad, BEY82_Onlookers (from the series “Untitled [1982–2007 1982–2007. 44" 3 67", archival color inkjet print. © Walid Raad. Courtesy of the Paula Cooper Gallery In the Otolith Group’s film...
Journal Article
Social Text (1 September 2009) 27 (3 (100)): 43–51.
Published: 01 September 2009
... Raad, BEY82_Onlookers (from the series “Untitled [1982–2007 1982–2007. 44" 3 67", archival color inkjet print. © Walid Raad. Courtesy of the Paula Cooper Gallery In the Otolith Group’s film essay Otolith I, the fictional character named Usha, in exile after the 2003 demonstration against...
Journal Article
Social Text (1 September 2009) 27 (3 (100)): 53–57.
Published: 01 September 2009
... power being played out through competing images. 30 Min ∙ Aesthetics Figure 3. Walid Raad, BEY82_Onlookers (from the series “Untitled [1982–2007 1982–2007. 44" 3 67", archival color inkjet print. © Walid Raad. Courtesy of the Paula Cooper Gallery In the Otolith Group’s film...
Journal Article
Social Text (1 September 2009) 27 (3 (100)): 58–62.
Published: 01 September 2009
... power being played out through competing images. 30 Min ∙ Aesthetics Figure 3. Walid Raad, BEY82_Onlookers (from the series “Untitled [1982–2007 1982–2007. 44" 3 67", archival color inkjet print. © Walid Raad. Courtesy of the Paula Cooper Gallery In the Otolith Group’s film...