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1
Journal Article
Social Text (2010) 28 (1 (102)): 1–12.
Published: 01 March 2010
...Gustavus Stadler The introduction to “The Politics of Recorded Sound,” this special issue of Social Text , lays out the unifying mission of the diverse essays: to study sound recording within a wide-ranging, historicized understanding of mediation as a process embedded within networks of power...
Journal Article
Social Text (2010) 28 (1 (102)): 13–34.
Published: 01 March 2010
...David Suisman This article reframes the history of recorded sound to take phonographs and player-pianos into account on more or less equal terms. It argues that the two technologies developed in complementary, dialectical relation to each other: one analog, storing and conveying an acoustic event...
Journal Article
Social Text (2018) 36 (3 (136)): 25–45.
Published: 01 September 2018
... were already presumed gone. This article reorients the question of where the protest songs are toward a broader inquiry into sound’s relationship to dissent. Protest music is best understood as a genre, limited by its musical structure as well as its era. Phrased as where is the sound of dissent...
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Published: 01 September 2019
Figure 1 Arthur Jafa, Crystal and Nick Siegfried , 2017. Video (color, sound), 3 min, 5 sec.
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Published: 01 September 2019
Figures 2–3. Arthur Jafa, Crystal and Nick Siegfried , 2017. Video (color, sound), 3 min, 5 sec.
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Published: 01 September 2019
Figure 4 Arthur Jafa, Sharifa Walks , 2015. Video (color, sound), 4 min, 18 sec.
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Published: 01 September 2019
Figure 5 Arthur Jafa, Sharifa Walks , 2015. Video (color, sound), 4 min, 18 sec.
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Published: 01 September 2019
Figures 6–7. Arthur Jafa, Apex , 2013. Video (color, sound), 8 min, 12 sec.
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Published: 01 September 2019
Figures 8–9. Arthur Jafa, Apex , 2013. Video (color, sound), 8 min, 12 sec.
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Journal Article
Social Text (2017) 35 (1 (130)): 59–78.
Published: 01 March 2017
..., they lent their voices to the project. By juxtaposing these “soundings” with dreams Inuit youth have of their dead friends, the author thinks about the possibility of “sending” our voices to the absent/dead and the way they send their voices to us. 25 Ibid., 16. 26 Quoted in Rasmussen, Netsilik...
Journal Article
Social Text (2010) 28 (1 (102)): 59–85.
Published: 01 March 2010
...Jennifer Stoever-Ackerman This essay examines the sonic archive of tape recording artist Tony Schwartz, in particular his 1955 Folkways album Nueva York: A Tape Documentary of Puerto Rican New Yorkers . Working from assumptions located in sound studies, I argue that Schwartz's recordings...
Journal Article
Social Text (2014) 32 (2 (119)): 25–51.
Published: 01 June 2014
...J. Martin Daughtry This essay explores the relationship between sound, violence, and the sensorium within the context of the recent war in Iraq. It argues that, at extreme volumes or in extreme psychosocial circumstances, wartime sounds become untethered from their indexicality, losing much or all...
Journal Article
Social Text (2008) 26 (3 (96)): 123–145.
Published: 01 September 2008
... of sound, the architecture of the favela, and the ways in which sound is employed to mark off space and express identity and alterity. Pentecostal broadcasts acquire their meaning against the background of sound that evangelicals define as “worldly” instead of Godly, and the cacophony of sounds...
Journal Article
Social Text (2010) 28 (1 (102)): 35–58.
Published: 01 March 2010
...Mara Mills This article traces the history of speech wave visualization and the longstanding relationship between phonetics, communication engineering, and deaf oral education. American telephone engineers drew on this history to build the sound spectrograph in the 1940s, a machine that transformed...
Journal Article
Social Text (2010) 28 (1 (102)): 87–105.
Published: 01 March 2010
... descriptions of the recordings from period documents, the essay argues that there was a specific confluence between lynching reenactments and the notion of a “phonographic voice,” between sounds elicited from persons on the edge of “the human” and the sound imagined to come from the machine itself. It places...
Journal Article
Social Text (2012) 30 (4 (113)): 1–24.
Published: 01 December 2012
... sounded and staged a philosophy of the history of jazz predicated on the production of a people that emerge as a refusal of the biopolitical population addressed by US Steel. By focusing on the televised performance’s dance and dramaturgy, this analysis shows how A Drum Is a Woman imagined...
Journal Article
Social Text (2015) 33 (1 (122)): 1–25.
Published: 01 March 2015
... and interviews with survivors, this essay presents a detailed overview of sound, noise, music, and voice, as they were communicated, sent, received, and echoed through the camps. Neither camp was an annihilation camp of the Auschwitz type, and thus the trajectory between past, present, and future...
Journal Article
Social Text (2008) 26 (3 (96)): 79–100.
Published: 01 September 2008
...Jonathan Sterne Since the invention of sound-transcription devices in the early nineteenth century, philosophers, linguists, inventors, audiences, and others have debated whether it is the meaningful act of speech or the material sound of the voice itself which defines the speaking subject...
Journal Article
Social Text (2011) 29 (4 (109)): 81–105.
Published: 01 December 2011
... especially focused on the film's sound design, it argues that the film shows us a significant shift in the formal location of Jia's representation of the relation between history and the everyday in the Chinese context. Along the way, the essay assumes that the worldly register in which these arguments take...
Journal Article
Social Text (2013) 31 (3 (116)): 57–73.
Published: 01 September 2013
...Deborah R. Vargas This essay considers the afterlife of punk through an orientation of time and space in the spatiotemporality of the cantina (South Tejas working-class bar). With attention to the Tejas punk sounds of Piñata Protest and Girl in a Coma, I consider punk’s afterlife in the form...
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