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reggae

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Journal Article
Social Text (2001) 19 (4 (69)): 53–65.
Published: 01 December 2001
...George Yúdice Duke University Press 2001 Afro Reggae. 2000 . Nova cara . Universal Music. Afro Reggae. 1997 . Afro Reggae vira tese de mestrado . 5 (January): 5 -7. Castells, Manuel. 2000. La ciudad de la nueva economía.La factoría 12 (July-August). www.lafactoriaweb.com...
Journal Article
Social Text (2013) 31 (3 (116)): 111–122.
Published: 01 September 2013
... were made manifest, but nowhere was that more true than in the early work of the Clash. Their 1977 cover of reggae artist Junior Murvin’s 1976 Jamaican hit “Police and Thieves” represents an unusual moment in the checkered history of white bands covering black music. The cover song has always been...
Journal Article
Social Text (2005) 23 (1 (82)): 43–63.
Published: 01 March 2005
.... After the death of his grandmother and the sale of his childhood home, Ivan, a young man from the countryside with dreams of making it as a reggae star, journeys to join his impoverished mother in the slums of Kingston. He soon...
Journal Article
Social Text (2013) 31 (3 (116)): 75–93.
Published: 01 September 2013
..., electronica, dubstep, hyperdub — as they have mutated into what Michael Veal, in his book Dub: Soundscapes and Shattered Songs in Jamaican Reggae, has called a “multiplicity of new, studio-­based soundscape genres.”1 Punk also had Social Text 116 • Vol. 31...
Journal Article
Social Text (2013) 31 (3 (116)): 123–134.
Published: 01 September 2013
..., where ska and reggae and hardcore punk sit comfortably alongside each other, drawing on multiple musical histories and inventing new spaces of overlap and conversation? The history of punk has been all too often told as one...
Journal Article
Social Text (2001) 19 (4 (69)): np.
Published: 01 December 2001
..., and Citizenship in Narratives of the Nation Usha Zacharias 29 Afro Reggae: Parlaying Culture into Social Justice George Yúdice 53 Exposed by Pakistani Street Theater: The Unholy Alliance of Postmodern Capitalism, Patriarchy, and Fundamentalism Fawzia Afzal-Khan 67 Feminine Villains, Masculine...
Journal Article
Social Text (2001) 19 (4 (69)): 1–5.
Published: 01 December 2001
... and dislocation (alternative Pakistani theater as a counternarrative to the exclusionary forces of postmodern capitalism and traditionalist nationalism; las chinas en Panama expressing diasporic fealty through the Western discourse of beauty pageantry); new forms of consumption (Afro Reggae as a corpo...
Journal Article
Social Text (2005) 23 (3-4 (84-85)): 19–34.
Published: 01 December 2005
... that “paradoxically it was here, in the exclusiveness of Black West Indian style, in the virtual impossibility of authentic white identification, that reggae’s attraction for the punks was strongest. . . . Reggae’s blackness...
Journal Article
Social Text (2013) 31 (4 (117)): 49–76.
Published: 01 December 2013
... the desired themes and crucial points. Oppong plays electric guitar accompanied by a drum trap set and sometimes a bass for rehearsals and recording. The group brainstorms on appropriate highlife, gospel, hip-­ hop, and reggae songs. Songs often relate only...
Journal Article
Social Text (2013) 31 (3 (116)): 1–11.
Published: 01 September 2013
... be told. In terms of the racial and transnational readings of punk, we are well beyond Dick Hebdige’s formulation of a “frozen dialectic” between reggae and rap and punk, a point emphasized by Jayna Brown’s essay for this volume, which...
Journal Article
Social Text (2010) 28 (1 (102)): 1–12.
Published: 01 March 2010
.... In this regard, ethnomusicologists like Louise Meintjes and Norman Stol- zoff, in their respective studies of South African mbaqanga and Jamaican dub reggae, have proven adept at breaking down the walls of the recording studio, showing the embeddedness...
Journal Article
Social Text (2018) 36 (2 (135)): 123–141.
Published: 01 June 2018
.... She is distinguished from her sister clones by the fact that she is queer, wears glasses, and has dreadlocks. Often deemed the sexiest clone by fans of the show, Cosima is as brainy-nerdy as she is naively romantic, and to play her, Maslany listens to trip hop, world dubstep, and reggae to transition...
Journal Article
Social Text (2004) 22 (4 (81)): 91–112.
Published: 01 December 2004
... he examines, Western clothing, Congolese rumba, South African theater, and West Indian reggae comprise the established forms of urban space out of which cultural style is fashioned. By probing into the background of this space—how it comes to be organized in the way that it does—my aim...
Journal Article
Social Text (2009) 27 (1 (98)): 11–36.
Published: 01 March 2009
... laws and other policies of racial exclusion.5 With their national belonging perpetually in question, blacks in Europe often seek out diasporic resources that originate in other parts of the black world. These resources have most commonly included music such as reggae and rap, as well...
Journal Article
Social Text (2001) 19 (2 (67)): 127–156.
Published: 01 June 2001
... chains; between chamber music and reggae con- certs. It is the difference between a distance from the demands of prof- 150 Andrea Fraser ST.06 Fraser 5/24/01 5:55 PM Page 151 itability afforded by economic means and a freedom from...
Journal Article
Social Text (2012) 30 (4 (113)): 25–53.
Published: 01 December 2012
...- bean, Latin America, Africa, and Asia, whether by way of reggae (so central to the pioneering mixing and sampling of Jamaican-­American DJ Kool Herc, whose 1970s street parties and Herculords speaker systems are unanimously credited for inaugurating...