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punk
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Journal Article
Social Text (2013) 31 (3 (116)): 75–93.
Published: 01 September 2013
...Jayna Brown In considering the music of two dub-influenced artists based in the United Kingdom, Tricky (Adrian Thaws) and the Bug (Kevin Martin), I explore the ways dub and punk share historical space and affective territory, and particularly the ways a punk ethos has continued to be imbricated...
Journal Article
Social Text (2013) 31 (3 (116)): 95–110.
Published: 01 September 2013
...José Esteban Muñoz The great paradox of any punk scene is the ways in which it can simultaneously foster a sort of nihilistic individualism and an often transformational sense of commonality. This essay considers the performance of a punk rock commons that emerged from the Los Angeles punk scene...
Journal Article
Social Text (2013) 31 (3 (116)): 111–122.
Published: 01 September 2013
... and interactions among producers, engineers, and musicians, and the mediations of management and the record company as well as (sometimes) those of the artists themselves. Such negotiations are a constant; their particularities are not. During the punk era, record form was generally a charged site where politics...
Journal Article
Social Text (2013) 31 (3 (116)): 1–11.
Published: 01 September 2013
...Jayna Brown; Patrick Deer; Tavia Nyong’o “Punk and Its Afterlives: Introduction” presents the special issue and stages an intervention in the study of punk. Setting aside codified origin myths around punk, alternative histories and futures emerge to offer an expanded continuum of music, politics...
Journal Article
Social Text (2013) 31 (3 (116)): 13–34.
Published: 01 September 2013
... and within punk, hardcore, and indie music audiences, and make a productive mess of identity and community in the process. At a time when there is a widespread shift within queer theory away from epistemological concerns and vocabularies—exemplified in a founding text such as Eve Kosofsky Sedgwick’s...
Journal Article
Social Text (2013) 31 (3 (116)): 57–73.
Published: 01 September 2013
...Deborah R. Vargas This essay considers the afterlife of punk through an orientation of time and space in the spatiotemporality of the cantina (South Tejas working-class bar). With attention to the Tejas punk sounds of Piñata Protest and Girl in a Coma, I consider punk’s afterlife in the form...
Journal Article
Social Text (2013) 31 (3 (116)): 147–158.
Published: 01 September 2013
...Patrick Deer The embrace of the city in ruins was a familiar rallying cry of punk music. From Public Image Limited’s evocation of an urban subject murdered in the countryside while “the cassette played poptones,” to the Clash’s raucous calls for “a riot of our own,” to dub-influenced declarations...
Journal Article
Social Text (2013) 31 (3 (116)): 123–134.
Published: 01 September 2013
...Jack Halberstam In this essay, I track a history of punk that I associate with wild vocalization within a history of black aesthetics. Building upon the work of Fred Moten, Jayna Brown, and Tavia Nyong’o, this essay returns to some eccentric moments in punk musical production—songs by Rhoda Dakar...
Journal Article
Social Text (2013) 31 (3 (116)): 35–55.
Published: 01 September 2013
...Matthew Carrillo-Vincent A sideways critique from a sideways stance, emo presents one of punk’s most fascinating effects: an opportunity for us to think about what a criticism of normativity looks like when it comes from the normative subject. And so while this article will attempt to address...
Journal Article
Social Text (2014) 32 (4 (121)): 105–113.
Published: 01 December 2014
...Christine Bacareza Balance In his chapter “Stages: Queers, Punks, and the Utopian Performative” in Cruising Utopia , José Esteban Muñoz models for us what he terms the “productive consumption” of photographer Kevin McCarty’s work. Inspired by Muñoz’s dialogic approach, recognizing that our own...
Journal Article
Social Text (2005) 23 (3-4 (84-85)): 19–34.
Published: 01 December 2005
...Tavia Nyong'o Duke University Press 2005 Punk’d Theory
I said I was a nerd, but I’m not a punk. Tavia Nyong’o
—N.E.R.D., In Search...
Journal Article
Social Text (2013) 31 (3 (116)): 137–145.
Published: 01 September 2013
...
before the altar, was reminiscent of the most gripping moments of a perfor-
mance by Miguel Gutierrez that I had seen recently at St. Mark’s Church.
But even if one had a certain resistance to (apparently) nonvirtuosic chore-
ography, how could anybody deny the interest of the song “Punk Prayer...
Journal Article
Social Text (2021) 39 (3 (148)): 79–101.
Published: 01 September 2021
.... Ward, Salvage the Bones , 255 . 74. Ward, Salvage the Bones , 258 . 75. Ward, Salvage the Bones , 205 . 76. Erevelles, “Thinking with Disability Studies.” 77. Cohen, “Punks, Bulldaggers, and Welfare Queens,” 438 . 78. Cohen, “Punks, Bulldaggers, and Welfare...
Journal Article
Social Text (2014) 32 (4 (121)): 125–134.
Published: 01 December 2014
...
‘itself.’ ”5 For Muñoz, the “punk rock commons,” the full-body contact of
the mosh pit, exemplifies this plural singularity, the ontological condition
that bespeaks the possibility and enactment of compresence orientated
toward the materialization...
Journal Article
Social Text (2014) 32 (4 (121)): 59–68.
Published: 01 December 2014
... of what B. Ruby Rich calls the “new
queer cinema.”15 The film is titledTotally Fed Up16 and inaugurated
what the LA punk termed his Teenage Apocalyptic Trilogy, which then
included The Doom Generation in 1995 followed by Nowhere in 1997...
Journal Article
Social Text (2017) 35 (4): 33–51.
Published: 01 December 2017
... qualities of their statuses as antinormative modes of sexual and sonic expression. While many music subcultures such as punk could be thought about as having queer impulses, industrial music’s queerness emerges as a deprivileged yet productive site of sexual minority difference’s formations. That is, I...
FIGURES
Journal Article
Social Text (2014) 32 (1 (118)): 93–113.
Published: 01 March 2014
...-
egory of subcultural denizens who span the gamut from commune-living
hippies to riot grrls, trainhopping crusty punks to queer bike messengers,
Social Text 118 • Spring 2014 9 5
middle-class white college students to card...
Journal Article
Social Text (2023) 41 (2 (155)): 81–84.
Published: 01 June 2023
... ancestors. But he lost. The unions built the middle-class town, and people took great pride in that. Still, by the time I was old enough to know much, the unions were so desperate for income that you could rent their hiring halls out for fifty bucks a night to host an all-ages punk show. In 2002 I read...
Journal Article
Social Text (2008) 26 (2 (95)): 113–133.
Published: 01 June 2008
... would want to imitate it, and to claim
its capacities of ensorcellment for themselves. Rock, heavy metal, punk,
and rap would, at different times, seem to realize and then apotheosize
this danger. But that is to get ahead of the story. Let’s stick...
Journal Article
Social Text (2018) 36 (3 (136)): 25–45.
Published: 01 September 2018
... and confusing than sonically intentional. Indeed, sonic upheaval lies at the heart of how public dissent is experienced and, indeed, of why it is usually staged at all. Recent notable examples of sounded dissent bear out the necessity of theorizing sonic dissent as vernacular. Members of the Russian punk...
FIGURES
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