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photograph
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Journal Article
Social Text (1 March 2016) 34 (1 (126)): 73.
Published: 01 March 2016
...C. Nadia Seremetakis © 2016 Duke University Press 2016 A “little grave” beside an official monument in Greece, 2015.
Photograph courtesy of C. Nadia Seremetakis
Social Text 126 • Vol. 34, No. 1 • March 2016...
Journal Article
Social Text (1 June 2012) 30 (2 (111)): 121.
Published: 01 June 2012
...Gayatri Chakravorty Spivak © 2012 Duke University Press 2012 Gayatri Chakravorty Spivak, Birangonas (War Heroines), Rehabilitation Center, Dhaka, Bangladesh,
January 1973. Courtesy of the photographer
Social Text 111 • Vol. 30, No. 2...
Journal Article
Social Text (1 September 2012) 30 (3 (112)): 123.
Published: 01 September 2012
Journal Article
Social Text (1 March 2013) 31 (1 (114)): 107–108.
Published: 01 March 2013
...Bruce Benderson © 2013 Duke University Press 2013 Bruce Benderson, Michelle and Her Crazy Glue [photograph], 2002. Courtesy of the artist
Bruce Benderson is an avid photographer who has documented the
people and places of pre- and postgentrification New York, and other
cities around...
Journal Article
Social Text (1 December 2013) 31 (4 (117)): 77.
Published: 01 December 2013
Journal Article
Social Text (1 September 2013) 31 (3 (116)): 135.
Published: 01 September 2013
Journal Article
Social Text (1 March 2014) 32 (1 (118)): 115.
Published: 01 March 2014
...Alex Pittman © 2014 Duke University Press 2014 Alex Pittman, Untitled, Gramsci Monument, 21 August 2013 [Photograph]. Courtesy of the artist
Social Text 118 • Vol. 32, No. 1 • Spring 2014
DOI 10.1215...
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Published: 01 September 2016
Photograph courtesy of Anna McCarthy Photograph courtesy of Anna McCarthy
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Journal Article
Social Text (1 March 2015) 33 (1 (122)): 93.
Published: 01 March 2015
...Cecilia Vicuña © Cecilia Vicuña 2015 Cecilia Vicuña, Vaso de Leche, two photographs from a set of photographs that document a site-specific
performance in Bogota, 1979. Courtesy of England & Co Gallery, London
Social Text 122 • Vol. 33...
Journal Article
Social Text (1 March 2003) 21 (1 (74)): 83–109.
Published: 01 March 2003
...Lisa Cartwright Duke University Press 2003 Photographs of “Waiting Children”
THE TRANSNATIONAL ADOPTION MARKET
This essay considers the place of visual media, specifically child portrait Lisa Cartwright...
Image
in The Art of Dissident Domesticity: Julian Assange, King Prempeh, and Ethnographic Conceptualism in the Prison House
> Social Text
Published: 01 December 2017
Figure 7 A curtain inside the Ecuadorian embassy, 2014. Photograph by Michał Murawski Figure 7. A curtain inside the Ecuadorian embassy, 2014. Photograph by Michał Murawski
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in The Art of Dissident Domesticity: Julian Assange, King Prempeh, and Ethnographic Conceptualism in the Prison House
> Social Text
Published: 01 December 2017
Figure 12 “The Ecuadorian Balcony,” from Investigated installation. Photograph by Khadija von Zinnenburg Carroll Figure 12. “The Ecuadorian Balcony,” from Investigated installation. Photograph by Khadija von Zinnenburg Carroll
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in The Art of Dissident Domesticity: Julian Assange, King Prempeh, and Ethnographic Conceptualism in the Prison House
> Social Text
Published: 01 December 2017
Figure 13 Prempeh’s veranda today. Photograph by Jesse Weaver Shipley Figure 13. Prempeh’s veranda today. Photograph by Jesse Weaver Shipley
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/10.1215_01642472-6927114/3/s_0360143_fig1.png?Expires=1563583009&Signature=sQzC1RVkZz6vx6pyPcTf7j9Ef~TTrIOWYLuntj9MmbLgWXFlbr8kYE2~loVJY9nLtO3LZLPgfFKpyUMfXLBBbX0OCwcnrnodmivepwPcBG887zvjiZPWoHW1-BIIyaWbdXYStuBU5-naUq-CaYh6fV974Wycv2njt5s4YA0Xc3-GxFVyyXTymkBgBs154JfNq7ub5-Tnbu4N3TucNi~N4ZukxCxdiT09nm3br0Guu2~QcJAv1tNa2zCtPn7V20soZNWrUcb-4w3QaabLpEoCpTok5isMLHkVG3jxdJU55fXfazH0SVB8Oxtgm-e5sIebaMAjLZgT0TJ~5L0~xbz6xQ__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Published: 01 June 2018
Lake Michigan. Photograph by Kaya Naomi Williams Lake Michigan. Photograph by Kaya Naomi Williams
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/10.1215_01642472-3467990/3/s_05BajorekFIG06.jpeg?Expires=1563583009&Signature=GITxx~IMpxqr4niGJRhq7GdHPKd0cZfnjHIsK4o8bg97-8-n9E9pnm0w-yMECiGfV4DeAEspS5lAPtBOAjUl-x5aUPDR0vKDJd8o5CDWxixFB-FtVPW96TnHIFamkH7ZIBu6l~f4HJfVtxVuvvy8mUDvoxDFm7PGCRxBGQqIBT20DsP4p8X~ClElDFv4dFkN2pp4JmRcfCAW3HZWEIYJfbtvmYijx8W4~q14bNQUzPRbT3mqK6vRy1dJ3oICreYY-i7ZVEwhouPIVwQQvW~icD78t9eTJpTLVwGPkRGgN2sg5fXq7cipZqXsHU0CKXALMkoFsZnQmQVZ8cB050iPZw__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Published: 01 June 2016
Figure 6 Urban Mirror, I (Heart) Nairobi . 2009–ongoing. Documentation photograph. ©Silvia Gioiello. Courtesy of Urban Mirror Figure 6. Urban Mirror, I (Heart) Nairobi. 2009–ongoing. Documentation photograph. ©Silvia Gioiello. Courtesy of Urban Mirror
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/10.1215_01642472-3467990/3/s_05BajorekFIG07.jpeg?Expires=1563583009&Signature=wdi-Z4fPhrEXq4Hqp8PdqHM6zIy~2nbhPJsUR1HEwNlfiyEdpC2a1zBJqsGUuxjwKV1KDLnD7f24TNnU3Zo2A-wgZgDjeE4uBc0sJQffZeHBdsFuq3filUzvRJwNrV0~fyr2OduZtoTyrcaR4nPyJvSyCngqS5FMTc7I6aQZDf97-YcbTflchd-Q1smkWOmqthMWoj5Loc5UxDI9gvJvSbjXZQXjmGmn6Nid6AJ8xmhRL2fR-HEYVuZozRS19CR9x9F2GzjAlihR9FcwQ4YSE6Wr~m-CHt8B-GyVxdzX1QpmzP3OFptaPdxDDeFnYkT8vAERD7fDk-q6jtkvF-1FtA__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Published: 01 June 2016
Figure 7 Urban Mirror, I (Heart) Nairobi . 2009–ongoing. Documentation photograph. ©Silvia Gioiello. Courtesy of Urban Mirror Figure 7. Urban Mirror, I (Heart) Nairobi. 2009–ongoing. Documentation photograph. ©Silvia Gioiello. Courtesy of Urban Mirror
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/10.1215_01642472-3607612/3/s_06McCarthyFIG06.jpeg?Expires=1563583009&Signature=0WwAwGQffUqYbmryc0nH6eTDWJ3zPYBR1h4LRpZTObZ6CRQu3FQdWLt4HxMugtg1cKZp9fqTlbZPF4GtrtPCUVEBlLz55XpAXOzUGneOI4YWckC807bGpmpdkAcmcWDmY~bafTVPGQbJuEPXZtxBL1B7gS98wRELhlRMmXAFm5bkz058rVAzmVtSI9vpMBSRASlKJ7RftA-vfL47YuhbVkt2j6mcllduU69Zqsa-gFrAU47NEgB3ZoP2EHegdozrCsRK-Rt9ti8iBGLbRFrTHEY3gnJUHk5LA~3ARuzk8txEOt-YemWWUxpiPJIwffThWc8S7-Vq0X3dYIqtQSmKvw__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Published: 01 September 2016
Figure 6 The streets of the modern city are full of discarded books. Photograph courtesy of the author Figure 6. The streets of the modern city are full of discarded books. Photograph courtesy of the author
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/10.1215_01642472-3607612/3/s_06McCarthyFIG07.jpeg?Expires=1563583009&Signature=UdheDKFwOt21U4TRIQKorqay3eqEbMKjpp~FhMHvPa7u4ch2wjaIhNKk~qwT1DI08tbqLcHjcq2jL~WMnXIEbYiXxe3Ax9MfnXoZiNWGdbiarMcE5HB0Aau-5HC~C2ndMQh1ZG9A9sTV88OSYY3ztRvit40dZYtkU6NDk8~Fju6x~XcNj9XzhHBQl0A5JIOO3DYKgk3~1RJPSM83a71A4VvUiSLEbqv3uYf2MIKciI-gfqz8GRfFYa9ZIxVl5dMKyK7SkakOckGkfjAbiAbOIcs61tNED2lNIw5vwLx-C69RnWeyF-g8tYZbLg-7Ct2efS4~I9NLYfyQgWQ53s3lzQ__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Published: 01 September 2016
Figure 7 Books in bulk at Costco. Photograph courtesy of the author Figure 7. Books in bulk at Costco. Photograph courtesy of the author
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Published: 01 December 2017
Figure 2 My Life with the Thrill Kill Kult promotional photograph circa 1992. Courtesy of My Life with the Thrill Kill Kult Figure 2. My Life with the Thrill Kill Kult promotional photograph circa 1992. / Courtesy of My Life with the Thrill Kill Kult
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in The Art of Dissident Domesticity: Julian Assange, King Prempeh, and Ethnographic Conceptualism in the Prison House
> Social Text
Published: 01 December 2017
Figure 2 Prempeh’s house in Seychelles in 2009. Photograph by Jesse Weaver Shipley Figure 2. Prempeh’s house in Seychelles in 2009. Photograph by Jesse Weaver Shipley
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