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photograph
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Journal Article
Social Text (2012) 30 (2 (111)): 121.
Published: 01 June 2012
...Gayatri Chakravorty Spivak © 2012 Duke University Press 2012 Gayatri Chakravorty Spivak, Birangonas (War Heroines), Rehabilitation Center, Dhaka, Bangladesh,
January 1973. Courtesy of the photographer
Social Text 111 • Vol. 30, No. 2...
Journal Article
Social Text (2012) 30 (3 (112)): 123.
Published: 01 September 2012
Journal Article
Social Text (2013) 31 (1 (114)): 107–108.
Published: 01 March 2013
...Bruce Benderson © 2013 Duke University Press 2013 Bruce Benderson, Michelle and Her Crazy Glue [photograph], 2002. Courtesy of the artist
Bruce Benderson is an avid photographer who has documented the
people and places of pre- and postgentrification New York, and other
cities around...
Journal Article
Social Text (2013) 31 (4 (117)): 77.
Published: 01 December 2013
Journal Article
Social Text (2013) 31 (3 (116)): 135.
Published: 01 September 2013
Journal Article
Social Text (2014) 32 (1 (118)): 115.
Published: 01 March 2014
...Alex Pittman © 2014 Duke University Press 2014 Alex Pittman, Untitled, Gramsci Monument, 21 August 2013 [Photograph]. Courtesy of the artist
Social Text 118 • Vol. 32, No. 1 • Spring 2014
DOI 10.1215...
Journal Article
Social Text (2016) 34 (1 (126)): 73.
Published: 01 March 2016
...C. Nadia Seremetakis © 2016 Duke University Press 2016 A “little grave” beside an official monument in Greece, 2015.
Photograph courtesy of C. Nadia Seremetakis
Social Text 126 • Vol. 34, No. 1 • March 2016...
/10.1215_01642472-6927114/3/s_0360143_fig1.png?Expires=2147483647&Signature=XKfLQ2R8IwVJV6OBeGSu2gjyyQZfk5KejFV9tLmGOPokITp5uPVJyYD~Y35GDYOEsv3KFKV4740msJVQFFONptOLl4dchl6D04-KpBezExKJnm2nyz6bifFj6M9Xtur187vlRqGNwZFXm4yoaO01VdITus19ih8feF0wi4SlTXF4dxekISEFhdvbT0dDRaZWvWnJIUGFB36Yiac0xDTc3ZomPzo0DObBzVulkNb1yyp38NdaykutUfDMCUWF5sg6EvIRl3tMMPNCwfG9Vzq2IJJyW4qNFAt5yfMaJ7lVIJTDlIBAXotM75c0waPTfsWD~NkuNgeFTOlhpO29XteyvQ__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
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Published: 01 December 2017
Figure 2 My Life with the Thrill Kill Kult promotional photograph circa 1992. Courtesy of My Life with the Thrill Kill Kult
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in The Art of Dissident Domesticity: Julian Assange, King Prempeh, and Ethnographic Conceptualism in the Prison House
> Social Text
Published: 01 December 2017
Figure 2 Prempeh’s house in Seychelles in 2009. Photograph by Jesse Weaver Shipley
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in The Art of Dissident Domesticity: Julian Assange, King Prempeh, and Ethnographic Conceptualism in the Prison House
> Social Text
Published: 01 December 2017
Figure 7 A curtain inside the Ecuadorian embassy, 2014. Photograph by Michał Murawski
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in The Art of Dissident Domesticity: Julian Assange, King Prempeh, and Ethnographic Conceptualism in the Prison House
> Social Text
Published: 01 December 2017
Figure 12 “The Ecuadorian Balcony,” from Investigated installation. Photograph by Khadija von Zinnenburg Carroll
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in The Art of Dissident Domesticity: Julian Assange, King Prempeh, and Ethnographic Conceptualism in the Prison House
> Social Text
Published: 01 December 2017
Figure 13 Prempeh’s veranda today. Photograph by Jesse Weaver Shipley
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/10.1215_01642472-3467990/3/s_05BajorekFIG06.jpeg?Expires=2147483647&Signature=an9kqqwrFeP4~3lsGHKOtnyPS7krDwCKSosm0VJeMcouasxp6~fZjwZpYDVQsCI713LTG~p6d4Ie58AFnUD-uOvcxLM1-NeHebOsk0fH3ZUVC9bxhUJ2xjxT~soeZPcaw7OCMDGKTGAUC942doMSox1odH~ZIZD4LOYSoKVXRbXpA10Qp-OcHvAKAa-ilQ0lr~pkM8HlwXH-MwJHZEwy~IGHK-GfvUB8JRr8KZSYZNoY2U4d6zRYvmgW8pyqBcjI3wt-OEJqDkF8XgZ73q0MctDPshFhgGR4NpJ8E3VGv88y0bj-3QGln5tDQ7D82KXEnClz~qgGuUvAK1tYS5HKFA__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Published: 01 June 2016
Figure 6 Urban Mirror, I (Heart) Nairobi . 2009–ongoing. Documentation photograph. ©Silvia Gioiello. Courtesy of Urban Mirror
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/10.1215_01642472-3467990/3/s_05BajorekFIG07.jpeg?Expires=2147483647&Signature=Loy5fxqH7JClv7-P5JHUB8biNrFHyL9sWxIc0ksuN~YOODnCeOKUGWQPrjBFBbVvFEoaEWBnDsL~AGoeRMKVCDHRh~rSN0OSyXFzbWTtH53mV5oz1wCbR2D7smgC6ZqMdWQp-lMvJYqPYCnNelaYTqQouQ6HDWcNlaPsZSKdb6rbA1rtBzBEVwUE-F-8y2KWDfZ5FPZYftMaKMWw4-RqXkbwymPICEYH8eb3X6-Nu8Y5DboUchzdCXz~UF7u775SwdkqPacrnOuidfQkLkmwoyWmNTKe3Vq7zFR1tQXo2zdNGSyf5CCzPkDx9Rj8IyfF~-YS2nsFRzfavYVKMK0KVA__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Published: 01 June 2016
Figure 7 Urban Mirror, I (Heart) Nairobi . 2009–ongoing. Documentation photograph. ©Silvia Gioiello. Courtesy of Urban Mirror
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/10.1215_01642472-3607600/3/s_05McCarthyFIG01.jpeg?Expires=2147483647&Signature=K~iUI9BiX2S7-UgXTWanJCovlY3TXwlCwIK8UYGrgsuTJ~4YdA7FuRofIh~LE1Dd1T~WfXJO2faw6PSIBSaEGswMfU4A6iBdi0x47NVGZkWMWyWlAguS9o3g9CDwB5hlH8VSHlmfWyFVvCR9skgYcajHj43TcSfd4fdN~oaNj7qCVggBvRbljryy4f4zlT3eUFOkl24fmZD1LvD9SFDF1VKnHzI8OEa5x~J7FJKFhxEUgVipJ9pgjjXtNOL0~c-JhKA33lg0baiSFRJwrWa4sDCSi6fZb0JAvwodhfpaWQdCbJvo7VaOSsOEBwvownpwBk~LARZAb-4NKe5XekeXKA__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
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Published: 01 September 2016
Figure 6 The streets of the modern city are full of discarded books. Photograph courtesy of the author
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Published: 01 September 2016
Figure 7 Books in bulk at Costco. Photograph courtesy of the author
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Published: 01 December 2021
Figure 3. Chickasaw Nation PPE package. Photograph by Jodi Byrd.
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/10.1215_01642472-9408154/2/s_stx9408154figure1.png?Expires=2147483647&Signature=onE8XnufvwmoO8345~fJU~vYDcmexAYrHNI3WyMojGWVDZz1rWMEIkcqUiv1nxVGAlVfzy0jGfBbHlhBwXHs9W2qFJVn1uenDWFg5FH1ZPQEEc2iHgtRlpN3rG6dZWOC5F2fRxTT4qMzDERkpDHgHQUDJerUT5nzN~x1P13Aff1EjqNGgHcGvlKoi1DefTBOQQXzqDM1nttnRMFcKF-kLsAfxKX6xzQ4kaShQa4uq270q3gGiP1XlygRHhcHvN0y9QH-clTlB5JhCyw4kQToKLcd7T2wcbQIwtnuDUsdPlGm8E89vLR-2rLRl~m7nDipbSJWYq3hUFcHbSVAQvKSqA__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Published: 01 December 2021
Figure 1. “Safety in numbers,” Muswell Hill Broadway no. 10. Photograph by Rashmi Varma.
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