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photograph
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Journal Article
Social Text (2012) 30 (2 (111)): 121.
Published: 01 June 2012
...Gayatri Chakravorty Spivak © 2012 Duke University Press 2012 Gayatri Chakravorty Spivak, Birangonas (War Heroines), Rehabilitation Center, Dhaka, Bangladesh,
January 1973. Courtesy of the photographer
Social Text 111 • Vol. 30, No. 2...
Journal Article
Social Text (2012) 30 (3 (112)): 123.
Published: 01 September 2012
Journal Article
Social Text (2013) 31 (1 (114)): 107–108.
Published: 01 March 2013
...Bruce Benderson © 2013 Duke University Press 2013 Bruce Benderson, Michelle and Her Crazy Glue [photograph], 2002. Courtesy of the artist
Bruce Benderson is an avid photographer who has documented the
people and places of pre- and postgentrification New York, and other
cities around...
Journal Article
Social Text (2013) 31 (4 (117)): 77.
Published: 01 December 2013
Journal Article
Social Text (2013) 31 (3 (116)): 135.
Published: 01 September 2013
Journal Article
Social Text (2014) 32 (1 (118)): 115.
Published: 01 March 2014
...Alex Pittman © 2014 Duke University Press 2014 Alex Pittman, Untitled, Gramsci Monument, 21 August 2013 [Photograph]. Courtesy of the artist
Social Text 118 • Vol. 32, No. 1 • Spring 2014
DOI 10.1215...
Journal Article
Social Text (2016) 34 (1 (126)): 73.
Published: 01 March 2016
...C. Nadia Seremetakis © 2016 Duke University Press 2016 A “little grave” beside an official monument in Greece, 2015.
Photograph courtesy of C. Nadia Seremetakis
Social Text 126 • Vol. 34, No. 1 • March 2016...
Image
Published: 01 December 2017
Figure 2 My Life with the Thrill Kill Kult promotional photograph circa 1992. Courtesy of My Life with the Thrill Kill Kult
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in The Art of Dissident Domesticity: Julian Assange, King Prempeh, and Ethnographic Conceptualism in the Prison House
> Social Text
Published: 01 December 2017
Figure 2 Prempeh’s house in Seychelles in 2009. Photograph by Jesse Weaver Shipley
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in The Art of Dissident Domesticity: Julian Assange, King Prempeh, and Ethnographic Conceptualism in the Prison House
> Social Text
Published: 01 December 2017
Figure 7 A curtain inside the Ecuadorian embassy, 2014. Photograph by Michał Murawski
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in The Art of Dissident Domesticity: Julian Assange, King Prempeh, and Ethnographic Conceptualism in the Prison House
> Social Text
Published: 01 December 2017
Figure 12 “The Ecuadorian Balcony,” from Investigated installation. Photograph by Khadija von Zinnenburg Carroll
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in The Art of Dissident Domesticity: Julian Assange, King Prempeh, and Ethnographic Conceptualism in the Prison House
> Social Text
Published: 01 December 2017
Figure 13 Prempeh’s veranda today. Photograph by Jesse Weaver Shipley
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Published: 01 June 2016
Figure 6 Urban Mirror, I (Heart) Nairobi . 2009–ongoing. Documentation photograph. ©Silvia Gioiello. Courtesy of Urban Mirror
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Published: 01 June 2016
Figure 7 Urban Mirror, I (Heart) Nairobi . 2009–ongoing. Documentation photograph. ©Silvia Gioiello. Courtesy of Urban Mirror
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Published: 01 September 2016
Figure 6 The streets of the modern city are full of discarded books. Photograph courtesy of the author
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Published: 01 September 2016
Figure 7 Books in bulk at Costco. Photograph courtesy of the author
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Published: 01 December 2021
Figure 3. Chickasaw Nation PPE package. Photograph by Jodi Byrd.
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Published: 01 December 2021
Figure 1. “Safety in numbers,” Muswell Hill Broadway no. 10. Photograph by Rashmi Varma.
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