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Published: 01 June 2021
Figure 1. Ligia Lewis, Water Will (in Melody) , 2019. Performance view. Performance Space New York. Photograph by Maria Baranova. Courtesy of Performance Space New York.
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Published: 01 June 2021
Figure 2. Ligia Lewis, Water Will (in Melody) , 2019. Performance view. Performance Space New York. Photograph by Maria Baranova. Courtesy of Performance Space New York.
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Journal Article
Social Text (2009) 27 (3 (100)): 171–175.
Published: 01 September 2009
...Tavia Nyong'o Can “performance” ever be exactly defined? Or is the constitutive tension between what performances are and what performatives do simply part of what makes the field of performance studies politically pertinent? © 2009 Duke University Press 2009 Peer Review
Stanley Aronowitz...
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Published: 01 December 2021
Figure 1. “Tumbang Preso,” collaborative protest performance of RESBAK, BLOCK Marcos, and DAKILA on the thirty-sixth anniversary of the declaration of martial law in the Philippines, September 21, 2018. Courtesy of Isabelle Matutina.
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Journal Article
Social Text (2024) 42 (1 (158)): 81–101.
Published: 01 March 2024
...Carla Lever Abstract Spectacle is central to protest efficacy, yet the term performance has a history of being used pejoratively to discredit both protestors and their causes. This deflects analysis from the ubiquitous tactical performances enacted by institutional representatives themselves...
Journal Article
Social Text (2024) 42 (2 (159)): 75–87.
Published: 01 June 2024
...Sarah Myers; Ilona Granet; Donna Henes; Martha Wilson Abstract On November 23, 2022, three original core members of the all‐woman art collective DISBAND—Ilona Granet, Donna Henes, and Martha Wilson—sat down to discuss the therapeutic effects of collaborative performance, the role of comedy...
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Journal Article
Social Text (2002) 20 (4 (73)): 29–46.
Published: 01 December 2002
...Catherine Soussloff; Mark Franko Duke University Press 2002 Visual and Performance Studies
A NEW HISTORY OF INTERDISCIPLINARITY
No one can any longer separate knowledge from power, reason from...
Journal Article
Social Text (2014) 32 (4 (121)): 25.
Published: 01 December 2014
...Nao Bustamante © 2014 Duke University Press 2014 Nao Bustamante performs Given Over to Want (2007), Santiago, Chile.
Photo credit: Jorge Aceituno. Courtesy of the artist
Social Text 121 • Vol. 32, No. 4 • Winter 2014...
Journal Article
Social Text (2015) 33 (1 (122)): 93.
Published: 01 March 2015
...Cecilia Vicuña © Cecilia Vicuña 2015 Cecilia Vicuña, Vaso de Leche, two photographs from a set of photographs that document a site-specific
performance in Bogota, 1979. Courtesy of England & Co Gallery, London
Social Text 122 • Vol. 33...
Journal Article
Social Text (2014) 32 (4 (121)): 179.
Published: 01 December 2014
...Michael Wang © 2014 Duke University Press 2014 Michael Wang, Rock Pigeons (Feral/Domestic), performance (trained homing pigeons,
feral pigeons), from the series Invasives, 2010. Courtesy of the artist
Social Text 121 • Vol. 32, No. 4...
Journal Article
Social Text (2013) 31 (3 (116)): 13–34.
Published: 01 September 2013
...Drew Daniel This essay examines the phenomenon of “queer minstrelsy”—roughly, straight performers pretending onstage and in their lyrics to be gay, here exemplified by the Meatmen, the Frogs, and Zeigenbock Kopf—as a means for thinking about performance as both a catalyst for, and a solvent...
Journal Article
Social Text (2009) 27 (4 (101)): 67–94.
Published: 01 December 2009
... with the material world. The term scriptive thing integrates performance studies and “thing theory” by highlighting the ways in which things prompt, structure, or choreograph behavior. A knife, a camera, and a novel all invite—indeed, create occasions for—repetitions of acts, distinctive and meaningful motions...
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Published: 01 September 2018
Figure 2 Red Sunday prepares for their performance in front of McDonald’s. Photograph courtesy of the author.
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Journal Article
Social Text (2009) 27 (4 (101)): 25–44.
Published: 01 December 2009
... past and present, as a corollary of institutional corporatization, and heed the call for a more sincere alliance between theater and performance studies. The essay is also a call for the arts and humanities in general to confront the market and global logics of knowledge production; it argues that we...
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Published: 01 June 2024
Figure 1. Diane Torr and Barbara Kruger performing at Franklin Furnace on April 24, 1979. Photograph by Jacki Apple. Courtesy of Franklin Furnace Archive, Inc.
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Published: 01 June 2024
Figure 2. Donna Henes and Ilona Granet performing at Franklin Furnace on April 24, 1979. Photograph by Jacki Apple. Courtesy of Franklin Furnace Archive, Inc.
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Published: 01 June 2024
Figure 3. Martha Wilson performing at PS1, New York, on October 21, 1979. Photograph by Sarah Jenkins. Courtesy of Franklin Furnace Archive, Inc.
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Published: 01 June 2024
Figure 5. DISBAND performing at Hallwalls, Buffalo, New York, on October 28, 1980. Courtesy of Hallwalls Contemporary Arts Center.
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Published: 01 June 2024
Figure 4. Martha Wilson and Donna Henes performing at PS1, New York, on October 21, 1979. Photograph by Sarah Jenkins. Courtesy of Franklin Furnace Archive, Inc.
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Published: 01 September 2018
Figure 1 A Red Sunday choir member consults her lyric sheet prior to performing on 19 December 2010. Photograph courtesy of the author.
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