Figure 1. Kiyan Williams, Dirt Eater (2019). Sculpture. Soil, clay, steel, patina, bricks, wax, Kanekalon, incense, wood and steel armature, 6 × 3 × 3 ft. Installation view, In Practice: Other Objects , Sculpture Center, New York. Photograph by Kyle Knodell. Courtesy of the artist. More

Figure 2. Kiyan Williams, Dirt Eater (2019). Sculpture and high-definition color video with sound. Soil, clay, steel, patina, bricks, wax, Kanekalon, incense, wood and steel armature, 6 × 3 × 3 ft. Installation view, In Practice: Other Objects , Sculpture Center, New York. Courtesy More

Figure 2 James Bridle, Autonomous Trap 001 , 2017. Ground markings to trap autonomous vehicles using “no entry” and other glyphs. Performance of a salt circle trap, Mount Parnassus, 14 March 17. The Autonomous Trap is an intervention in the shared domain of human and machine vision, taking More

to the numbers of connections that each person or institution has with other entities in the network. To see full color images of these social network maps, to engage with detailed descriptions of each person and institution and the connections between them, and to see the changing dynamics of these links across More