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Figure 3. annie ross, “ on the usefulness of Waterfalls ,” Pots and Other Living Beings , 10. More

Figure 4. annie ross, “ on the usefulness of Waterfalls ,” Pots and Other Living Beings , 12. More

Figure 2. annie ross, “ Peach-pie Volcano ,” Pots and Other Living Beings , 8. More

Figure 5. annie ross, “ guilty conscience rv park ,” Pots and Other Living Beings , 68. More

Figure 6. annie ross, “ what the Buzzard said ,” Pots and Other Living Beings , 116. More

Figure 7. annie ross, “ give and take ,” Pots and Other Living Beings , 122. More

Figure 1. Kiyan Williams, Dirt Eater (2019). Sculpture. Soil, clay, steel, patina, bricks, wax, Kanekalon, incense, wood and steel armature, 6 × 3 × 3 ft. Installation view, In Practice: Other Objects , Sculpture Center, New York. Photograph by Kyle Knodell. Courtesy of the artist. More

Figure 2. Kiyan Williams, Dirt Eater (2019). Sculpture and high-definition color video with sound. Soil, clay, steel, patina, bricks, wax, Kanekalon, incense, wood and steel armature, 6 × 3 × 3 ft. Installation view, In Practice: Other Objects , Sculpture Center, New York. Courtesy More

Figure 2 James Bridle, Autonomous Trap 001 , 2017. Ground markings to trap autonomous vehicles using “no entry” and other glyphs. Performance of a salt circle trap, Mount Parnassus, 14 March 17. The Autonomous Trap is an intervention in the shared domain of human and machine vision, taking More