Figure 2. Predicted object classes and class probabilities: (“wig,” 0.28289402), (“miniskirt,” 0.21179298), (“feather_boa,” 0.114811346), (“maillot,” 0.059417136), (“maillot,” 0.043977804). More

Figure 4. Predicted object classes and class probabilities: (“jinrikisha,” 0.34868827), (“streetcar,” 0.1608768), (“unicycle,” 0.03484652), (“crutch,” 0.03411216), (“parking_meter,” 0.023157952). More

Figure 6. Predicted object classes and class probabilities: (“kimono,” 0.5265296), (“sunglass,” 0.047480945), (“groom,” 0.041185725), (“sunglasses,” 0.03571364), (“academic_gown,” 0.030526483). More

Figure 1. Kiyan Williams, Dirt Eater (2019). Sculpture. Soil, clay, steel, patina, bricks, wax, Kanekalon, incense, wood and steel armature, 6 × 3 × 3 ft. Installation view, In Practice: Other Objects , Sculpture Center, New York. Photograph by Kyle Knodell. Courtesy of the artist. More

Figure 2. Kiyan Williams, Dirt Eater (2019). Sculpture and high-definition color video with sound. Soil, clay, steel, patina, bricks, wax, Kanekalon, incense, wood and steel armature, 6 × 3 × 3 ft. Installation view, In Practice: Other Objects , Sculpture Center, New York. Courtesy More

Figure 2. Left , Liberate Tate, “Human Cost,” in the BP British Art Display Single Form . Tate Britain, April 2011. Right , Rafa Semilla exhibits a waira, part of BP or Not BP's “History of BP in Ten Objects” inside the British Museum Great Court, April 2016. Photographs courtesy Amy Scaife. More