Figure 10 A reader-generated subject heading in James Livingston’s copy of Capital , volume 1. Photograph courtesy of the author More

Figure 1 James Roberts’s valuation return. National Archives of the United Kingdom, PRO 10/15. More

Figure 2 James Bridle, Autonomous Trap 001 , 2017. Ground markings to trap autonomous vehicles using “no entry” and other glyphs. Performance of a salt circle trap, Mount Parnassus, 14 March 17. The Autonomous Trap is an intervention in the shared domain of human and machine vision, taking More

Figure 2 James E. Mitchell, declassified email, January 2003. static01.nyt.com/packages/pdf/us/20170620_interrogations/cia-interrogation-plan.pdf , p. 8. More

Figure 5. James Van Der Zee, “The Black Houdini” (1924). Gelatin silver print (toned), 10 × 8 in. The Paul R. Jones Collection, University of Delaware, Newark. From Williams, “Collecting Memory.” More

Figure 1 Baldwin in front of Muhammad’s Mosque no. 34 in Durham, North Carolina, now destroyed. Photograph by Steve Schapiro, courtesy of Fahey/Klein Gallery. First published in Life ; republished in James Baldwin, The Fire Next Time (2017), 260 . More

Figure 2 Baldwin in front of Royal Ice Cream Parlor in Durham, North Carolina, site of one of the first sit-in protests (in 1957), now destroyed. Photograph by Steve Schapiro, courtesy of Fahey/Klein Gallery. First published in Life ; republished in James Baldwin, The Fire Next Time (2017 More

Figure 3 Baldwin holding an abandoned child in Durham, North Carolina, under the gaze of a white Jesus. This photograph graced the cover of several later editions of The Fire Next Time . Photograph by Steve Schapiro, courtesy of Fahey/Klein Gallery. Republished in James Baldwin, The Fire Next More