...Jack Halberstam In this essay, I track a history of punk that I associate with wild vocalization within a history of black aesthetics. Building upon the work of Fred Moten, Jayna Brown, and Tavia Nyong’o, this essay returns to some eccentric moments in punk musical production—songs by Rhoda Dakar...

...José Esteban Muñoz This piece reflects on two orders of the poetic event. On one hand, it describes Fred Moten’s reading of the poem “the gramsci monument” at the public art project of the same name. On the other, it meditates on the event that the poem registers, or the general antagonism...

... about under the rubric of “black malpractice” as a poetics of the sacred. Among the interlocutors are Georges Bataille, Nathaniel Mackey, Dawn Lundy Martin, Fred Moten, Cedric Robinson, Denise Ferreira da Silva, and Sylvia Wynter. Copyright © 2019 Duke University Press 2019 blackness poetics...

... of as always entangled. The editors elaborate this ecological view by drawing on theories of coloniality, especially the work of Sylvia Wynter (and her human/Man distinction) and Stefano Harney and Fred Moten (in The Undercommons ). In this framing, the university appears as a specific, but not isolated, part...

...Fred Moten; Stefano Harney Policy is the imposition of insecurity, the oppressive regulation of the plans and operations by which the objects of policy anticipate and object to policy. These are notes toward an understanding of policy that also take up the question of whether it is inevitable...

...Fred Moten © 2014 Fred Moten 2014 the gramsci monument Fred Moten if the projects become a project from outside then the projects been a project forever. held in the projects we the project they stole. we steal the project back and try to give it back to them. come on, come get...

...Fred Moten Duke University Press 2002 The New International of Decent Feelings In 1946, in the shadow of the last century’s most widely acknowledged Fred Moten versions of catastrophe, Louis Althusser described the formation of another...

...Fred Moten; Stefano Harney Duke University Press 2004 This content is made freely available by the publisher. It may not be redistributed or altered. All rights reserved. The University and the Undercommons...

...’ where logistics arises as a reaction against ‘the tyranny of plunder.’” However, in your book The Undercommons, written with Fred Moten, you wrote that the truth is that “modern logistics . . . is founded with the first great movement of commodities, the ones that could speak. It was founded...

..., keeps planning to study, keeps running to study, keeps studying a plan, keeps elaborating a debt. —Fred Moten and Stefano Harney, The Undercommons She studies, starting in the middle. She reads, always from the outside out. She speaks, stuttering from the edges of language. She fails, her work...

... 2002 Contents 911—A Public Emergency? Special Issue Editors Brent Edwards, Stefano Harney, Randy Martin, Timothy Mitchell, Fred Moten, and Ella Shohat Introduction: 911—A Public Emergency? Randy Martin...

... and the Undercommons: Seven Theses Fred Moten and Stefano Harney 101 Affective Economies Sara Ahmed 117 Contributors Sara Ahmed is a reader in women’s studies at the Institute for Women’s Studies at Lancaster University. She...

..., as Fred Moten might suggest, to tap into “our common capacity, insofar as we are one another’s means, to live beyond our means.” 13 In other words, in the writing of this piece, in the rehearsals that lie before it, 14 we accrue debts to one another that cannot be accounted for but can...

... Footwork’s status as black music and ghetto music. Phonic materiality was coined by Fred Moten in his account of the performativity of black radi- calism, which names it as the mechanism for the realization of the force of the black radical tradition...

... 19 , no. 2 : 261 – 73 . Chow Rey . 2012 . Entanglements, or Transmedial Thinking about Capture . Durham, NC : Duke University Press . Harney Stefano Moten Fred 2013 . The Undercommons: Fugitive Planning and Black Study . Wivenhoe, UK : Minor Compositions...

... the desires and ideas of the album owners and contributors themselves. Caught between the frustrations of being trained for womanhood and the possibilities of study—of what Stefano Harney and Fred Moten call the revolutionary act of black study—the friendship...

... of “a then and there.” Halberstam announces that rather than “come to mourn Jos he would like to celebrate “his wild sense of time, possibility, potentiality.” Halberstam then attempts to explore resonances between Fred Herko’s final jeté out a window and José’s sudden death as he lay in his bed trying to recover from...

... of cultural capital, against even the aim of employing punk tactics “within and against” the corporate academy, we are inspired by Fred Moten and Stefano Harney’s vision of “study” as a “speculative practice” that can be “with and for” people...

... and expose this effect of the categories with a conversa- tion about slavery, blackness, and violence between Saidiya Hartman, Lindon Barrett, and Fred Moten. My goal in this invented exchange is to follow racial violence to find the gifts of The Thing, the “object of no value” Hegel reads...

..., and making them exchangeable.” 4 Can we claim sanctuary as the repossessed space of the dispossessed? Are we a refugeless social being, undone by our limitless indebtedness to one another, as Stefano Harney and Fred Moten might put it? 5 How do we respond to the stranger at our gates, to the refugee...