Search Results for editorial

...Brent Hayes Edwards; Anna McCarthy © 2008 Duke University Press 2008 Editorial Note Brent Hayes Edwards and Anna McCarthy This issue marks a threefold shift in the format and operations of Social Text. First, the journal has undergone a thorough interior and exterior...

...Brent Hayes Edwards © 2009 Duke University Press 2009 Editorial Note Brent Hayes Edwards From its inception, Social Text has regularly published work in translation. Although translations have perhaps been less prominent than in some other journals (the early New Left Review...

... 2012 This content is made freely available by the publisher. It may not be redistributed or altered. All rights reserved. Editorial Note Social Text 110 is the second part of the two-­part special issue “China and the Human,” edited by David L. Eng, Teemu Ruskola, and Shuang Shen...

...Brent Hayes Edwards; Randy Martin Duke University Press 2002 Editorial RALLYING SOCIAL TEXT This issue of Social Text marks a turn in the journal’s...

...Brent Hayes Edwards This editorial note introduces the translations that follow of two pieces written in fall 1956 by Aimé Césaire: his speech “Culture and Colonization,” delivered at the first Congrès International des Ecrivains et Artistes Noirs, hosted by the journal Présence Africaine...

... , and recounts the origins and history of the journal in some detail. The piece describes the ways the editorial collective has functioned since 1979, both in the production of the journal itself and in a variety of other activities (including meetings, soirées, and conference panels). The introduction also...

... against the deadening metric of disciplinary accountability as well. The editorial collective foments a deliberative process that aims to set its own context and hence to make something generative of its internal disciplinary difference. © 2009 Duke University Press 2009 China David L. Eng...

..., and scholarship of Randy Martin, a longtime member of the Social Text editorial collective. In place of definitive, authoritative analyses of Martin's work, these pieces present a montage of personal snapshots by people that collaborated, moved, thought, wrote, edited, and learned with him. © 2015 Duke...

.... This article argues that the multiplex economy made multiple tiers of stardom possible so as to shift Hindi cinema away from the high-risk industry that revolved around major stars featuring in action melodramas. The animated visuality—a result of cinematographic and editorial intensifications—was then devised...

... in response to changing editorial commitments, which included a turn toward understanding culture as a domain of labor. The launch of the Social Text Web site represents another stage in the journal's ongoing interest in media as a site of leftist critique. © 2009 Duke University Press 2009 Feminism...

... John Brenkman, Stanley Aronowitz, Fredric Jameson, Andrew Ross, and Sohnya Sayres discuss the self-reliance and independence of the journal in the early days and the eventual move to the university press. Being tied to a university press offered editorial support, finances, and regular help...

... . Copyright © 2018 Duke University Press 2018 book sprint collaboration process writing On 11 November 2016, three days after the presidential election, members of the Social Text editorial collective gathered at Neferti Tadiar and Jonathan Beller’s apartment for a regularly scheduled salon...

... Martin Editorial collectives share features with artistic and political collectives. To compare them is first of all to recall that any collective is inherently, as Andrew Ross reminds us in his essay in this issue...

.... Social Text 100 • Fall 2009 7 3 Collective Brent Hayes Edwards, Anna McCarthy, and Randy Martin Editorial collectives share features with artistic and political collectives. To compare them...

... Martin Editorial collectives share features with artistic and political collectives. To compare them is first of all to recall that any collective is inherently, as Andrew Ross reminds us in his essay in this issue...

.... Social Text 100 • Fall 2009 7 3 Collective Brent Hayes Edwards, Anna McCarthy, and Randy Martin Editorial collectives share features with artistic and political collectives. To compare them...

... Martin Editorial collectives share features with artistic and political collectives. To compare them is first of all to recall that any collective is inherently, as Andrew Ross reminds us in his essay in this issue...

... personal documents, and wholly mediated (or ventriloquized) documents. Responses crafted for public consumption were relatively easy to locate. Alongside the uncompromising and farsighted words of Frederick Douglass, editorials...

... of intellectual engagement and collaboration. Our editorial process has been less oriented toward producing a unified vision of Muñoz or his work and more toward occasioning dialogue and even dissent, much in the spirit of José’s work. Social Text 121 • Vol. 32...

... be considered another name for critical thinking — and critical therapy — for a precarious here and now, a disappearing present and presence, under erasure. On 11 November 2016, three days after the US presidential election, members of the Social Text editorial collective gathered for our regular...