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Social Text (2015) 33 (2 (123)): 57–81.
Published: 01 June 2015
...Shameem Black This article examines how twenty-first-century Anglophone digital art, arts marketing, and tourist discourse in South Korea address the problem of reconciliation after mass violence. At the turn of the new millennium, the arts have been enlisted by governments and tourist agencies to...
Social Text (2015) 33 (2 (123)): 99–120.
Published: 01 June 2015
... feelings of brown subjects. It examines cultural forms produced under the cloak of migrant rights movements to trace the ethical imperative of Brownness enacted by migrant sounds and visualities of loss. The article focuses on the cultural politics of digital art, music, and social media that theorize...
Social Text (2002) 20 (2 (71)): 125–146.
Published: 01 June 2002
.... Oxford: Blackwell. Jones, LeRoi. 1963 . Blues people: The Negro experience in white America and the music that developed from it . New York: William Morrow. Kroker, Arthur, and Marilouise Kroker, eds. 1997 . Digital delirium . New York: St. Martin's. Locke, Alain LeRoy. 1992 . Race contacts...
Social Text (2019) 37 (4 (141)): 77–93.
Published: 01 December 2019
...Precarity Lab Digital technologies have helped consolidate the wealth and influence of a small number of people. By taking advantage of flexible labor and by shifting accountability to individuals, sharing economy platforms have furthered insecure conditions for racial, ethnic, and sexual...
Social Text (2000) 18 (2 (63)): 33–58.
Published: 01 June 2000
... The term digital economy has recently emerged as a way to summarize some of the processes described above. As a term, it seems to describe a formation that intersects on the one hand with the postmodern cultural economy (the media, the university, and the arts) and...
Social Text (2018) 36 (4 (137)): 57–79.
Published: 01 December 2018
... last two decades. In 2001 the first Digital Humanities Summer Institute was launched in Victoria, British Columbia; in 2002 HASTAC (Humanities, Arts, Science, and Technology Alliance and Collaboratory) was founded; in 2005, the Alliance of Digital Humanities Organizations was founded in Victoria...
Social Text (2020) 38 (3 (144)): 55–82.
Published: 01 September 2020
... rendering of destroyed village Mi’ar. These digital texts reimagine Palestinian access to land as a community-driven and intergenerational project. In this analysis, access is formulated as a term that invokes the following: new-media analyses of the digital divide (or differential resources for obtaining...
Social Text (2017) 35 (4): 113–152.
Published: 01 December 2017
...Khadija von Zinnenburg Carroll; Michał Murawski; Jesse Weaver Shipley This article explores the relationship between state and international orders of coercion and control at the intersections of digital media, popular culture, and high art. Collaboratively written, it elaborates what we call the...
Social Text (2017) 35 (3 (132)): 17–40.
Published: 01 September 2017
... paranoid readings have only grown more complex in the post-Soviet era, as changing strategies of state power, a growing orientation toward the global market, and the increasing availability of digital technologies enable more open criticism of the state in art and render criticism itself suspect. Drawing...
Social Text (2009) 27 (3 (100)): 53–57.
Published: 01 September 2009
... All art is political, the problem is that most of it is reactionary, . . . passively affirmative of the relations of power in which it is produced. . . . I would define political art as art that consciously sets out to intervene in (and not just reflect on) relations of power...
Social Text (2015) 33 (1 (122)): 49–70.
Published: 01 March 2015
... has been manufactured by the film’s plastic surgeon to cover the character upon whom he has also forced a sex change. The transgenic skin is also produced extratextually, by way of a digital effect that implicates cinema’s analog-to-digital transformation. Both of these technological transformations...
Social Text (2016) 34 (2 (127)): 71–87.
Published: 01 June 2016
... relation to those historical constellations of art, freedom, thought, and rationalization (or unfreedom) that calibrated Adorno’s thought (both on his own and with his collaborator, Horkheimer). In the second section, I begin to describe contemporary queer television in its digital forms, taking the step I...
Social Text (2009) 27 (4 (101)): 25–44.
Published: 01 December 2009
... they pay up to US$40,694 (S$59,666) per year in tuition and fees for MFA degrees in playwriting, animation, digital arts, and filmmaking. There are next to no subsidy options available, so the Tisch Asia tuition and fees are exorbitant compared...
Social Text (2011) 29 (1 (106)): 103–125.
Published: 01 March 2011
... — be they via ultrasound, x-ray, MRI, CAT scan, endoscopy, or digitalization — may evince the transparent body as an ideal, albeit an Anker and Franklin • Specimens as Spectacles ideal “that has not remained static over the ages.”14 Similarly, as art...
Social Text (2010) 28 (2 (103)): 1–30.
Published: 01 June 2010
...Nicholas Thoburn Following recent research in historical and cultural studies of “the book” and the practitioner field of book arts, the book is now approached no longer only as a vehicle for content but as a rich and mutable material entity. But in this materialist framework, is it possible to...
Social Text (2010) 28 (1 (102)): 13–34.
Published: 01 March 2010
... (i.e., sound-in-time); the other, digital, storing and conveying in binary form information for (re)producing sound (i.e., sound-in-knowledge). Analyzing the production of sound along the same lines as Harry Braverman's analysis of manufacturing and automation, the article treats the phonograph and the...
Social Text (2011) 29 (3 (108)): 127–138.
Published: 01 September 2011
...Bakirathi Mani In Geometric Landscapes and the Spectacle of Force , the Pakistani artist Seher Shah works with archival images of the 1903 Delhi Durbar and contemporary images of the U.S. “war on terror.” This essay examines how Shah's digital print binds together theaters of U.S. and British...
Social Text (2015) 33 (4 (125)): 142–147.
Published: 01 December 2015
...Elizabeth Maddock Dillon In response to Vincent Brown's contribution to this roundtable, this article argues for the importance of attending to issues of design in digital humanities projects that aim to recover and reassess the archives of slavery. 2016 digital humanities slavery archival...
Social Text (2010) 28 (1 (102)): 35–58.
Published: 01 March 2010
... instructions for the efficient digital encoding of audio and visual signals. Spectrograms suggested that much of the content of speech was redundant or irrelevant and could be discarded without a listener perceiving any difference. It will be argued that deafness ultimately served as an “assistive pretext” for...
Social Text (2014) 32 (3 (120)): 87–107.
Published: 01 September 2014
... to the algorithmic density that swirls around us? To what degree does the epistemic thrust of empire haunt our willful actions in this age of digital self-fashioning? All this willed discernment, calculation, adjustment, and particularizing in the name of and in service to a divinity that shall...