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Journal Article
Social Text (2013) 31 (3 (116)): 95–110.
Published: 01 September 2013
..., this essay’s central presence is the tragically doomed punk icon Darby Crash and his legendary band the Germs. This essay considers the documentation of live performances by the band and the ephemera that function as the band’s queer remains. Crash’s often quoted demand for more, “Gimme gimme this, gimme gimme...
Journal Article
Social Text (2013) 31 (3 (116)): 1–11.
Published: 01 September 2013
... and dystopian threads of collectivist and individualist impulse in the performances of Germs’ front- man Darby Crash, offering a moving account of memory, fandom, and critical reflection. Challenging center-­periphery and diffusionist models of mapping the affective territories of punk, Debra Rae Cohen...
Journal Article
Social Text (2017) 35 (4): 87–112.
Published: 01 December 2017
... of the art historian Darby English, “the Spector of a living population of black Americans who ‘remember the history’ of that institution—as if that history itself, in the wrong hands, reproduces the institution’s horrors”. 21 Walker’s achievements were seen, in other words, as evidence of a plantation...
Journal Article
Social Text (2008) 26 (4 (97)): 51–76.
Published: 01 December 2008
... of International Relations: Postcolonialism, Gender, and Depen­ dency, ed. Phillip Darby (New York: Pinter, 1997), 86 – 105; T. Denean Sharpley- Whiting, Black Venus: Sexualized Savages, Primal Fears, and Primitive Narratives in French (Durham, NC: Duke...