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Journal Article
Social Text (1 September 2013) 31 (3 (116)): 95–110.
Published: 01 September 2013
..., this essay’s central presence is the tragically doomed punk icon Darby Crash and his legendary band the Germs. This essay considers the documentation of live performances by the band and the ephemera that function as the band’s queer remains. Crash’s often quoted demand for more, “Gimme gimme this...
Journal Article
Social Text (1 September 2013) 31 (3 (116)): 1–11.
Published: 01 September 2013
... collectivist and individualist impulse in the performances of Germs’ front- man Darby Crash, offering a moving account of memory, fandom, and critical reflection. Challenging center-­periphery and diffusionist models of mapping the affective territories of punk, Debra Rae Cohen and Michael Coyle argue...
Journal Article
Social Text (1 December 2017) 35 (4): 87–112.
Published: 01 December 2017
... the opportunity to castigate Walker’s early successes. That Walker adopted racialized bodies as referents in her oeuvre but denied the traditional criteria of “black representational space” invited critics to raise, in the words of the art historian Darby English, “the Spector of a living population...
Journal Article
Social Text (1 December 2008) 26 (4 (97)): 51–76.
Published: 01 December 2008