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cultural appropriation

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Journal Article
Social Text (2016) 34 (3 (128)): 51–74.
Published: 01 September 2016
...Minh-Ha T. Pham This essay examines the contradictory politics around the appropriation of cultural material in the fashion world. While fashion does not qualify for copyright protection, a common set of copynorms based on socially accepted racial constructions of authorship, originality, creative...
Journal Article
Social Text (2008) 26 (3 (96)): 39–58.
Published: 01 September 2008
...Charles Hirschkind The great attention given to death and the afterlife within the popular media of the Islamic movement is a sign for many in the West of a diseased Muslim culture, one preoccupied with violence and destruction, and inexorably epitomized in the figure of the suicide bomber...
Journal Article
Social Text (2018) 36 (2 (135)): 123–141.
Published: 01 June 2018
... science fiction television series Orphan Black to interrogate how late colonialism saturates cultural productions and to demonstrate how dispossession functions through durative and recursive structures. Providing the extractive and appropriative logics underlying racial capitalism, dispossession is both...
Journal Article
Social Text (2005) 23 (2 (83)): 133–153.
Published: 01 June 2005
... and cultural appropriations, as clearly shown in Kill Bill. One interesting example that demonstrates the complexity and contradictions of this “copyrighting” discourse of Hollywood is again the “Shaw Scope Wide Screen” title card seen...
Journal Article
Social Text (2000) 18 (4 (65)): 25–53.
Published: 01 December 2000
.... As such, he has earned the ire of certain Muslim and Kabyle interest groups, who have attempted to appropriate Zidane for their respective social movements. While his prominence has been used to support Euro- pean legislation for minority-language support, Kabyle cultural...
Journal Article
Social Text (2005) 23 (2 (83)): 95–108.
Published: 01 June 2005
... grouping attaches thereto. A status, a position, a social place is not a material thing, to be possessed and then displayed; it is a pattern of appropriate conduct, coherent, embellished, and well-articulated. . . . It is something that must be enacted and portrayed, something that must be realized...
Journal Article
Social Text (2009) 27 (3 (100)): 53–57.
Published: 01 September 2009
... his artistic intentions or even his ability to remem- ber what he had created, serves as a kind of anti-antiessentialist critique of appropriation and postmodern remix culture. Only by an accident of scale (the astonishing success of Fairey’s poster) did Garcia move from anony- mous to known...
Journal Article
Social Text (2009) 27 (3 (100)): 43–51.
Published: 01 September 2009
... created, serves as a kind of anti-antiessentialist critique of appropriation and postmodern remix culture. Only by an accident of scale (the astonishing success of Fairey’s poster) did Garcia move from anony- mous to known creator. But his articulation of a labor theory of culture spoke less...
Journal Article
Social Text (2009) 27 (3 (100)): 27–34.
Published: 01 September 2009
... his artistic intentions or even his ability to remem- ber what he had created, serves as a kind of anti-antiessentialist critique of appropriation and postmodern remix culture. Only by an accident of scale (the astonishing success of Fairey’s poster) did Garcia move from anony- mous to known...
Journal Article
Social Text (2009) 27 (3 (100)): 25–26.
Published: 01 September 2009
... created, serves as a kind of anti-antiessentialist critique of appropriation and postmodern remix culture. Only by an accident of scale (the astonishing success of Fairey’s poster) did Garcia move from anony- mous to known creator. But his articulation of a labor theory of culture spoke less...
Journal Article
Social Text (2009) 27 (3 (100)): 35–38.
Published: 01 September 2009
... created, serves as a kind of anti-antiessentialist critique of appropriation and postmodern remix culture. Only by an accident of scale (the astonishing success of Fairey’s poster) did Garcia move from anony- mous to known creator. But his articulation of a labor theory of culture spoke less...
Journal Article
Social Text (2009) 27 (3 (100)): 39–42.
Published: 01 September 2009
... his artistic intentions or even his ability to remem- ber what he had created, serves as a kind of anti-antiessentialist critique of appropriation and postmodern remix culture. Only by an accident of scale (the astonishing success of Fairey’s poster) did Garcia move from anony- mous to known...
Journal Article
Social Text (2009) 27 (3 (100)): 58–62.
Published: 01 September 2009
... his artistic intentions or even his ability to remem- ber what he had created, serves as a kind of anti-antiessentialist critique of appropriation and postmodern remix culture. Only by an accident of scale (the astonishing success of Fairey’s poster) did Garcia move from anony- mous to known...
Journal Article
Social Text (2001) 19 (2 (67)): 127–156.
Published: 01 June 2001
...- quette of appropriation” to one oriented toward broad public education in culture and design.21 In terms developed by Bourdieu, while the former privileges the “domestic” relation to culture developed by patrons through the implicit learning of everyday contact...
Journal Article
Social Text (2007) 25 (4 (93)): 1–16.
Published: 01 December 2007
..., but not at the same level of intensity. 3 On campus, the interpretative framing of the story was fractured from the outset along two increasingly disparate lines of emphasis: one sought to grapple with issues of campus life and the cultures of privilege sustained by elite institutions...
Journal Article
Social Text (2023) 41 (4 (157)): 1–36.
Published: 01 December 2023
..., and Mingo Walker fashioned a plan for collective care in the face of Madam Leblond's potential precarity. 7 It is not clear why they were concerned for her, though their concern was unquestionably racialized. The Selectmen's records explicitly link the appropriable labor of these five Black men with her...
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Journal Article
Social Text (2007) 25 (4 (93)): 123–126.
Published: 01 December 2007
... for “some basic kind of old- fashioned Marxism.” This, he suggests, would be the appropriate approach to my example of the Peruvian peasant women who migrated to Lima and organized themselves in so successful a fashion. This alludes to the most challenging of contemporary issues...
Journal Article
Social Text (2013) 31 (3 (116)): 111–122.
Published: 01 September 2013
..., in “Police and Thieves,” the Clash create a form that from the outset denies resolution. Examining cover-song form enables us to think beyond those questions of ethics and appropriation that have, hitherto, dominated the theorizing of pop. © 2013 Duke University Press 2013 “Police and Thieves” Citation...
Journal Article
Social Text (2010) 28 (2 (103)): 85–112.
Published: 01 June 2010
.... For the tsotsi entered into black popular culture in South Africa not only through linguistic slippage and appropriation, as we shall see, but via the traversal of genre thresholds; it migrated away from the jazz musical, where it was cathected to the idea...
Journal Article
Social Text (2008) 26 (2 (95)): 35–59.
Published: 01 June 2008
... or transnational identity.”37 FTZ workers’ enthusiastic participation in the consumer culture built around their lives was an important foundation to building community and creating identity. They learned what was needed and appropriate for an FTZ worker through...