...Deborah R. Vargas This essay considers the afterlife of punk through an orientation of time and space in the spatiotemporality of the cantina (South Tejas working-class bar). With attention to the Tejas punk sounds of Piñata Protest and Girl in a Coma, I consider punk’s afterlife in the form...

... pedo temporality, situated in the space-­time of the cantina. Jayna Brown thinks about the relation- ship between punk and dub music, from Lee Scratch Perry to Tricky and dubstep, which provided the dystopian sound track of the 2011 riots in the UK. José Esteban Muñoz unbraids the utopian...

... by the restraints of civilization. This is Lacey in one of his more intimate moments: Mexican boys, met on the road, in jails, cantinas, briefly had and disremembered, dusty faces, small cocks, tight balls, great eagernesses; Argentines, Uruguayans, complex city boys needing simple...