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1
Journal Article
Social Text (2013) 31 (2 (115)): 145–152.
Published: 01 June 2013
...Carey Young Carey Young’s artistic work often focuses on the growing influence of corporations and the legal sphere on individual and collective subjectivity, which she explores using a variety of media including video, photography, installation, and performance. In this article, which takes...
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/10.1215_01642472-9408126/2/s_stx9408126figure1.png?Expires=2147483647&Signature=NcYBPcvSrjssw4kfanoI8tgD1NtpRnVr3imjmyOBOy0h36VY49fZnODh7CCXq2ZdYmH0ZYbs1EupYMAJn4M97mJ6EBDtZBUiNvgXPV2zoliXc-Kcjty-ELR0c9qq4iBeR41ukOkN9XKWSAEFIfXzV1fZqy1lyZjLBlS1MNrTL1w9sxZ92l20KJNdyp~zg3A7X6spXqcZCQgQe~WzKCbsdLi3IQnU7A-hRIgCtuyCNCAe87X47plbg9Xy7flWd17wKoiEUefFA27RUdbF2Vtr2iCKSQ1~5~GT84va0Nfhj9Xvx138ar~WcCE6fG6ffbAcySNzujyY0uC0RO28tASZ-g__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Published: 01 December 2021
Figure 1. Mir Suhail, I Resist (2020). 2540 × 1874 px. Courtesy of the artist.
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/10.1215_01642472-3727948/3/s_123FIG1.jpeg?Expires=2147483647&Signature=us9uFj82vlDBCEgDTzRKAQ6uLgOpCv4hZ2bbRCbCIucOVSQR6mx83o7IDvB52WX8DRWTU7L3fvNH3X6-B6br54bXRWeEQFY5Y4PMLHc6CLzz7EFRWATC032ftSEXwEYWNMi8HUJ1BB4~uB0olNCSimwU-FokmESFH-wMH5nAYQHQJf8ARYV3jkq3s8ZeoTgLIX0ondJ3DnhmcvTTYSBcMetUzt56n2pP~aC0F4biO3Gu87cEuA1IiKQ3q7z-RtH90lxm6fhAjI75EDAYgeZhidhMwGlN08jS6bQChE2EuTEZ9B-ZPZXHzmMcKeasntYyJgz13dP1QlHaO-MfG5fu8Q__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Journal Article
Social Text (2020) 38 (3 (144)): 83–115.
Published: 01 September 2020
... of art workers from models based on welfare in the early socialist period to a freelance and self-employment labor model implemented during the last decade of Yugoslav socialism. Linking socialist political economy with the study of art, the article analyzes legal regulation and rare artists...
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/10.1215_01642472-8352259/2/s_0380083f1.png?Expires=2147483647&Signature=2qYiafPs7Uetx5~bDPvkoCX3-EQf5~obqtUy9goOEX13SbNmb~HFWbQV3eYUdzbbvCloSEc7wy5tWG3v0qOndNKQ6QF1Nx58KrtZLhiNThNmSxGiiaiRvlkbiXffAnpY2jm-ov-NEWL66XB7D5~FZqrF4aCuhyKPQvj~~5OmrKePpKDwDIRpGruOqzpTH-TuoQBa5HJHGujgLroOCAZZhYoJOguFruueURs~zRz21BMK-6W6l-f01iQdFV01KVGnDme8lS1okdBSQwdBbV1dAguOkFJ-Ilb0lYnKjuAHGp~T-fTrzNz5paEvwEye5lPC8WOq0K4WZjqqyKMWqbRLDQ__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
in Artists as Workers: The Undoing of Yugoslav Socialism and the Politics of Unpaid Artistic Labor
> Social Text
Published: 01 September 2020
Figure 1 Goran Đordēvić, International Strike of Artists, Belgrade, 1979, postcard with artist’s response. Courtesy of Goran Đorđević.
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/10.1215_01642472-8352259/2/s_0380083f2.png?Expires=2147483647&Signature=J6kQPOaAOFLdP9ofUkb9a5p3RsG3gTMY0NrSvoHRyhcxnfwBj9YpiRQShLodt9YMijTEFrUpw0AouAbGTZgyBA3NrMA5nL4Ep2WZ07tshR7nmrruO0~YymQ5NEGc4dRb-UKyLFceJQFDXIXgQTnD6rDz0qD9peWqmCWtT~2rHlSI4sk043IAbcOupuRoyAN2LLc7pf2LC0Hs2wgmzqKGBUY69MIbqkSTf1yliJNNDW2L-~XyXZ0Hu9RwCKSDV60ru2UGllhnviLU8TIfPaPh37gKBHGMZMF61wROtIJhCWRE9o9s0NrDCqRLeJgRkc~5ZWnVFuAfaVr3ZoEdQZ09Yw__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
in Artists as Workers: The Undoing of Yugoslav Socialism and the Politics of Unpaid Artistic Labor
> Social Text
Published: 01 September 2020
Figure 2 Goran Đordēvić, International Strike of Artists, Belgrade, 1979, letter with artist’s response. Courtesy of Goran Đorđević.
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Image
/10.1215_01642472-8352259/2/s_0380083f3.png?Expires=2147483647&Signature=0hAnW7esCeM4u6N5QCJqGI7yKLRJGSZkoj7wdPju9~NVDWnnJEz3CyUiEbxf9H3-Et-CBHmuN-03De0rjrytJuo7gTYtyZUhsvSUmQ5hgbM-Hu4tsZo-QmHbt1XVnPE8r0NAOzS7j8WnDIc-D~xHSylQWIllDCMsFc5iOyp1h-KCbh3tsteLqOyCM460Cwai1WWASZSmFwLztNHBGMPNPjyIs0n5zdeaHvCuxtvTRZdxh-7tIN4GlImdtmUIRem3pG29D5v5Qc3D2VWJBtvDsvN-9KqoN8DeOaHWOwi-TgxcxR3M0YTyM1lPcO8napRRLWzYo1rpx7PolHfZDjX5dg__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
in Artists as Workers: The Undoing of Yugoslav Socialism and the Politics of Unpaid Artistic Labor
> Social Text
Published: 01 September 2020
Figure 3 Goran Đordēvić, International Strike of Artists, Belgrade, 1979, letter with artist’s response. Courtesy of Goran Đorđević.
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Image
/10.1215_01642472-8352259/2/s_0380083f4.png?Expires=2147483647&Signature=B4nkCF~NNMWafNWScRcjIeBI~1aoDzubB9H7e~muKzm4b1DaCNIfGwW1zUHIbv1f~NTv64xtumryjF4ryN6IAMKyXJLM5smkY5KlEGUHNy3cG3iSC8AkejWLHyw0C-H-seyzwUEqLzv6g~ZBUQ7TwkUKj~ua-URfFCY1r0VighNCuxMkF78nuiBGNMwJIqzsCQwY16qNhzgErxgnGL8E~6Wzp1hHpWlnra9KUA1h9ISo6Rw3PyQ3ZLzBMLx3Kq9Kn-RScU5SE612lQKEGNhhKORkV-cIfSJ2~njexvq5Z2jmUYvV70zvbIC0xXWCMwGiq-ODF9wlGDVAOVy3RAqQRw__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
in Artists as Workers: The Undoing of Yugoslav Socialism and the Politics of Unpaid Artistic Labor
> Social Text
Published: 01 September 2020
Figure 4 Goran Đordēvić, International Strike of Artists, Belgrade, 1979, postcard with artist’s response. Courtesy of Goran Đordēvić.
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Image
/10.1215_01642472-10910058/2/s_stx10910058figure3.png?Expires=2147483647&Signature=teTd6ld0RhEVN0CB-4IfCzD~dlHLbgzQaL~5meDi3839fsmgTGKaXU1xNJ98fTgF5~IfKkl9c9oShk8U6AuRt8qfOvw8UjRiZoGA8Vfy2ifECh~SM5K4XixYNrXzJYEQCTIQJrpr~J5mAqp2OAnNOR8xKGchIoRcoDUrEPBD2NaLA3sMpTCFRtZeKKO12YNFwx8MwamFwPutDDjv-cNiJ4u51z2gXRra4QB9H-10fztMd129-OVg2~Y6tzK6dHhUAS7rodiXyWuAP-G6R2t3rI9xPj3iuw5FpdHS7JyllqKg~yzIOTcfDYqErEnUXZ00ZLw~tvDJqfQgrtP71jjCsg__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Published: 01 December 2023
Figure 3. Visual artists protesting with a hand-painted poster that reads, “Don't Touch Our Culture Dammit!,” and another with a picture of a pig (representing then-president Iván Duque).
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Journal Article
Social Text (2014) 32 (4 (121)): 105–113.
Published: 01 December 2014
..., theater director, and activist, Alfaro is one of a number of artists that Muñoz engaged with in the performative collaboration between artist and writer. By focusing this essay on Alfaro’s work, I aim to not only work through the otherwise fixed schema of grief’s stages—the phases and places to which...
Journal Article
Social Text (2024) 42 (1 (158)): 1–26.
Published: 01 March 2024
...) through the literary and artistic creations of two understudied African American artists. Fiction writer Robert Dean Pharr and visual artist Frederick Weston created their work in SROs in New York City beginning in the 1960s, during a time of massive transformation of the city's built environment...
FIGURES
Journal Article
Social Text (2010) 28 (4 (105)): 91–111.
Published: 01 December 2010
...Rob Appleford This article considers the problem of ironic subjectivity and materiality in the work of Cherokee artist Jimmie Durham. Durham's self-consciously rough sculptures were instrumental in promoting irony as a viable strategy for both the creation and interpretation of Native American art...
Journal Article
Social Text (2016) 34 (2 (127)): 89–107.
Published: 01 June 2016
...Jennifer Bajorek This article examines two projects by artists living and working in Nairobi. It asks questions about how these artists are visualizing or otherwise materializing in their work the specificity of their contemporary geopolitical and geocultural situation in relation to capitalism...
FIGURES
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Journal Article
Social Text (2011) 29 (1 (106)): 103–125.
Published: 01 March 2011
... visual history that has recently become the subject of both artistic and scholarly re-evaluation. Here, bio-artist Suzanne Anker is interviewed by feminist science studies scholar Sarah Franklin, in an exchange that addresses the visual culture of specimen display and its significance to both art...
Journal Article
Social Text (2012) 30 (4 (113)): 25–53.
Published: 01 December 2012
... collaborative project, bringing together a heterogeneous array of artists despite their dispersed geopolitical locations. The essay sheds light on the preoccupations of the diverse national rap movements across the Arab world and also investigates the role that rap music played in the Arab uprisings...
Journal Article
Social Text (2013) 31 (3 (116)): 75–93.
Published: 01 September 2013
...Jayna Brown In considering the music of two dub-influenced artists based in the United Kingdom, Tricky (Adrian Thaws) and the Bug (Kevin Martin), I explore the ways dub and punk share historical space and affective territory, and particularly the ways a punk ethos has continued to be imbricated...
Journal Article
Social Text (2013) 31 (3 (116)): 111–122.
Published: 01 September 2013
... and interactions among producers, engineers, and musicians, and the mediations of management and the record company as well as (sometimes) those of the artists themselves. Such negotiations are a constant; their particularities are not. During the punk era, record form was generally a charged site where politics...
Journal Article
Social Text (2015) 33 (2 (123)): 57–81.
Published: 01 June 2015
... market. But cultural sites such as the Heyri Art Valley, a community of artists located near the DMZ, and practicing artists such as Young-hae Chang Heavy Industries, who have made Flash animations on Korean conflict, reveal a distinct ambivalence about this role. While aspects of Heyri and Young-hae...
Journal Article
Social Text (2021) 39 (3 (148)): 55–77.
Published: 01 September 2021
..., and psych ward design protocols. Its two key case studies, however, are artistic: Hannah Hull and James Leadbitter's “Madlove: A Designer Asylum” and the oeuvre of Montreal performance artist Coral Short. Copyright © 2021 by Duke University Press 2021 madness transgender queer performance art...
Journal Article
Social Text (2010) 28 (2 (103)): 127–144.
Published: 01 June 2010
...Aimé Césaire “Culture and Colonization,” which has long been unavailable in English translation, was Aimé Césaire's speech at Le Premier Congrès International des Ecrivains et Artistes Noirs, hosted by the journal Présence africaine in Paris in September 1956. The congress is one...
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