Search Results for animated visuality

.... This article argues that the multiplex economy made multiple tiers of stardom possible so as to shift Hindi cinema away from the high-risk industry that revolved around major stars featuring in action melodramas. The animated visuality—a result of cinematographic and editorial intensifications—was then devised...

... as a signpost for an affirmative biopolitics have too often idealized transpecies connectivities without sustained attention to the emergent posthuman- ism of capitalism and the state. At the same time, by displacing dominant visual metaphors of the political (including those that work to animalize...

... to be pictographic, visual evidence for “traditional” cohabitation. From the other side of the Pacific, the face-to-face encounter of Chinese people and animals might suggest not shared vulnerability but, rather, a threatening human-animal intimacy that is a “traditional” component of Chinese civilization...

... visual history that has recently become the subject of both artistic and scholarly re-evaluation. Here, bio-artist Suzanne Anker is interviewed by feminist science studies scholar Sarah Franklin, in an exchange that addresses the visual culture of specimen display and its significance to both art...

... a pattern. The appearance of DeepDream, a tool to visualize what patterns CNN has learned from images, led to the widespread sharing of disconcerting visualizations of fractal-like repeating images of animal faces and eyes overlayed on everyday objects. These were produced by applying Google's Inception...

...-images are vibrational images that hover somewhere between still and moving images. They can be animated still images, slowed or stilled images in motion, or visual renderings that blur the distinctions between these multiple genres. Still-moving-images is a term I use to describe the affective...

... the materiality of the body and the ephemera of the psyche. This duality is especially apparent in the visual representations of these animals, which highlight particular forms of physicality while also illuminating particular assumptions about subjectivity...

... parts of The Undesirables directly link workers and the objects of consumption. This is most obvious in an animated digital video which is mounted on a wall alongside the diorama and forms a continuous sound track to all of the visual components. Comprising interviews with dockworkers in Bristol...

... want. They don’t want to not affect every aspect of everything. Visual and material culture of finance — that’s most of the world, except for all us animals, right? Selfies. Did someone say selfies? How about otheries? Visualization of human knowledge. Again with the human? It’s that hour, I...

...: Environmental Politics and World Narratives (University of Virginia Press). His current book manuscript is titled “Bioinsecurities: Embodiment, Disease Interven- tions, and the Cultural Politics of United States National Security.” Suzanne Anker is a visual artist and theorist working...

... animated warfare across the variegated landscape of Jamaica, but the written passage is heart stop- ping and haunting. What were their names, we might ask—the names of the “Two” hung up in chains alive? What were the words that one...

... illustrate some of the contours of social life. When animated by time-based media or laid out within tem- poral diagrams, such graphics can condense analytical storytelling in the form of data visualizations, setting seemingly static images in motion...

... landscapes of the American Southwest. In its embrace of the blighted remainders of nuclear testing, industry, and consumerism, Pots and Other Living Beings is not a typical “environmental” text. Like ross's weaving and visual installations, this work is alive to relations of reciprocity and kinship with more...

... of a dynamic “interocular” field where apparitions, print media, and their painted spin-offs cycle seamlessly into each other. Additionally, the murals refract different scales and modes of visuality ranging from the evidentiary and bureaucratic State-seeing to the hypervisibility of media “spotlights...

...Ackbar Abbas A visual dossier on China and the human cannot just focus on recognizable human figures like the dissident, the human rights activist, or the victims of state violence, important as these figures are. There are also emergent figures that the new China is producing out...

... by the gnat, a decided case of anti-imperial asymmetric warfare. The retaliation of the gnat reveals the body of the Roman sovereign as permeable and violable — the imperium leaks. Magnitude is brought down by the minimal, by the animal. Does the Jewish God...

.... Price, “Animating Infection.” 54. Martínez and Gacharná Muñoz, Imagen faltante . Marcelo Brodsky is an Argentine photographer and visual artist known for his work on the effects on individuals and individual families, including his own, of the Argentine military dictatorship's (1976–83...

... as a crisis of visibility, depicting efforts to capture this elusive figure “passing” among urban populations as dependent upon new visual and forensic technologies. In 1886, Richard von Krafft-­Ebing famously distinguished between adults...

... of hunger from Hyenas. These iconic images emphasize the privileged position of the spectator and visually render a “perfect subject” for development, whose needs can be readily met by an external rescuer. Courtesy of Kino International (figure 1...