...Laura-Zoë Humphreys This article examines the changing dynamics of censorship and social criticism in revolutionary Cuban cinema in order to make a case for studying allegory not as a mode whose meanings analysts should (or should not) reveal but, rather, as a contested social process. From...

...-garde movements before them have done. However, it also aims to revise the old vanguardism. Instead of simply “developing the taste of the masses,” as the Cuban cinema of the 1960s sought to do, Catia TVe claims to put the masses behind...

... . . . but must persuade himself and others that no sacrifice has been made. In the same issue, Julianne Burton’s reflection on Cuban cinema puts gender, sexuality, and feminism at center stage (see “Seeing, Being, Being Seen: Portrait of Teresa; or, Contradictions of Sexual Politics in Contem...

... a sacrifice in order to be invited to the banquet of civilization . . . but must persuade himself and others that no sacrifice has been made. In the same issue, Julianne Burton’s reflection on Cuban cinema puts gender, sexuality, and feminism at center stage (see “Seeing, Being, Being...

... . . . but must persuade himself and others that no sacrifice has been made. In the same issue, Julianne Burton’s reflection on Cuban cinema puts gender, sexuality, and feminism at center stage (see “Seeing, Being, Being Seen: Portrait of Teresa; or, Contradictions of Sexual Politics in Contem...

... reflection on Cuban cinema puts gender, sexuality, and feminism at center stage (see “Seeing, Being, Being Seen: Portrait of Teresa; or, Contradictions of Sexual Politics in Contem- porary Cuba offering one of the first and most incisive feminist read- ings of Cuban cinema’s engagement...

... . . . but must persuade himself and others that no sacrifice has been made. In the same issue, Julianne Burton’s reflection on Cuban cinema puts gender, sexuality, and feminism at center stage (see “Seeing, Being, Being Seen: Portrait of Teresa; or, Contradictions of Sexual Politics in Contem...

... reflection on Cuban cinema puts gender, sexuality, and feminism at center stage (see “Seeing, Being, Being Seen: Portrait of Teresa; or, Contradictions of Sexual Politics in Contem- porary Cuba offering one of the first and most incisive feminist read- ings of Cuban cinema’s engagement...

... reflection on Cuban cinema puts gender, sexuality, and feminism at center stage (see “Seeing, Being, Being Seen: Portrait of Teresa; or, Contradictions of Sexual Politics in Contem- porary Cuba offering one of the first and most incisive feminist read- ings of Cuban cinema’s engagement...

..., many of the films of what is variously associated with cinema novo , imperfect cinema, or third cinema in the Latin America of the 1960s understood film to be engaged in a project to give voice and visibility to those who did not have—or had not historically had—sufficient representation. Thus, Cuban...

... in U.S. universities and think tanks, to the late 1960s, a time marked by the expansion of a revolutionary strand of Latin Americanism in the wake of the Cuban Revolution. Throughout this time we see how films produced in Hollywood and in the national film indus- tries in Latin America engaged...

...- logical Fictions,” forthcoming from Duke University Press. She is the critical editor of Jose Marti: Politics and Letters, 2 vols., forthcoming from Oxford University Press. She is presently at work on a book about Cuban national culture titled “Cubanologies: Altered States of the Nation...

... gran copia de piratas, contrabandistas, mercaderes, bateros, alcaldes, capitanes, clérigos, energúmenos y miles de diablos al mando de Lucifer (1959; repr. Madrid: Erre, 1973). 9. Michael Chanan, The Cuban Image: Cinema and Cultural...

... a naturally occurring component of the metabolism of his style. He also excelled at putting things together, at making connections. There was urgency in everything we did even as there was a lot of humor and play, and there was something deeply enchanting and seductive about José, the Miami Cuban...

... with the African Hellenics and the Cuban Brothers,55 once implied that cosmopolitanism consisted in a relation with the world beyond South Africa, tsotsitaal signifies a cosmopolitanism internal to township life, one produced in and through the otherwise violent histories of migrant labor and forced...

....” 6. Du Bois, Black Reconstruction; James, Black Jacobins; Williams, Capitalism and Slavery. 7. Gilroy, Black Atlantic. 8. Freyre, Masters and the Slaves; Ortiz, Cuban Counterpoint. 9. Du Bois, Black...

...- tory and Culture 16, no. 1 (2007): 108 – 28. 42. This brief scene includes shots of white men behind porch bars (the crimi- nalization of those left out of new labor markets) and the exclamation “Goddamn Cuban, man, he can throw it” (new populations seen as their replacements). 43...

... evidence and argument.13 In fact, it does so by artfully recuperating the very sources that Hart- man brings in for critique. In note 30 of “Necropolitics,” Mbembe cites affirmatively Hartman’s Scenes of Subjection (alongside Manuel Moreno Fraginal’s 1964 Marxist history of Cuban slavery...

...Tavia Nyong’o Through an engagement with José Esteban Muñoz’s writings on queer-of-color counterpublicity, this essay proposes that we participate in his legacy through acts of methexis—or “group sharing”—rather than mimesis. Muñoz and Pedro Zamora are two figures from the Miami-based Cuban exile...

... was not an unrepresented reality. Interethnic—although not interracial—romance had flourished in Hollywood during the Good Neighbor Policy of the 1940s. America’s favorite sitcom of the 1950s, I Love Lucy, featuring Cuban musician Desi Arnaz...