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Volume 35, Number 3 (132)

1 September 2017

ISSN 0164-2472

EISSN 1527-1951

In this Issue

ARTICLE

ARTICLE

The Surveillance Commodity, Unequal Exchange, and the (In)Visible Subject in Hasan Elahi’s Tracking Transience

Laurel Ahnert

Abstract

Paranoid Readings and Ambivalent Allegories in Cuban Cinema

Laura-Zoë Humphreys

Abstract

Animated Visualities and Competing Sovereignties: The Formal Dwellings of Hindi Cinema

Akshaya Kumar

Abstract

Retheorizing the Social: The Use of Social Media in Hong Kong’s Umbrella Movement

Pang Laikwan

Abstract

Compound Eye

Graham Caldwell

Investigations of a Guinea Pig

Daniella Gandolfo

Abstract

Object Series

Julietta Singh

Abstract

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