Putting Back Together: Restitching Relations in annie ross's Pots and Other Living Beings

Composed of diptych photographs stitched together in a poetic travelogue through nuclear-infused (Indigenous) lands, annie ross's Pots and Other Living Beings reenvisions social and ecological relations, value structures, and knowledge frameworks in its encounter with violated landscapes of the American Southwest. In its embrace of the blighted remainders of nuclear testing, industry, and consumerism, Pots and Other Living Beings is not a typical “environmental” text. Like ross's weaving and visual installations, this work is alive to relations of reciprocity and kinship with more-than-human worlds in what one could best describe as a spiritual engagement with the abandoned, unremarked leavings of nuclearization, industrial capitalism, and waste cultures.