/1/m_stx_36_1_cover.png?Expires=1704464589&Signature=kSkrtZ-v60u0csC14eag0AWRBPPjYTZZhSJ5oMW7JTu9~TV1yRUFXYSO7kws2HHqLg2dJsQhV0Z5y3GuqFMfm3W8PqH13ZGqBRtYUFrECVxvRLwXw5COjS5O2dj3zDzcoY9SVLFjfFmrCCXj5Hf0c5lRbtn9coBuZpb6JHjhKnByEHKKCTG5tWVG0tbFa0VIXZaDVD-xLZ-uf5o~p4f47OSXbw6AwUXW9hn0w3xO797s8J4OUHG2wBUskGwA2oUsf8pLvVZuSr8q80X3dto6qvolY2SzBJTUgsXZNqRKiIiZ7JKj4xDdvZq-hp~fjYis8bod6AnyMvpnzU04vRJaVQ__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
This essay examines Jordan Peele’s Get Out and the Wachowskis’ Sense8 as figurations of the contemporary political moment.
Copyright © 2018 Duke University Press
2018
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March 01 2018
Bodysnatching as Entanglement; or, You’ve Been (Relation)shipped
Social Text (2018) 36 (1 (134)): 37–44.
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After Globalism Writing Group; Bodysnatching as Entanglement; or, You’ve Been (Relation)shipped. Social Text 1 March 2018; 36 (1 (134)): 37–44. doi: https://doi.org/10.1215/01642472-4298541
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