Questions about the meaning of the human species have also raised the issue of its representation, and in this article the authors consider the role of bio-art in the production of the specimen as spectacle. Something we look both at and through, specimens have a long visual history that has recently become the subject of both artistic and scholarly re-evaluation. Here, bio-artist Suzanne Anker is interviewed by feminist science studies scholar Sarah Franklin, in an exchange that addresses the visual culture of specimen display and its significance to both art and social theory.

The text of this article is only available as a PDF.
You do not currently have access to this content.