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Journal Article
Small Axe (2022) 26 (1 (67)): 111–123.
Published: 01 March 2022
...Timothy J. Reiss This essay tracks Kamau Brathwaite’s life, his poetic and critical writing, and his travails and thinking, from youth and early career—in Barbados, England, Ghana, and the Caribbean, but mainly from his arrival at New York University in 1991—through his retirement in 2013...
Journal Article
Small Axe (2016) 20 (3 (51)): 147–162.
Published: 01 November 2016
... that transpires in Hispanic Caribbean New York. © Small Axe, Inc. 2016 Fernando Ortiz hispanophone Caribbean diaspora contact zone Nuyorican Caliban Miguel Algarín Jesus Abraham “Tato” Laviera Roberto Márquez Lourdes Casal Spanglish Puerto Rican diaspora For Tato Laviera Charles...
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Published: 01 March 2013
Figure 1. “Marcus Garvey, New York City,” 1922 (photographer unknown). © Corbis
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in Puerto Rican Colonialism, Caribbean Radicalism, and Pueblos Hispanos ’s Inter-Nationalist Alliance
> Small Axe: A Caribbean Journal of Criticism
Published: 01 November 2019
Figure 3 Inaugural banquet in honor of Pueblos Hispanos , Commodore Hotel, New York City, 21 February 1943. Guests included Jesús Colón, Juan Antonio Corretjer, Clemente Soto Velez, Vito Marcantonio, Thyra Edwards, Charles Collins, and Pablo Neruda. Box OS_IX, folder 13, the Jesús Colón Papers
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Journal Article
Small Axe (2013) 17 (2 (41)): 255–273.
Published: 01 July 2013
...Dorothy C. Rowe Born in British Guiana (now Guyana) in 1936, a resident of London in the 1950s, and dividing his time between London and New York since the late 1960s, Frank Bowling is one of the foremost artists of his generation. As a pioneer of abstraction during the 1960s, his work as both...
Journal Article
Small Axe (2011) 15 (2 (35)): 59–77.
Published: 01 July 2011
... and New York, this essay explores gendered and routinized modes of travel across sites of migration that displace the home-away dyad. How might we explain these visits to Caribbean people in places other than the Caribbean and to Caribbean places in North America? How might we account for the prominence...
Journal Article
Small Axe (2021) 25 (3 (66)): 134–146.
Published: 01 November 2021
... epistemological status as the Garifuna homeland associated with ancestral marronage. The author looks at how public performances of Garifuna Settlement Day in Central America and the United States (New York City is home to the largest Garifuna communities outside Central America’s Caribbean coasts) open...
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Journal Article
Small Axe (2022) 26 (2 (68)): 119–143.
Published: 01 July 2022
...Andil Gosine This is a curatorial essay in which the author explains his research and process for the conception and production of everything slackens in a wreck , a visual arts exhibition running at the Ford Foundation Gallery in New York from June to September 2022. Gosine elaborates his thinking...
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Journal Article
Small Axe (2010) 14 (3 (33)): 89–98.
Published: 01 November 2010
.... Hailing from across the Caribbean region (Guadeloupe, Martinique, Haiti) but now living and working in western metropolitan centers (New York, Montreal, Paris), Maryse Condé, Edouard Glissant, Danny Laferrière, Lyonel Trouillot and Gary Victor all straddle and travel the “spaces” of contact between...
Journal Article
Small Axe (2014) 18 (2 (44)): 36–52.
Published: 01 July 2014
... soundscape with points in New York, Havana, Port-au-Prince, and London. The author relies on an implicitly comparative framework but is also interested in following people and things as they traveled between these places and instigated new sonic routes. The notion of the disposition of things animates...
Journal Article
Small Axe (2018) 22 (2 (56)): 85–98.
Published: 01 July 2018
...Sharina Maillo-Pozo This essay examines Raquel Cepeda’s memoire, Bird of Paradise. How I Became Latina , through the intersections between Dominican latinidad , gender, race, and hip-hop. By exposing other discourses of latinidad as performed and imagined in New York City by an afrodominicana...
Journal Article
Small Axe (2012) 16 (1 (37)): 1–19.
Published: 01 March 2012
...Peter James Hudson This essay unearths and recovers the Caribbean films and photographs made by New York School artist Rudy Burckhardt in the 1930s and 1940s. It argues that Burckhardt's work, especially his 1937 experimental film Haiti , deserves to be considered as part of a Caribbean visual...
Journal Article
Small Axe (2017) 21 (1 (52)): 57–69.
Published: 01 March 2017
...Rocío Aranda-Alvarado This essay explores the photographic and film work of New York–born artist Rachelle Mozman (of Panamanian heritage) and the paintings and drawings of Dominican-born artist Firelei Báez. Both artists make use of the form, the image, the representation, and the reading...
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Journal Article
Small Axe (2014) 18 (1 (43)): 7–21.
Published: 01 March 2014
... York, women's migration everywhere, and interactions between the anglophone and hispanophone Caribbeans in immigrant destinations as key areas for further research. Equally distorting is the fact that when we overfocus on migration driven by large employers we miss seeing women everywhere. As noted...
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Journal Article
Small Axe (2017) 21 (2 (53)): 123–134.
Published: 01 July 2017
...Andil Gosine In March 2016, a group of artists and scholars met at York University in Toronto to consider visual arts produced by indenture-descendant creators. Among them were filmmakers Richard Fung and Ian Harnarine, who engaged in a dialogue about their work and responded to inquiries posed...
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Journal Article
Small Axe (2019) 23 (3 (60)): 50–68.
Published: 01 November 2019
...Figure 3 Inaugural banquet in honor of Pueblos Hispanos , Commodore Hotel, New York City, 21 February 1943. Guests included Jesús Colón, Juan Antonio Corretjer, Clemente Soto Velez, Vito Marcantonio, Thyra Edwards, Charles Collins, and Pablo Neruda. Box OS_IX, folder 13, the Jesús Colón Papers...
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in Against Type: Reading Desire in the Visual Archives of Dominican Subjects
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2018
Figure 2 “A Negro of Santo Domingo”; 1910. Photograph by Harry H. Johnston. From the New York Public Library Digital Collections, New York.
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in Forêts del Sur and the Pretexts of Glissant's Tout-Monde
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2015
Figure 7. Wifredo Lam, The Jungle , 1942–43. Oil on paper mounted on canvas, 94 × 89 in. Museum of Modern Art, New York City. © 2015 Artists Rights Society (ARS), New York / ADAGP, Paris
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Journal Article
Small Axe (2019) 23 (1 (58)): vii–xiv.
Published: 01 March 2019
Journal Article
Small Axe (2020) 24 (1 (61)): vii–x.
Published: 01 March 2020
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