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Journal Article
Small Axe (2005) 9 (2): 171–175.
Published: 01 September 2005
...Maxence Denis Small Axe Incorporated 2005 Kwa Bawon: A Video Installation Maxence Denis hrough a powerful Haitian Vodun symbol, “the keeper of the cemeteries,” the video moves in between myth and reality, real and imaginary spaces to provoke introspection T and self...
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Published: 01 July 2024
Figure 3 “Trapped here.” Still from the video Busshead Hardhead , 2024. More
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Published: 01 July 2024
Figure 4 “Under threat.” Still from the video Busshead Hardhead , 2024. More
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Published: 01 July 2024
Figure 5 “I done bussing meh head.” Still from the video Busshead Hardhead , 2024. More
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Published: 01 July 2024
Figure 6 “Free.” Still from the video Busshead Hardhead , 2024. More
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Published: 01 July 2016
Crusader , 2006; digital color video, with sound; 38 min. Filmed by Zachary Fabri. More
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Published: 01 November 2020
Figure 5 Detail of chewing gum on one of the screens of Colectivo Quintapata’s video installation ADN , 2012, Venice Biennial. Courtesy of Colectivo Quintapata More
Journal Article
Small Axe (2018) 22 (1 (55)): 55–69.
Published: 01 March 2018
...Petra R. Rivera-Rideau In 2012, reggaeton artist Tego Calderón released a music video for his song “Robin Hood.” The video tells the story of a man who aids a group of undocumented Dominican immigrants to Puerto Rico. Through a close reading of “Robin Hood,” this essay argues that Calderón...
Journal Article
Small Axe (2017) 21 (1 (52)): 141–150.
Published: 01 March 2017
... and Perpetuate , and her video installations Snow White Remixed and Purity, Sanctity, and Corporeality , she reflects on how race and gender are much more open in the lives of children; the questioning of the idea of “purity” and its relationship to whiteness; and visual culture and its effects on identity. She...
Journal Article
Small Axe (2011) 15 (2 (35)): 7–23.
Published: 01 July 2011
... of normative discourses in dancehall lyrics. I offer readings of male dance crews at street dances, a comedy interlude at a dancehall club night, and a dancehall video, each of which provides the opportunity to read “the queer” in dancehall culture. © 2011 by Small Axe, Inc. 2011 Out and Bad: Toward...
Journal Article
Small Axe (2009) 13 (2): 148–163.
Published: 01 July 2009
...Allison Thompson Sonia Boyce's two-screen video, Crop-Over , visually samples the many traditions, histories and cultural practices that inform this Barbadian festival, culminating with the carnivalesque parade known as Kadooment. Presenting a wide range of related performances, some real and some...
Journal Article
Small Axe (2017) 21 (1 (52)): 89–98.
Published: 01 March 2017
... across the Caribbean, Africa, and the United States. Artistic comrades for twenty years, they have also collaborated with each other in performance and video. Here, they offer a deep exchange about their creative practice, paying special attention to two works individually premiered on a split bill...
Journal Article
Small Axe (2024) 28 (2 (74)): 34–48.
Published: 01 July 2024
...Mónica B. Ocasio Vega This essay explores fugitivity in Puerto Rican culinary practices, centering the cooks María Dolores “Lula” de Jesús and Viña “la Gran Pastelera” Hernández. By analyzing two visual texts— Eat, Drink, Share Puerto Rico ’s episode “El Burén de Lula” and Hernández’s recipe video...
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Journal Article
Small Axe (2010) 14 (2 (32)): 83–96.
Published: 01 July 2010
...Jane Bryce When St. Lucian-descended Black British artist Isaac Julien presented his avant-garde triple-screen video work Paradise Omeros at a Festival of African and Caribbean Film in Barbados, a member of the audience commended him on the work but regretted it was not being shown to the “real...
Journal Article
Small Axe (2015) 19 (2 (47)): 85–93.
Published: 01 July 2015
...Karen Jaime This essay attends to José E. Muñoz's influence on hispanophone Caribbean studies through the work of Dominican lesbian performance artist Rita Indiana. Jaime argues that in the music video “Da pa' lo' do',” or “There Is Enough for Both,” Indiana uses Muñoz's theory of disidentification...
Journal Article
Small Axe (2017) 21 (1 (52)): 126–140.
Published: 01 March 2017
...Elena Valdez This essay examines two prominent Dominican visual artists—Belkis Ramírez and Raquel Paiewonsky—whose work encompasses new media such as video arts, installations, and performances. By defying traditional models of pictorial and sculptural art, these artists have revolutionized...
FIGURES
Journal Article
Small Axe (2017) 21 (1 (52)): 70–88.
Published: 01 March 2017
... of McGilchrist reveals art as that which powers a bold step, as that which facilitates an interrogation of the edges of positions of identification and an opposition of those boundaries. Her melding of photographic and video elements gives a material relationality that shows white identity as a complex, slippery...
FIGURES
Journal Article
Small Axe (2024) 28 (2 (74)): 167–178.
Published: 01 July 2024
...Figure 3 “Trapped here.” Still from the video Busshead Hardhead , 2024. ...
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Journal Article
Small Axe (2008) 12 (3 (27)): 87–93.
Published: 01 October 2008
... from it. There has not been a single film made since then in Haiti itself, unless we do away with the distinction between films made on acetate and video. There have been several films made on video, which I will come back to. Militant Cinema and the Diaspora It was in the diaspora...
Journal Article
Small Axe (2017) 21 (2 (53)): 94–111.
Published: 01 July 2017
... project unravels the overlapping layers of heteropatriarchy and its violence on racialized and gendered subjectivities. The artist works with a number of representational practices—video art, digital photography, and needle-lace art—that coalesce around themes of poverty, violence, labor, and migration...