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untitled
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Small Axe (2008) 12 (3 (27)): 53–57.
Published: 01 October 2008
...Mario Benjamin ©2008 Small Axe Incorporated. All rights reserved. 2008 Mario Benjamin
Untitled
54 | SX27 • Untitled
SX27 • October 2008 • Mario Benjamin | 55
56 | SX27 • Untitled
SX27 • October 2008 • Mario...
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Published: 01 July 2022
Figure 3 Wendy Nanan, Untitled , 1986. Papier-mâché and mixed media, 47 × 17 × 9 in. Artist’s studio, Port of Spain, 2016. Photograph by the author; used by permission of the artist
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Published: 01 July 2022
Figure 4 Wendy Nanan, Untitled , 1986. Papier-mâché and mixed media, 47 × 17 × 9 in. Artist’s studio, Port of Spain, 2016. Photograph by the author; used by permission of the artist
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Published: 01 July 2022
Figure 8 Andrea Chung, Untitled (work in progress), 2022. Cyanotype, variable size. Used by permission of the artist
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Published: 01 July 2022
Figure 9 Andrea Chung, Untitled (work in progress), 2022. Cyanotype, variable size. Used by permission of the artist
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Published: 01 March 2024
Figure 1 Wifredo Lam, Untitled , 1943; ink on paper. Illustration from Aimé Césaire, Retorno al país natal (1943). Courtesy of the Latin American and Caribbean Collections, George A. Smathers Libraries, University of Florida
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Published: 01 March 2024
Figure 2 Wifredo Lam, Untitled , 1943; ink on paper. Illustration from Aimé Césaire, Retorno al país natal (1943). Courtesy of the Latin American and Caribbean Collections, George A. Smathers Libraries, University of Florida
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Published: 01 March 2015
Untitled Species II , 2010. Mixed media on paper; 66.75 × 50 in. Collection of Eric and Tara Hirshberg, Los Angeles. Photo courtesy of the artist and Monique Meloche Gallery, Chicago
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Published: 01 March 2017
Figure 10. Keisha Scarville, Untitled #7 , from Mama's Clothes series, 2016. Archival inkjet print, 24 × 36 in. Location: Buxton, Guyana. Courtesy of the artist © Keisha Scarville
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Published: 01 March 2017
Figure 11. Keisha Scarville, Untitled #3 , from Mama's Clothes series, 2015. Archival inkjet print, 24 × 36 in. Location: Brooklyn, New York. Courtesy of the artist © Keisha Scarville
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in “Freak Letters”: Tracing Gender, Race, and Diaspora in the Panama Canal Archive
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2019
Figure 5 Untitled photograph, 1910, Tabernilla, Panama Canal Zone; 5 × 7 in. Photographer unknown. Records of the Panama Canal, National Archives at College Park, MD. National Archives and Records Administration.
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in Acts of Survival: Self-Preservation and Holding Space
> Small Axe: A Caribbean Journal of Criticism
Published: 01 July 2019
Figure 6 Untitled , 2016; mixed media on paper, 8 × 10 in.
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in Through Archie Lindo’s Lens: Uncovering the Queer Subtext in Nationalist Jamaican Art
> Small Axe: A Caribbean Journal of Criticism
Published: 01 November 2020
Figure 2 Archie Lindo, untitled and undated print from a scanned photographic negative. Private collection in the author’s possession. Courtesy of Sue Willingham
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in Through Archie Lindo’s Lens: Uncovering the Queer Subtext in Nationalist Jamaican Art
> Small Axe: A Caribbean Journal of Criticism
Published: 01 November 2020
Figure 4 Archie Lindo, untitled and undated print from a scanned photographic negative. Private collection in the author’s possession. Courtesy of Sue Willingham
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in Through Archie Lindo’s Lens: Uncovering the Queer Subtext in Nationalist Jamaican Art
> Small Axe: A Caribbean Journal of Criticism
Published: 01 November 2020
Figure 5 Archie Lindo, untitled and undated print from a scanned photographic negative. Private collection in the author’s possession. Courtesy of Sue Willingham
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in Making History Visible: Caribbean Artist Josef Nassy’s Visual Diary of Nazi Internment
> Small Axe: A Caribbean Journal of Criticism
Published: 01 March 2021
Figure 2 Josef Nassy, Untitled , n.d. Woven paper, graphite, and crayon; 7.09 × 5.35 in.
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in Making History Visible: Caribbean Artist Josef Nassy’s Visual Diary of Nazi Internment
> Small Axe: A Caribbean Journal of Criticism
Published: 01 March 2021
Figure 3 Josef Nassy, Untitled , n.d. Woven paper, ink, and ink wash; 5.980 × 7.480 in. United States Holocaust Memorial Museum, Washington, DC; gifts of the Severin Wunderman Family. Photographs by the author
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in Making History Visible: Caribbean Artist Josef Nassy’s Visual Diary of Nazi Internment
> Small Axe: A Caribbean Journal of Criticism
Published: 01 March 2021
Figure 5 Josef Nassy, Untitled , n.d. Woven paper and graphite, 8.46 × 10.98 in. United States Holocaust Memorial Museum, Washington, DC; gift of the Severin Wunderman Family. Photograph by the author
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in Making History Visible: Caribbean Artist Josef Nassy’s Visual Diary of Nazi Internment
> Small Axe: A Caribbean Journal of Criticism
Published: 01 March 2021
Figure 6 Josef Nassy, Untitled , n.d. Woven paper, graphite, and crayon; 7.36 × 5.57 in.
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in Making History Visible: Caribbean Artist Josef Nassy’s Visual Diary of Nazi Internment
> Small Axe: A Caribbean Journal of Criticism
Published: 01 March 2021
Figure 7 Josef Nassy, Untitled , n.d. Woven paper, graphite, and crayon; 9.09 × 6.34 in. United States Holocaust Memorial Museum, Washington, DC; gifts of the Severin Wunderman Family. Photographs by the author
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