1-6 of 6 Search Results for


Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Journal Article
Small Axe (2002) 6 (1): 91–111.
Published: 01 March 2002
... that exude a knowledge of self, a self guided by a “spiritual” force that “oversees” the dominant symbolic order, a physicality resonant with the music’s threatening presence and internal dynamics. : is paper focuses on three dub artists: Lee Perry, King Tubby and Scientist, in...
Journal Article
Small Axe (2014) 18 (2 (44)): 191–201.
Published: 01 July 2014
... enjoyment of the pleasurable intensities of sounding. This materiality and spatiality of sound also resonates with the nature of the music played on the sound systems. 32 The dub—another doubling, another echo—produced in the two- and four-track studios of King Tubby and Lee “Scratch” Perry in the 1960s...
Journal Article
Small Axe (2019) 23 (1 (58)): 134–149.
Published: 01 March 2019
... Babylon: Understanding the Evolution and Significance of Dub Reggae in Jamaica and Britain from King Tubby to Post-punk , Studies in Popular Music (Sheffield: Equinox, 2010); Chuck Foster, Roots Rock Reggae: The Oral History of Reggae Music from Ska to Dancehall (New York: Billboard, 1999); and Lloyd...
Journal Article
Small Axe (2019) 23 (3 (60)): 34–49.
Published: 01 November 2019
... transmogrified in the engineering booths of Tubby, Jammy, Scratch, and Scientist, and which provide the key to the countertemporality encoded in this musical system. With his statement, “If you ride like lightning you going to crash like thunder,” Bam-Bam rejects the utopian temporality of roots reggae...
Journal Article
Small Axe (2013) 17 (1 (40)): 22–39.
Published: 01 March 2013
Journal Article
Small Axe (2020) 24 (3 (63)): 97–127.
Published: 01 November 2020