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triptych

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Image
Published: 01 March 2019
Figure 3 Pimper’s Paradise, the Terra Nova Nights Edition , 2018; triptych, mixed media on canvas, 7 ft. 5 in. × 16 ft. 8 in. Figure 3. Pimper’s Paradise, the Terra Nova Nights Edition, 2018; triptych, mixed media on canvas, 7 ft. 5 in. × 16 ft. 8 in. More
Image
Published: 01 March 2019
Figure 5 Yes We Have Met Before , 2017; triptych, mixed media on canvas, 96 × 144 in. Figure 5. Yes We Have Met Before, 2017; triptych, mixed media on canvas, 96 × 144 in. More
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 November 2014) 18 (3 (45)): 178–187.
Published: 01 November 2014
... elaborate her response as a kind of homage to these readers. In thinking of each section of her response essay as part of a triptych (or trinity, perhaps), mutually overlapping and entangled, Dayan takes the questions and prompts of her interlocutors as a challenge, a call to a practice of spiritual...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 March 2019) 23 (1 (58)): 187–194.
Published: 01 March 2019
...Figure 3 Pimper’s Paradise, the Terra Nova Nights Edition , 2018; triptych, mixed media on canvas, 7 ft. 5 in. × 16 ft. 8 in. Figure 3. Pimper’s Paradise, the Terra Nova Nights Edition, 2018; triptych, mixed media on canvas, 7 ft. 5 in. × 16 ft. 8 in. ...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 March 2009) 13 (1): 230–233.
Published: 01 March 2009
... triptychs (there were six triptychs created between 1995 and 1997, four of which were destroyed) to dialogues, which are featured in the present issue of Small Axe. Tina Campt is associate professor of women’s studies and history at Duke University. Her publications include Other...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 March 2014) 18 (1 (43)): 193–199.
Published: 01 March 2014
... triptych is meant to suggest an altar space, drawing from its origination in early modern Christian art but transformed by the Afro-Jamaican context to evoke Revivalism, the African-derived religious practice most common to West Kingston communities as they were forming in the 1950s. It is the revival...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 October 2008) 12 (3 (27)): 142–150.
Published: 01 October 2008
...” they have become. In the reprinted essay “Memory and Its Discontents,” Joel Weinstein discusses another complex commentary of the social fabric of Haitian diasporic life through the visual iconog- raphy of The Indigo Room, or Is Memory Water Soluable? (2004), a triptych...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 July 2013) 17 (2 (41)): 8–26.
Published: 01 July 2013
..., Imperial , 2010. Digital collage on durotone newsprint, aged; 84 × 106 cm. Used by permission of the artist. Figure 6. Holly Bynoe, Imperial, 2010. Digital collage on durotone newsprint, aged; 84 × 106 cm. Used by permission of the artist. © Holly Bynoe Marlon Griffith's triptych of photographs...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 March 2013) 17 (1 (40)): 7–21.
Published: 01 March 2013
... daring incisiveness. These early fiction works are replete with thinly veiled allegorical references to the corruption and brutality of the Haitian state. They set the stage for her explosive 1968 triptych Amour, colère, folie ( Love, Anger, Madness ), an unequivocal denunciation of totalitarian state...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 March 2014) 18 (1 (43)): 103–113.
Published: 01 March 2014
... “supersyncretisms,” forming a supersyncretic polytheism in which older always/already syncretic deities are used to create new divine triptychs and a supersyncretic “ polyrhythm ” in which “rhythms [are] cut through by other rhythms, which are still cut through by other rhythms” (18; emphasis mine). For Benítez...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 September 2005) 9 (2): 40–51.
Published: 01 September 2005
... haunting it “Chauvet’s discourse,” Scharf- man says, “does violence to our reading habits by transgressing the pleasure of the text. Because she is as merciless toward her reader as the world that she depicts is toward its victims Chauvet’s triptych iss destabilizing, haunting, and unsettling because...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 October 2008) 12 (3 (27)): 151–164.
Published: 01 October 2008
... narrative diptychs and triptychs, the articulated spaces with every surface forceful, create affective physical states in which the information, including the verbal and symbolic information, insist on response and meditation. Tande zanzet-yo. Listen to the ancestors. Edouard Duval Carrié listens...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 June 2007) 11 (2): 119–137.
Published: 01 June 2007
... thought of as three snapshots of light reflecting on water. Each of them picks up temporally where the other leaves off. Viewed collectively, the photographs recreate and animate a moment in time; the water appears to pitter-patter across the triptych. These snapshots of life also exist outside...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 July 2009) 13 (2): 148–163.
Published: 01 July 2009
... acts.”10 While it was essential for Boyce that a performance take place in the chapel before an audience, she planned the final work to take the form of a large three-screen audio and video presentation to viewers in a gallery setting. Its structure as a triptych invokes an...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 July 2013) 17 (2 (41)): 255–273.
Published: 01 July 2013
... for the “camel” section above the three central panels, one could almost read it as an altarpiece, a triptych with a crocodile predella, a central panel, and two flanking “saints” in the form of several African heads on one side and a tribal warrior on the other. The sketchy map of the continent is...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 March 2012) 16 (1 (37)): 1–19.
Published: 01 March 2012
... evoking the aesthetic particularities of place. Haiti stands out among Burckhardt’s Caribbean triptych. It is the most complete and coherent of the three films, but its significance also emerges against the long, sordid history of representations of Port-au-Prince. Since the end of the...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 March 2017) 21 (1 (52)): 220–232.
Published: 01 March 2017
... photograph appears between that of Aimé Césaire and Suzanne Dracius-Pinalie, in a triptych clearly intended to personify white, black, and métis Martinicans. Jaham's later novels attracted much less attention, both in the Antilles and in France. 1 Hanétha Vété-Congolo, “Créolisation, Créolité...
Journal Article
Small Axe: A Caribbean Journal of Criticism (1 July 2015) 19 (2 (47)): 1–28.
Published: 01 July 2015
... shall show, by the triptych of José Martí's patriotic turn to naturaleza , André Breton and André Masson's exilic rencontre with Aimé Césaire, and Alejo Carpentier and Wifredo Lam's rapprochements with surrealism in France and Martinique as they develop images of the marvelous via Haiti and Cuba...