1-13 of 13 Search Results for

tosh

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Journal Article
Small Axe (2010) 14 (2 (32)): 17–41.
Published: 01 July 2010
... intersecting yet divergent narratives of race and nation. In this context, I examine works and performances by Martin Luther King Jr. (during his 1965 speeches in Kingston) and Peter Tosh (during his 1978 One Love Peace Concert performance) as a way of framing how discourses of black liberation, postcolonial...
Journal Article
Small Axe (2006) 10 (3): 1–18.
Published: 01 October 2006
... of my nation.” With line fragments from the Bob Marley / Peter Tosh anthem “Equal Rights,” the meaning of these crimes is turned over to the dramaturgy of Rastafari and to its connections between sufferation, language, and radicalism: Everyone is crying out for peace...
Journal Article
Small Axe (2010) 14 (2 (32)): vii–viii.
Published: 01 July 2010
... Derek Walcott’s Dream on Monkey Mountain Kelly Baker Josephs 17 Circuits of Political Prophecy: Martin Luther King Jr., Peter Tosh, and the Black Radical Imaginary...
Journal Article
Small Axe (2008) 12 (1): 1–15.
Published: 01 February 2008
... the nihilistic, saint and thug. In this nexus of “complicity and continuity,” the martial iconography of the Wailers Soul Rebel album cover and Peter Tosh’s M-16 shaped guitar are semiotic correlates of the gun shaped dental crown which accounted for “original gun pon...
Journal Article
Small Axe (2003) 7 (2): 120–126.
Published: 01 September 2003
... called it “400 years,” after the song by Peter Tosh, because it was part of my narrative about varied histories and it referenced the years of anxiety about measurement in a playful and whimsical manner. 16/05/03 It takes some time for me to fi gure out what I am doing, as...
Journal Article
Small Axe (2006) 10 (1): 59–73.
Published: 01 February 2006
... including Bob Marley, Peter Tosh, Jimmy Cliff , Burning Spear, and U Roy.¹ Th e argument put forward then was that “the transference of philosophy and language by remote control is new and could not have happened before technology advanced as far as it has today 1. Velma E. Pollard, “Rastafarian...
Journal Article
Small Axe (2002) 6 (1): 91–111.
Published: 01 March 2002
Journal Article
Small Axe (2018) 22 (1 (55)): 181–190.
Published: 01 March 2018
.... As modern as they claim to sound, these revivalists make it too clear that it is the 1970s and 1980s to which they aspire, and they have drank perhaps too deeply at the well of the genre- and ideology-defining generation of Bob Marley, Peter Tosh, Judy Mowatt, Bunny Wailer, and Big Youth. It is there...
Journal Article
Small Axe (2014) 18 (1 (43)): 181–192.
Published: 01 March 2014
... artists and lyrical thinkers also surfaced, not least of which were Ras Dizzy, Ras Daniel Heartman, Nesta Robert Marley, Peter Tosh, Judy Mowatt, and Burning Spear. The second-order sociological interventions and political histories by Rex Nettleford, Frank van Dijk, Horace Campbell, Dennis Forsythe, John...
Journal Article
Small Axe (2012) 16 (2 (38)): 1–21.
Published: 01 July 2012
... set out the terms and the model for a postcolonial West Indian voice, one that was poetic on its own terms and lyrical in its character. Having survived brutal beatings by the Jamaican neocolonial regime, Peter Tosh, “such a mystic man; a man of the past, living in the present, walking in the future...
Journal Article
Small Axe (2008) 12 (1): 16–37.
Published: 01 February 2008
... Bob Marley, Peter Tosh and Jimmy Cliff, as Caribbean as he is American-European-African-diasporan, as capable of disciplined celibacy as he is of wild immersion into the “pulpy split” of cunts. Channer’s text is the performance text par excellence. It draws on various male-related aspects...
Journal Article
Small Axe (2001) 5 (2): 85–177.
Published: 01 September 2001
Journal Article
Small Axe (2006) 10 (2): 97–246.
Published: 01 June 2006