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theater

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Journal Article
Small Axe (2005) 9 (2): 16–23.
Published: 01 September 2005
...J. Michael Dash Small Axe Incorporated 2005 The Theater of the Haitian Revolution / The Haitian Revolution as Theater J. Michael Dash Th e theatre had come to a town without theatres, and as a theatre would have to be created, they took advantage of a heaven-sent...
Journal Article
Small Axe (2010) 14 (2 (32)): 1–16.
Published: 01 July 2010
... and dream, creating a doubled division for his characters and audience between fantasy and reality, madness and sanity. In this essay, This article reads Walcott's choice of the theater, rather than poetry, as necessary in engendering a collective response to, and responsibility for, envisioning...
Journal Article
Small Axe (2018) 22 (2 (56)): 232–243.
Published: 01 July 2018
... through education and their involvement in associational politics, theater, and publishing. Tracing narratives of Indo-Muslim womanhood also emphasizes significant religious and class differences in participation in public life, suggesting the limitations of Hindu-centered interpretative devices. Coolie...
Journal Article
Small Axe (2020) 24 (1 (61)): 11–21.
Published: 01 March 2020
... Republic and Jamaica: the anthology Palabras de una isla / Paroles d’une île , Juan Bosch’s story “Luis Pie,” and the Groundwork Theater Company’s Fallen Angel and the Devil Concubine . The author argues that these texts emphasize different critical priorities from the standard concerns of theorists...
Journal Article
Small Axe (2015) 19 (3 (48)): 50–63.
Published: 01 November 2015
...Christopher T. Bonner This essay interrogates the relationship between politics and literary genre in Marie Vieux Chauvet's Colère , the under-studied second movement of her trilogy Amour, colère, folie (1968). Specifically, it seeks to demonstrate that Chauvet's formation in theater is central...
Journal Article
Small Axe (2023) 27 (3 (72)): 1–14.
Published: 01 November 2023
... the critical gaze of the protagonist, the first woman of color to perform in the theater of Saint-Domingue. Because Vieux-Chauvet employs these theatrical conventions outside the diegetic theater, the theme of performance takes on a secondary meaning, suggesting inauthenticity and even trickery...
Image
Published: 01 November 2023
Figure 3 Argelia’s Utopic Map , 2016. From left to right: Acapulco, personas—inclusivas—no discriminatoria—con pertenencia. CENESEX. Mi Casa, Cerca de estos lugares importantes para mí. Mar. Calle X—Barrio X—Ciudad X (Acapulco Theater; People who are: inclusive—not discriminatory—with belonging More
Journal Article
Small Axe (2008) 12 (3 (27)): 87–93.
Published: 01 October 2008
.... The first continuous projections, after the visit of the Lumière brothers’ representative, took place from 1907 at the Grand Hôtel of Pétionville, then from 1914 at the Parisiana, which is situated at the Champ-de-Mars. The Parisiana was the first large cinema theater (with around...
Journal Article
Small Axe (2009) 13 (3 (30)): 186–189.
Published: 01 November 2009
... Small Axe, Inc. 2009 Contributors Stéphanie Bérard is assistant professor in the Department of French Language and Literature at the University of Virginia, Charlottesville. Her research deals with francophone and creolo- phone Caribbean theater from Guadeloupe and Martinique. She...
Journal Article
Small Axe (2010) 14 (3 (33)): 45–68.
Published: 01 November 2010
... to this government funding, directors will find many more circuits of distribution. Directors will be more credible to television channels and movie theaters.33 Silou’s resolution to increase opportunities for Antillean cinema led to immediately beneficial results: Flamand Barny’s...
Journal Article
Small Axe (2017) 21 (1 (52)): 1–16.
Published: 01 March 2017
... that almost exclusively casts itself as musical, the revival moment, perhaps consistent with the age , is unchained from any specific singular form. What I mean by this is that within the movement itself there are practitioners of dub and theater, visual artists, videographers, producers, and, of course...
FIGURES
Journal Article
Small Axe (2016) 20 (2 (50)): 92–97.
Published: 01 July 2016
... Global . It has become a premier journal of the UPR–Río Piedras and of Caribbean studies in general. The NEH Summer Seminar for College and University Professors, “Caribbean Theater and Cultural Performance,” took place on the UPR–Río Piedras campus in 2003. PhD students Sally Everson and Don Walicek...
Journal Article
Small Axe (2005) 9 (2): 104–108.
Published: 01 September 2005
... this language with facility and vir- tuosity. Benjamin’s practice of installation is not derived from the Western avant-garde but emerges spontaneously from this inheritance, which he explored in his early stage sets, particularly for the theater. Th e eclecticism of his project defi es categorization...
Journal Article
Small Axe (2006) 10 (1): 189–197.
Published: 01 February 2006
... analysis of Trinida- dian society; it is to address a particularly privileged audience about the relation between Westerners’ privilege and the destruction of the Caribbean environment. Faith and theater reappear in Puri’s discussion of Walcott’s play Pantomime. Faith...
Journal Article
Small Axe (2006) 10 (1): 198–205.
Published: 01 February 2006
... analysis of Trinida- dian society; it is to address a particularly privileged audience about the relation between Westerners’ privilege and the destruction of the Caribbean environment. Faith and theater reappear in Puri’s discussion of Walcott’s play Pantomime. Faith...
Journal Article
Small Axe (2006) 10 (1): 218–229.
Published: 01 February 2006
... analysis of Trinida- dian society; it is to address a particularly privileged audience about the relation between Westerners’ privilege and the destruction of the Caribbean environment. Faith and theater reappear in Puri’s discussion of Walcott’s play Pantomime. Faith...
Journal Article
Small Axe (2006) 10 (1): 230–232.
Published: 01 February 2006
... analysis of Trinida- dian society; it is to address a particularly privileged audience about the relation between Westerners’ privilege and the destruction of the Caribbean environment. Faith and theater reappear in Puri’s discussion of Walcott’s play Pantomime. Faith...
Journal Article
Small Axe (2009) 13 (3 (30)): 84–92.
Published: 01 November 2009
..., in the context of the Nancy World Festival of University Theater, I saw a representation by Bread and Puppet titled Our Domestic Resurrection. That theater group, based in New York, was working militantly against the Vietnam War. Each rep- resentation was a sort of ritual ceremony; huge white dolls were...
Journal Article
Small Axe (2007) 11 (2): 163–176.
Published: 01 June 2007
... has been widely represented in any other literary form in Haiti; there are more references to the revolution in Haitian poetry and theater, but these again are somewhat sporadic. The earliest postrevolution poetry and theater were staunchly nationalist and culturally defensive...
Journal Article
Small Axe (2010) 14 (2 (32)): 97–110.
Published: 01 July 2010
..., and Caribbean Countercultures,” Cultural Critique 59 (Winter 2005): 24–62. 9 For the classic rereading of this relationship, see Aimé Césaire, A Tempest: Based on Shakespeare’s “The Tempest”— Adaption for a Black Theatre, trans. Richard Miller (New York: Ubu Repertory Theater Publications, 1986...