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Journal Article
Small Axe (2017) 21 (1 (52)): 141–150.
Published: 01 March 2017
...Sandra Stephens The artist reflects on her place within the black/white color spectrum in Jamaica and the United States and looks at how she addresses both whiteness and blackness within her work. Using her piece Face of the Enemy , on the Japanese Internment, from her solo show Rationalize...
Journal Article
Small Axe (2005) 9 (1): 100–111.
Published: 01 March 2005
...Michelle Stephens Small Axe Incorporated 2005 BOOK DISCUSSION: THE PRACTICE OF DIASPORA Th e Practice of Diaspora: Literature, Translation, and the Rise of Black Internationalism, Brent Hayes Edwards. Cambridge, MA: Harvard University Press, 2003. ISBN 0-674-01103-1 Disarticulating...
Journal Article
Small Axe (2017) 21 (1 (52)): 43–56.
Published: 01 March 2017
...Michelle Stephens This essay provides a cultural analysis of the work of Trinidadian-born artist Nicole Awai and is derived from a collaborative process between author and artist, including a studio visit in 2014. This discussion presents the author's reflections on the deeper philosophical...
FIGURES
Journal Article
Small Axe (2005) 9 (2): 104–108.
Published: 01 September 2005
Journal Article
Small Axe (2010) 14 (3 (33)): 146–151.
Published: 01 November 2010
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Small Axe (2015) 19 (1 (46)): 88–99.
Published: 01 March 2015
...Michelle Stephens This tribute assesses the importance of Stuart Hall's work both personally, for the author, and in relation to a broader scholarly conversation about blackness that shapes the latter half of the twentieth century and spans the United States, the Caribbean, and the United Kingdom...
Journal Article
Small Axe (2006) 10 (2): 276–286.
Published: 01 June 2006
...Michelle Stephens Small Axe Incorporated 2006 BOOK DISCUSSION: Black Empire Black Empire: The Masculine Global Imaginary of Caribbean Intellectuals in the United States, 1914–1962, Michelle Stephens. Durham: Duke University Press, 2005. ISBN: 0822335514 African American Manhood...
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Small Axe (2009) 13 (2): 26–38.
Published: 01 July 2009
...Michelle Stephens Looking back at the dialogue between Black British Cultural Studies and African American Studies that occurred during the 1980s and 1990s, when Stuart Hall first asked the question, “What is this black in black popular culture?” this article explores how that conversation has...
Journal Article
Small Axe (2015) 19 (2 (47)): 177–184.
Published: 01 July 2015
...Michelle Stephens This assessment of Leon Wainwright's recent monograph, Timed Out: Art and the Transnational Caribbean (2011), focuses on the temporal dimensions of Caribbean art production and reception, including the reception of Caribbean art in the United Kingdom and United States as being...
Journal Article
Small Axe (2016) 20 (3 (51)): 80–99.
Published: 01 November 2016
...Tatiana Flores; Michelle Stephens This essay argues for an archipelagic approach to the twenty-first-century visual arts of the insular Caribbean. While it is common for scholars to stress the region's heterogeneity, the authors seek out thematic continuities in the art of the Caribbean islands...
Journal Article
Small Axe (2008) 12 (3 (27)): 94–104.
Published: 01 October 2008
Journal Article
Small Axe (2013) 17 (2 (41)): 8–26.
Published: 01 July 2013
...Michelle Stephens This essay explores the visual arts for models of an archipelagic way of thinking that is endemic to the Caribbean and yet obscured by nationalist frameworks. Unpacking the ways Caribbean studies is imbricated within and articulated through a number of discourses—area studies...
Journal Article
Small Axe (2013) 17 (1 (40)): 7–21.
Published: 01 March 2013
... that of more politically visible figures such as Jacques Roumain, Jacques-Stephen Alexis, and René Depestre. Chauvet's exceptionalized status has much to do with her nonparticipation in the gender-bound political culture of her time. This essay seeks to tease out how this pointedly nonaligned woman writer fits...
Journal Article
Small Axe (2015) 19 (3 (48)): 205–224.
Published: 01 November 2015
...Huey Copeland Art historian Huey Copeland takes on Hortense J. Spillers's and Stephen Best's engagements with his book Bound to Appear: Art, Slavery, and the Site of Blackness in Multicultural America (2013). In responding to the two essays, Copeland lays out the ideological conditions from which...
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Journal Article
Small Axe (2011) 15 (2 (35)): 135–153.
Published: 01 July 2011
...Stephen Narain “Battie Boy,” set in 1950s Barbados, explores a young boy's decision to fight the taunts thrown at him by school-yard bullies. It traces his realization that, to truly come of age, he must find a space where he can think and grow on his own terms. © 2011 by Small Axe, Inc. 2011...
Journal Article
Small Axe (2015) 19 (3 (48)): 186–204.
Published: 01 November 2015
...Stephen Best Huey Copeland's Bound to Appear: Art, Slavery, and the Site of Blackness in Multicultural America can be categorized as the most recent in a long line of scholarly investigations into what has come to be called “the afterlife of slavery”—the general preoccupation with establishing...
FIGURES
Journal Article
Small Axe (2006) 10 (2): 261–268.
Published: 01 June 2006
...Belinda Edmondson Small Axe Incorporated 2006 BOOK DISCUSSION: Black Empire Black Empire: The Masculine Global Imaginary of Caribbean Intellectuals in the United States, 1914–1962, Michelle Stephens. Durham: Duke University Press, 2005. ISBN: 0822335514 African American Manhood...
Journal Article
Small Axe (2006) 10 (2): 269–275.
Published: 01 June 2006
...Harvey Neptune Small Axe Incorporated 2006 BOOK DISCUSSION: Black Empire Black Empire: The Masculine Global Imaginary of Caribbean Intellectuals in the United States, 1914–1962, Michelle Stephens. Durham: Duke University Press, 2005. ISBN: 0822335514 African American Manhood...
Journal Article
Small Axe (2006) 10 (2): 287–289.
Published: 01 June 2006
... Small Axe Incorporated 2006 BOOK DISCUSSION: Black Empire Black Empire: The Masculine Global Imaginary of Caribbean Intellectuals in the United States, 1914–1962, Michelle Stephens. Durham: Duke University Press, 2005. ISBN: 0822335514 African American Manhood in the Making...
Journal Article
Small Axe (2005) 9 (1): 134–149.
Published: 01 March 2005
...Brent Hayes Edwards Small Axe Incorporated 2005 Pebbles of Consonance: A Reply to Critics Brent Hayes Edwards would like fi rst of all to thank Nadi Edwards, Michael Hanchard, T. Denean Sharpley-Whiting, and Michelle Stephens for their thorough, provocative, and gener- Ious...