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Journal Article
Small Axe (2007) 11 (1): 76–82.
Published: 01 February 2007
...Susan Mains Small Axe Incorporated 2007 “Justice” Series
Susan Mains
None calls for JUSTICE, nor any plead for truth . . .
Therefore is judgment far from us,
neither does JUSTICE overtake us:
we wait for light, but behold obscurity;
for brightness, but we walk...
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Published: 01 July 2023
Figure 5 Aitak Sorahitalab, The Rhino I Know (the Explorer) , from the series The Rhino I Know , 2022. Painted clay, approx. 8" × 4". Courtesy of the artist
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in Epic Humor: Elpidio Valdés and the Mythopoetics of Populist Laughter
> Small Axe: A Caribbean Journal of Criticism
Published: 01 November 2021
Figure 1 A jovial Elpidio astride his trusty steed, Palmiche, in one of the series’s earliest cartoon shorts. Still from Una aventura de Elpidio Valdés ( Elpidio Valdés’s Adventure ), dir. Juan Padrón and Noel Lima, 1974, episode 1 (cartoon shorts), 6:40 min.
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Published: 01 November 2019
Figure 1 Cuts and Burns (ledger series 002) , 2017. Cuts and burns on paper scroll. Courtesy of I Do Art Agency.
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in Epic Humor: Elpidio Valdés and the Mythopoetics of Populist Laughter
> Small Axe: A Caribbean Journal of Criticism
Published: 01 November 2021
Figure 4 Its humor aside, the series never disavows the epic of Cuba Libre, least of all the iconic machete charge. Still from El machete ( The Machete ), dir. Juan Padrón, 1975, episode 3 (cartoon shorts), 6:49 min.
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Published: 01 March 2015
Brella Krew , from the Fambily series, 2013. Mixed-media, hand-embellished photo tapestry; 78 × 285 in. Collection of 21c Museum Hotel, Louisville. Photo courtesy the artist and Monique Meloche Gallery, Chicago
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in Bodies of Color: Images of Women in the Works of Firelei Báez and Rachelle Mozman
> Small Axe: A Caribbean Journal of Criticism
Published: 01 March 2017
Figure 6. Rachelle Mozman, Polvo blanco ( White Powder ), from the series La negra y su pequeña , 2013. C-print, 19 × 22 in. Courtesy of the artist
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Published: 01 March 2017
Figure 10. Keisha Scarville, Untitled #7 , from Mama's Clothes series, 2016. Archival inkjet print, 24 × 36 in. Location: Buxton, Guyana. Courtesy of the artist © Keisha Scarville
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Published: 01 March 2017
Figure 11. Keisha Scarville, Untitled #3 , from Mama's Clothes series, 2015. Archival inkjet print, 24 × 36 in. Location: Brooklyn, New York. Courtesy of the artist © Keisha Scarville
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Published: 01 March 2015
Pum-Pum Tun-up East and West , from the Church is in session series, 2012. Earthernware, 12 × 5 × 8 in.
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Published: 01 March 2015
Pum-Pum Tun-up Dive , from the Church is in session series, 2012. Earthenware.
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Published: 01 July 2012
Eugene Palmer (b. 1955, Jamaica), Copy Series (One of Six) , ca. 1999. Acrylic on canvas, 48 x 41 in. Collection of Eddie Chambers.
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Journal Article
Small Axe (2023) 27 (2 (71)): 147–158.
Published: 01 July 2023
... greens and blues became muted and desaturated. The images selected for this photo essay were taken from a powerboat, with friends on board, during the first series of explosive eruptions that occurred that day. They are merely a snapshot of the larger project— The Beginning is the End and the End...
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Journal Article
Small Axe (2021) 25 (3 (66)): 45–62.
Published: 01 November 2021
...Figure 1 A jovial Elpidio astride his trusty steed, Palmiche, in one of the series’s earliest cartoon shorts. Still from Una aventura de Elpidio Valdés ( Elpidio Valdés’s Adventure ), dir. Juan Padrón and Noel Lima, 1974, episode 1 (cartoon shorts), 6:40 min. ...
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Journal Article
Small Axe (2022) 26 (1 (67)): 102–107.
Published: 01 March 2022
...Aaron Kamugisha This introduction opens a special section featuring a series of tributes in homage to Kamau Brathwaite. The author’s generational perspective becomes the occasion for a reflection on Brathwaite’s legacy, creative voice, and sustained vision of the future of the Caribbean. The essay...
Journal Article
Small Axe (2012) 16 (2 (38)): 213–227.
Published: 01 July 2012
... Chambers and Huey Copeland on his edited series Annotating Art's Histories. Examining interactions among artists, artworks, and artworlds as a dialogical circuit facilitates close attention to art's aesthetic agency without the pitfalls of biographical reduction to identity or sociological reduction...
Journal Article
Small Axe (2008) 12 (3 (27)): 128–141.
Published: 01 October 2008
... moments: Black Power and Black Nationalism at the end of the 1960s and into the '70s; the political monumentalization of Césaire in Martinique between the late 1970s and his ninetieth-birthday celebration in 2003; and the creation of two book series to serve as cultural intermediaries—CARAF Books and New...
Journal Article
Small Axe (2018) 22 (3 (57)): 90–104.
Published: 01 November 2018
..., this particular film—and related conversations—illustrate the urgent need to exhume the interdependency of both. Antonio Benítez-Rojo’s concept of “repeating islands” is drawn on to illustrate the ways reexamining representations of Caribbean tourism and geopolitics as part of a series of interconnected...
Journal Article
Small Axe (2019) 23 (2 (2)): 80–88.
Published: 01 July 2019
...Suzanne C. Persard This series of poems operates somewhere between the Bronx, Half Way Tree (Kingston), and memory. Indian indentureship in Jamaica is epistemologically eclipsed; queer death is unmemorialized; an opening of sugar packets evokes the violence of empire. These poems reckon with loss...
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